Hey friends. Joe here at Reverb.com and today I'd like to talk about why
Spaghetti Western music is so cool.
Spaghetti Western music was probably most popularized in 1964 with the first film
of the Dollars trilogy by Sergio Leone. The music was composed by Ennio
Morricone. 1964, A Fistful of Dollars. 1965, For a Few Dollars More in 1966, The Good, The Bad, and The Ugly.
This music has spawned generations of influence and has
permeated popular music and film music and classical music of all kinds. Why is
it so cool? Let's talk a little bit about the guts, the language of this music.
Spaghetti Western Music: Why Is It So Cool?
First I'd like to talk about the birth of this genre. It's so
interesting to me that the popular type of film at the time was the American
Western film. And Hollywood American Western was a big-budget film. It had a
huge budget for music so there were these lush orchestral scores.
The Spaghetti Western was approached in an entirely different way. Small budget,
filmed in Italy or northern Spain, small budget for setting, small budget for
music. So this limited budget provided for replacing a big brass or viola section
with a gunshot,
whip,
or a whistle.
And, of course, an electric guitar
that was twangy and verbed out and awesome.
Part of the reason this music is so powerful is because it directly reflects the themes that are occurring
in these films. So what are the themes in these films? Oftentimes there's trouble.
There's inherent trouble, whether it's two gangs pitted against each other in a
town, or clearly a bad guy that's doing something sinister.
So these minor keys, these minor chords:
But then there's some other character that's offering hope -
But there's still an ominous nature behind the whole thing, there's something on the horizon.
Now, it's amazing how you can keep things in a minor key,
but then offer major tonalities like, for example, a flat 6 chord which in this
case is b-flat:
Now, just hitting a b-flat in the harmony beneath the melody offers so much
heroism and strong forward motion I would say.
And oftentimes, we get a four major chord which is stepping outside of the key,
technically, but for film music, that's what you should do.
Okay? It's almost like the spaces between these notes is all that, there's all this
mystery in this space. Not to mention, clearly the galloping
nature of all these rhythms.
Let's take the guitar riff from the second film,
"For a Few Dollars More".
It sounds like this, this riff is still ominous, it's kind of
dark, the sustain of that twang guitar and the reverb that surrounds it almost
carries us kind of into the sunset a little bit.
Really puts us in that place.
Now, same thing happens but a major chord instead of a minor chord:
So that's a bit more heroic, and a bit more like there might be a resolution to
this story type-of-thing.
Back to minor
The melody for the first film of the trilogy, "A Fistful of Dollars", you have
this wonderful passage that outlines a minor chord, okay?
It sounds very Western. Now you have basically the same rhythm and the same
actual idea applied to a different chord. This time it's a major chord:
And then ascending back to the minor chord so, this little glimpse of, this little
glimpse of hope, this little glimpse of a sunrise and then back to the sunset.
It's interesting to think about how Spaghetti Western music has influenced
other styles of music, and how maybe some music, specifically surf music maybe had
an influence on some Spaghetti Western music. So there are similar tones and
similar kind of like twanging guitar stuff going on like fifties Duane Eddy
and stuff and early 60s The Shadows, you know, that surf music. Spaghetti Western music
is somehow darker by using some of the same tones and even some of the same
techniques. And one key difference there is rhythm. Interesting to think about
surf music having you know that standard --
So as opposed to a gallop thing that
happened in Spaghetti Western. So if I take a Spaghetti Western riff and I
played it over a surf beat:
Okay? That sounds like it could have been a surf hit from 1960.
But put this behind it:
And immediately we have, you know, similar tone, same melody, similar technique, a
different rhythm making our heart kind of pound in a different way, and it has
such an effect on the psyche of the entire genre, and the whole color of the
thing. And then on top of that, really sending it home with the sound effect of
a whip, and a whistle, and a gunshot and there's nothing surf about any of that so that
is definitely putting you in the place of, you know, a Spaghetti Western film.
And then the influence obviously carries on, and we can hear a Spaghetti Western
color in records that The Sadies have been on, Chris Stapleton, Arctic Monkeys
you know Neko Case, Ryan Adams so that, this is a very distinct color that many
artists outside of any kind of film music or anything like that really
wanted to tap into as well.
Well that was a super-fun discussion on Spaghetti
Western music. If you want to talk about more stuff like this, other genres
dissecting film music, I really like talking about it, so let me know and we
can talk about more stuff. Thanks for watching, and see you next time.
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