Thứ Hai, 14 tháng 5, 2018

Waching daily May 15 2018

Trump Named 'Worst Nazi In History' For What He Did 1st Thing Monday Morning

President Donald Trump hit the ground running on Monday morning with a move that has already

gotten him labeled the "worst Nazi in history.

You're going to love this!Liberals were irate when, in a show of solidarity with our

nation's closest ally, President Donald Trump announced his decision to officially

move the U.S. Embassy to Jerusalem, effectively recognizing it as the capital of Israel.

Trump's decision to declare Jerusalem the capital of Israel and relocate the U.S. Embassy

from Tel Aviv is contentious for Palestinians, who hope to claim part of the city as their

future capital.

The city is also home to deeply holy sites for Jews and Christians.

On Monday, which marked the 70th anniversary of the founding of the State of Israel, the

U.S. officially relocated its Embassy to Jerusalem from Tel Aviv.

President Donald Trump did not attend the ceremony in Jerusalem's Arnona neighborhood,

sending his daughter Ivanka and her husband Jared Kushner in his stead, but in a video

message broadcast at the event, the president congratulated Israel, saying the opening had

been "a long time coming."

"Today, Jerusalem is the seat of Israel's government.

It is the home of the Israeli legislature and the Israeli supreme court and Israel's

prime minister and president," the president said in his address.

"Israel is a sovereign nation with the right like every other sovereign nation to determine

its own capital, yet for many years, we failed to acknowledge the obvious, the plain reality

that Israel's capital is Jerusalem."

According to CNN, politicians and dignitaries including Ivanka Trump and her husband Jared

Kushner watched as U.S. Treasury Secretary Steve Mnuchin unveiled the U.S. seal, turning

what was formally the consulate building into the Embassy.

"We believe, it is possible for both sides to gain more than they give — so that all

people can live in peace — safe from danger, free from fear, and able to pursue their dreams,"

said Kushner.

"Jerusalem must remain a city that brings people of all faiths together."

Israeli Prime Minister Benjamin Netanyahu thanked President Donald Trump for his support

hours ahead of the opening ceremony, saying, "What an amazing day!

Thank you, @POTUS Trump."

Speaking at the ceremony, Netanyahu hailed the alliance between America and Israel as

"stronger than ever."

He said, "What a glorious day, remember this moment.

This is history, President Trump by recognizing history, you have made history.

All of us are deeply moved, all of us are deeply grateful."

As The Daily Caller's Benny Johnson noted on Facebook, "Donald Trump is literally

the worst Nazi in history" for moving the U.S. Embassy to Jerusalem in a move of solidarity

with Israel, even when this was not a popular decision amongst the American left, foreign

leaders from around the world, and governing bodies like the United Nations.Donald Trump

has been called a racist and a Nazi ever since he first announced his candidacy for President

of the United States in a speech which took aim at the criminal illegal aliens flooding

into the U.S. through our porous southern border.

While the then-candidate was absolutely right that many of the illegal immigrants who come

to our country are rapists and murderers, the left took issue with his politically correct

honesty, labeling him a "racist," a "bigot," a "Nazi," and a slew of other derogatory

things.

However, as Benny Johnson noted, if Trump is a Nazi, he's literally the worst one

to have ever existed.

For one, his daughter Ivanka, son-in-law Jared, and three of his grandchildren are Jewish.

Trump not only respects their religion, but he is tremendously close with all of them.

Does that sound like a Nazi?

Likewise, the president has worked to establish closer ties with Israel ever since his inauguration,

strengthening a bond with the Jewish capital of the world which his predecessor Barack

Obama had systematically worked to destroy during his eight years in office.

Does that sound like a Nazi?

Trump also works diligently to ensure that the Second Amendment rights of law-abiding

Americans are not infringed.

That would be problematic if he were, in fact, a Nazi, as Hitler disarmed his people so that

they could be controlled by a tyrannical government.

All of the evidence suggests that President Donald Trump is "literally the worst Nazi

in history," but will liberals take a look at the facts and stop insinuating that he

is one?

I wouldn't hold my breath if I were you.

After all, no one has ever accused a liberal of employing much common sense.

For more infomation >> Trump Named 'Worst Nazi In History' For What He Did 1st Thing Monday Morning - Duration: 4:58.

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Yoga For Knee Pain Relief In Telugu | Yoga For Knee Pain | Yoga Videos | Yoga In Telugu - Duration: 4:18.

For more infomation >> Yoga For Knee Pain Relief In Telugu | Yoga For Knee Pain | Yoga Videos | Yoga In Telugu - Duration: 4:18.

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More money set aside for new Greenville park - Duration: 1:23.

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The Least Attractive Cars for Sale in 2018funny - Duration: 11:02.

The Least Attractive Cars for Sale in 2018

We're going to preface this roundup of unattractiveness with the notion that matters of style are subjective.

Having already applied our collective critical eye to the most attractive cars for $40,000, our attention now turns to those cars that aren't being bombarded with modeling contracts.

Afflicted by poor proportions, awkward detailing, or a combination of both, these are the ten least pretty new cars you can buy in 2018.

Click through to see them all:.

BMW 6-series Gran Turismo.

In our instrumented test of the 6-series GT, which takes over for the truly ungainly 5-series GT in BMW's lineup, we described the vehicle thusly: "It's not pretty, but it has a robust presence that isn't SUV-ish or wagon-y." Ugliness is in the eye of the beholder, but the 6er's proportions shade those of the 5-series GT.

The silver lining behind its humpbacked appearance is the 6-series GT's tall ride height and nicely maximized utility, cargo room, and rear-seat space.—Alexander Stoklosa.

Fiat 500L.

The 500L has few redeeming qualities, and its styling might be the worst offense.

Bloated and bulbous, the wagonized city car looks like a 500 dealing with the same allergic reaction Will Smith had in Hitch.

Fiat attempted to capitalize on crossover trends with attributes such as fake skid plates, stacked lighting, and a floating roof, but there's zero flow to the shape of the vehicle, and the proportions give us heartburn.

The Mini Countryman is a better example of how to properly inflate an icon.—Tony Markovich.

Ford Fiesta sedan.

https://hips. hearstapps.

com/hmg-prod/images/4-18fiesta-sedan-1526311740.

jpg.

We're still mourning the impending demise of almost every car sold by the Ford Motor Company with one exception: the Fiesta sedan.

Although there's no denying the Fiesta's dynamic competence, the sedan's styling is decidedly inept.

While the Fiesta hatch is handsome, the sedan's tacked-on-looking trunk gives the subcompact Ford an undeniably awkward shape.—Greg Fink.

Honda Civic hatchback / Type R.

It can be difficult to wrap one's mind around the notion that the streamlined Accord sedan and the over-lined Civic lineup are built by the same automaker.

Among the riotously styled Civics, the sedan and the coupe aren't nearly as crisscrossed by creases and blistered with protrusions as the hatchback.

The 306-hp Type R variant is downright overcooked, with even more adornment in the form of spoilers and flaps and such.

Pretty the Civic ain't, but there's no ugliness in their sweet chassis—hence the Sport hatchback, Type R, and Si coupe and sedan made our 2018 10Best Cars list.—Alexander Stoklosa.

Mercedes-Benz CLA-class.

Translating Mercedes-Benz's flowing design language to a compact sedan proved challenging.

Go figure.

There simply isn't enough real estate on the stubby, front-wheel-drive CLA on which to smash the handsome, full-size S-class sedan's styling elements.

Benz clearly tried anyway, resulting in the CLA's embryonic resemblance to larger Mercedes models.

Mitsubishi Mirage G4.

The subcompact Mirage G4 sedan melds the plain looks of the Mirage hatchback with a rather dumpy sedan profile.

While the finished product's packaging does wonders for rear-seat room and cargo space, it results in an exterior design that only a Mitsubishi employee could love.

Rubbing salt in the Mirage G4's design wounds are its tiny wheels, which look even smaller next to its slab-sided body.

Nissan Versa sedan.

The Versa sedan's styling appears to have been cribbed from a preschool drawing class.

Tall and narrow, it has an awkwardness that's emphasized by a long rear overhang, oversize headlights, flat sides, and tacky taillights.

The generally attractive Versa Note hatchback shares not a single exterior piece with its homely three-box sibling, so we can't even blame the "tacked-on trunk" affliction that plagues the Ford Fiesta and Mitsubishi Mirage sedans.

Tesla Model 3.

A smattering of Tesla styling cues do not a pretty car make.

Sure, the Model 3's headlights and taillights and the shape of its side-window openings vaguely resemble those of the unassailably attractive Model S.

Too bad they're applied to a tall, bulbously shaped body caught somewhere between a car and a crossover.

In lieu of a grille, the faceless front end features a grille-shaped scallop in its bumper that resembles a large dent.

But hey, it offers a less expensive entrance to the Tesla mystique.

Toyota Prius / Prius Prime.

Through four generations, the Prius has stood out visually as an "other" in the automotive landscape.

The signature look has served Toyota well for two decades, turning the Prius into a sort of visual synonym for hybrid.

For this latest Prius—as well as its slightly different-looking Prime plug-in variant not pictured here—Toyota hopscotched right past charmingly offbeat and right into the bizarre.

The exterior lighting at both ends reads like gashes in the bodywork, and few, if any, of the creases and shapes stamped into its flanks seem to line up coherently.

You won't mistake it for anything else, which would seem to be the point.

Toyota Yaris sedan.

Don't get us wrong, the Yaris sedan (formerly known as the iA) is a good car, thanks to its Mazda 2 bones.

It drives well, gets decent fuel mileage, and offers a stick shift.

Approaching from the rear, it could even trick onlookers into thinking it's attractive.

But closer examination reveals that those swooping body lines lead right into an angry Gourami fish mouth.

Contrasted against the body paint, the gaping blacked-out grille looks like a combination of a failed duck face and a child forcing a smile at a parent's command.

With its angry headlights and nose slits, the car's face—about as intimidating as Prison Mike from The Office—unfortunately dominates the entire look of an otherwise solid design.

For more infomation >> The Least Attractive Cars for Sale in 2018funny - Duration: 11:02.

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질염을 자연적으로 완화하는 5가지 요법 - Health For you 건강 - Duration: 7:03.

For more infomation >> 질염을 자연적으로 완화하는 5가지 요법 - Health For you 건강 - Duration: 7:03.

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Why Arizona sports gambling won't be legal for a while - Duration: 2:48.

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For more infomation >> The door has been opened for legalized gambling - Duration: 2:31.

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For more infomation >> Pa. State Police Search For Suspect In Indecent Exposure Case On Perkiomen Trail - Duration: 2:05.

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Duval School Board selects three finalists for superintendent - Duration: 1:21.

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For more infomation >> Westside crime in the way? What it means for Super Bowl LIII - Duration: 2:28.

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Day 15 - A Relaxing But Potent Sequence For Lower Back Pain with Ryan Hill - 31 Day Yoga Challenge - Duration: 28:53.

Hi my name is Lindsay Gibson here at Majestic Yoga Studio today is Day 15 and

we are halfway there have fun

Hi I'm Brian I teach at Majestic Yoga I've been teaching for about eight or nine

years and this is a simple sequence that I do on my own a lot and then I start my

group classes just as a warm-up with a lot and it's about just being able to

stabilize and drop into yourself and your breath so let's just start lying

down in the back have either a yoga strap or honestly you can just use like

a hoodie will be absolutely fine and just come and lie down on your back with

your feet planted under your knees and why don't you take your arms out a

little wide for me and just flop

and this is gonna be great today for lower back pain or again just as

something to do to relax yourself but we're gonna do a little work to just

start by taking some yawns I like breaths so that in a in a passive way

you can start to elongate your exhales

do that the next time too

good good yoga breathing for me is less about being able to pull and inflate and

more about what's the quality of that out-breath and leaving each time what's

your belly quiet

and then bring your feet a little bit wider like as wide as the mat I want you

to try to keep breathing that way I keep exhaling for like like an ohm for a

moment each time and then with your feet about as wide as the mat turn your toes

a little bit open and just let your knees start to fall over to the left

till they just drop and then turn your head to the left - and reach your right

arm towards the ceiling and then reach your right arm behind you next to your

head and this is someplace will be for a moment don't like harden to get as far

in as you can just fall on your butt full on your middle back and work on

exhaling with quality with adoration again where your breathing system your

your belly kind of like the piston of an engine is is getting revolved each time

you get to that bottom of your out-breath

and you don't have to think about this as pressing that top knee that right

thigh toward the floor sometimes I'll hold my right inner knee my right inner

thigh up a little bit and really think of reaching forward reaching my right

arm back we're getting longer without losing that sense of being really just

falling at my middle just that it's still able to take these out breaths and

then and then the next one

and slowly from somewhere in your low belly hold your legs back up and why

don't you even bring your feet a little narrow or point the toes forward again

bring the hands to the belly and just take a sigh or two to sort of re land

that works and then and then again set your feet a little wider you might bring

them a little closer to you turn your toes slightly out and you're just gonna

let your thighs hang over rightward again and especially at the beginning

here don't really push for it he's falling over turn your head to the right

as well reach your left arm towards the ceiling you could take your left arm

next your head behind you but let the quality of this not be so I want you to

drop into your soft middle back I want you to find this this drop into the

bottom of that long out-breath that's that's what you're doing

and if there were to be any kind of pressing more don't think of it as

pressing down you know with that top thigh maybe but almost make the the left

inner knee a little buoyant and get longer front to back trying not to lose

that sense of the the back ribs just that that whole exhale there and you can

you can create firm action but still feel that there's that response

she's just gonna take another long exhale or two to work on that

and then kind of from somewhere at the top of your inner thighs to slowly pull

your knees up or your hands to the belly maybe walk the feet around a little bit

just find the middle for a for a thigh or two

and feel that the center of your back could still have this very just dropped

in dropped into the mat quality and interlace your fingers underneath your

skull but just let your head stay heavy in the hands for this first moment so

bring the skull on to the knuckles and then point your elbows straight up but

just leave the head heavy in the hands and take some exhales again and field at

the base of your spine could just be fallen heavy could be dropped and that's

sort of like right at that the middle of your back ribs there could just be a

fall in quality it's like point pointing your elbows up has spread your shoulder

blades kind of shown your back to the floor a little bit and then just let

your back yeah if so it kind of saw her body shift a little bit

when she just don't let that that rib in her middle back just drop she's gonna

take a couple more exhales to just keep the tide flowing

now lift your head just a little like just barely lift your head and see that

that amount of effort doesn't cut you off the fluidity in your vitals that

we're working on cultivating and then see if you can lift your shoulder blades

so lift your upper back ribs a little bit but without really pulling the

forehead forward so you're almost almost lower your forehead a little can you

isolate to just lifting the shoulder blades and then key back failing and

keep this sense that right at the center of your middle back there's just this

dunk your low back your the base of your spine the base of your spine is also

still dropped on the floor just dropped good and I want you

to take a couple more out breaths to try to isolate the movement through this so

it's not crunches

she can just slowly rest the head down just slowly put your head down bring

your hands to your front of your thighs for just a second

and then reach your left arm overhead straighten your legs

reach it all the way to the floor and then roll onto your left side on your

arm so she's gonna put her head heavy on the arm with the whole body stack and I

want you to look down your belly and really bring ankles hip bone armpit all

together you can turn the bottom palm the bottom arm the palm hop and just

leave the top hand in front of you for the first moment to feel more for sort

of rolling on the hip and feeling you'd rather roll forward than back and can

you really get a sense that seems sort of dunk like in the back body of just

don't falling right on that good spot of your outer hip for a series of long

exhales and that's really where we're trying to send a message to the body

trying to stay present with that moment where the exhale is ended but you're

gonna let the belly come out when the inhale comes in like release and so I

really I really link my sense of support to that sense of my exhales being able

to end and it's not about like it's just what the the natural I want you to

notice the natural pulse and support in there and if you want to balance and

take your top arm onto your body you can do that but it's actually hard it's

actually hard and so I want you to feel you'd rather roll forward than roll back

you can get that same sense of don't with falling on your outer hip socket

there and there's steady L bruh and the head could be heavy on the arm it's hard

so working on this another couple moments you'd soften the top arm

and try to really just rely on that bottoming of the exhale soft

support she's feeling I'd rather roll forward

than fall back on my bum

and then she roll over so roll onto your back take a second

wanting to bring your feet in again bring the hands to the belly again take

a yawn sigh moment and then as you're ready come roll on to the other side you

can roll away from the camera let them see your back body and bring the head

onto the arm and start by actually looking with your eyes at your toes and

lining ankles hip head elbow all up and seeing can I fall on this spot

and breathe out

each time

and then the bell he lets out when you breathe that

and when you're ready if you're ready it might be better for you if you have a

lot of hip pain it might be better for you to just work on this quality in

there but you can put your arm on your body and add to it is it helpful for you

to add to it you let your head be heavy on your arm take a couple more long

exhales like four

sometimes you might notice yourself just kind of like not being able to it's cool

just remember again what is that all the way through the spine you can play with it

she's gonna flop on it we're back again and bring the feet in bring your

hand through the belly again just take a sigh and bring the feet a little a

little closer to your bum maybe a little wide just pointing the toes straight

forward and let your arms just fall out to a tee for me and then start to reach

your knees away from your head forward to lift your bum a little bit for a

bridge pose but I call this version a Hammock Pose so I actually want you to

not lift your butt very much at all and then just be a hammock and let yourself

fall through it if you want you can even take your arms overhead as long as

there's like a floppy quality at your elbows yeah there we go I want you to

just take those five breaths where we go back to being attentive and maybe go

back to noticing a specific rib that gravity has against the mat

and noticing how your breath is shifting that rib's relationship to gravity

to the mat

if it feels like your feet are too far away from your head you're probably

right pull them in a little bit get a sense of support I don't

hate that for her and then from here see if not really lifting your chest all

that much more yet you could create an arch in your lower back you could lift

your lower back higher than your butt but still have a sense of rest on those

upper ribs still have a sense that there's this falling on to that rib it's

on the mat underneath there I'm pressing it down you're just falling on it

and What''s difference? What's the difference between that?

and so I'm gonna ask her to even more really show us an arch under here

but let the bum just kind of drape pretty close to the ground so she's

arching and then instead of like pressing your back into the floor can

you just fall on your back with your spine in that position

and we'll take a few more breaths you can gently press your head yes into the

floor like press your scalp a little into the mat

and then just slowly lower down and relax

and interlace your hands behind your head again and just rest your head in

the hands point your elbows up and wait another moment because as you take a few

breaths reset that's a nice move you can do a little wiggle walk on your

back into the mat but then let the body relax so base a spine is heavy center of

the middle back don't and you can feel that when you

take that out breath that that spot on your middle back sort of you never just

want to pull into one direction when we're doing this stuff it's like you're

on a raft it's like you're floating and so if she lifts her head just a little

bit go ahead lift your head some and wait relate that shift of gravity along

your back to your breath and then see can I lift the shoulder blades but not

so much pull the forehead forward so that's actually really hard and could

you still exhale and get a sense of not squeezing your butt the base of spine is

just heavy now I want you to just float one leg in the air make sure you're not

curling your tail up you've just got a heavy base of the spine if it's

comfortable you can straighten that leg it doesn't have to be vertical maybe

even go a little forward just to show it that's fine and then I want you to try

to rotate this thigh bone in its socket and still be exhaling and still not be

pulling your forehead forward and still have a sense of the base of the spine

just thunk dropped into the mat it's actually pretty hard for her I can see

the challenge coming she's gonna take a few more breaths and all this this

movement this not pulling on the head it's all about kind of training really

our reaction to the vitals to the exhale to how we carry the middle and let's

just switch legs you can rest your head in between take a couple moments do a

little dance and maybe your head still up go ahead take your other leg up

and just make sure that this isn't coming from a place where we start to

try to really pull the tail up off the floor the base of the spine is dropped

the middle back is just resting and as you're trying to get the shoulder blades

up we're seeing that we're not just pulling the floor head forward this is

hard work she can give it even a little less in this leg as we just test what

happens in the socket what happens along the base of the spine when we rotate the

femur this this die bone in that socket and that is really gonna challenge her

ability to exhale but if we can speak to this area like this we're setting

ourselves up for success and we can just relax everything and just let the arms

fall down wherever you can take a quick shavasana just slide your legs out and

feel good for your belly

and here's where you could use a yoga strap we're honestly just an

article of clothing and I'm gonna we're gonna demonstrate with a hoodie because

sometimes it can be nicer even to have like this broad fabric so coming back to

neutral it's been our starting point a bunch of times now feel that your belly

is soft and with your arms out to a T this time and I realize I'm not ready to

do this yet I'm glad you have it pick your feet up and just let your

thighs fall towards your belly and instead of pulling in like it like you

had your hands there or something keep the base of your spine heavy

and instead of checking out keep your exhale going every time and that's gonna

create a shifting in the belly and because we are not crunching in you know

trying to press shut the back towards the floor we can

feel the spine moving a little bit because of that whole exhale you can

feel your thighs sort of washing away from and washing up on the belly maybe

even just the fact that that out-breath is still occurring doesn't have to be

perfect you can feel your lower vertebrae slightly graph on a raft

so now as you take your hands to the shins we're not trying to pull the butt

off the floor press the base of your spine down and rest fall don't onto a

neutral back and take a couple breaths feeling that even holding your shins and

you can bring your knees too close little closer together if you want isn't

cutting off that slight movement that was happening in your lower back that

slight tilt of the thighs touching the skin of the belly

now informed by this place the feet back on the ground and neutral grab your

hoodie or strap and take your right leg up and reach your arms up straight to

grab whatever you got there while me and her we can do a version of this pose

where the foot comes in over the face I want you very purposefully to put your

leg vertical and make the base of your spine heavy both sides of it and what

this isn't is trying to press the low back towards the floor we're trying to

stay with this sense that just the breathing exhale completely it's gonna

keep us a little versatile under there

and if you do really like to bring that foot close to you you probably really

like to stretch your inner hamstring okay so grounding the right side of your

hip bone I'm even pressing on her a little bit and keeping your knee from

turning in is gonna help you work with your our hamstring keeping the leg up

here is gonna help you work with hip flexor hip pain sources okay now if we

were to move on from here I want you to keep your legs straight so you're not

using your biceps we'll slide the left the left heel half way forward so don't

slide your legs straight so take your left heel half way forward and then pull

lift the front of the foot and pull your left heel and outer right hip towards

each other and then press your left heel away from you on the mat and then pull

it towards your right hip and then press it away from you and what we're

experimenting with is the way the weight is sitting across and on the base of the

spine so if she were to take her left leg straight you can try maybe don't do

it all the way she's gonna notice if suddenly the weight is all on one butt cheek

this happens so easily right so watch

your out-breath again watch me relax your eyes

and take a little bit longer maybe both legs end up straight it might really

help you to keep the left foot bent or on the ground right if she's taking that

left leg all the way straight we still want a feeling basis spine is just dropped

give it one or two more of the breaths

and then put both feet on the ground set the thing to the side for a second you

might go right to the other side but I like to bring the feet to neutral under

the knees take a breath or two to feel the middle and then you take your other

leg up and again especially if you're used to doing it another way like bring

the elbows to the floor or bringing the toes over the eyes I want you to

actually point your foot into your prop press into the puddi to bring the leg

straight up and down right forward and straight up and down and then instead of

pulling your foot more in from here we're trying to fall on to the base

we're trying to fall on to the base relax the tongue and ultimately what

what resets me to that awareness of my spine of my middle is that that duration

of the exhale and just the ability to do it and then you can get a little more

subtle about am i forcing my lower back vertebra into a position or is the

breath gently coasting me and if you want to take your right heel halfway

forward and start to play a little bit remember it's not about can i play with

reaching all the way out it's about can i play with how i'm responding to the

weight shifting across the two sides of the base of the spine left to right and

you can play with this less less can be more more can be more just don't get

grunty on me in the throat keep the head relaxed keep exhaling

we're almost done today

and even though this is can seem like a more passive variation you can really

like push a little bit yeah I like that and bring the weight back on this one

all right and when you're done we can set the prop to the side slide the legs

out straight interlace your fingers press your palms up and then reach the

arms half way overhead not all the way and just wait here a few more breaths

you can reach your legs a little stiffly forward if you want

you can take the arms a little more if you want but if your back just like

totally shifts its connection to the floor

maybe stop just before so you still have a rested sense a bit another exhale or two

and then bring the arms down at the sides give the feet and legs a little

wiggle and this would be a great time to take shivasana this would be a great

time to turn over and do some Sun Salutations or check into one of our

other 30 minute videos of a more active class but like I said this is something

when I have only the time then I actually do a lot to help stabilize my

center so thank you so much have an awesome rest of the day I hope this was

helpful for you and Namaste

For more infomation >> Day 15 - A Relaxing But Potent Sequence For Lower Back Pain with Ryan Hill - 31 Day Yoga Challenge - Duration: 28:53.

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Watch: BTS Unveils Enchanting Teaser For "Fake Love" MV As They Gear Up For Comeback - Duration: 1:46.

Watch: BTS Unveils Enchanting Teaser For "Fake Love" MV As They Gear Up For Comeback

BTS has revealed a first look at their comeback music video!.

On May 15 at midnight KST, the group dropped the first official teaser for their upcoming Fake Love MV, with a mesmerizing plot that will have fans on the edge of their seats.

It also gives a tantalizing preview of the new track.

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As they gear up for their comeback, BTS most recently shared a for their new album Love Yourself: Tear.

They have also shared concept photos (divided into a and set), and a with a solo track by V.

BTS will be making their return on May 18, and performing their new track for the first time on television at the Billboard Music Awards on May 20.

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