Thứ Hai, 28 tháng 5, 2018

Waching daily May 28 2018

(Eating)

You're going to eat the head too?

Yes.

- Is it good? / - Yes.

- You should take it off. / - No, don't.

- Why? You can't? / - No.

But how can you eat so well?

What are they eating early in the morning?

Do you remember the dried anchovies?

(His friend, Lani gave him a gift.)

What is it?

Dried anchovies.

(He was moved by the personal gift.)

Siha has been asking about Lani a lot since.

So we invited Lani and Yoonji over.

Lani is a huge fan of dried anchovies.

To properly welcome our guests,

we prepared some thick and big anchovies.

If you take off the head, you can see the poop.

(I don't want that.)

You should remove the head before eating.

Try it, Siha. They're gifts for Lani.

(Lani?)

I'm sorry.

(He holds a head with his right hand.)

(And it goes into his mouth.)

- Is it good? / - It's good.

(He loves anchovies regardless the part.)

(He apologizes for the second time.)

- It's anchovy poop. / - Eat it?

No, you can't eat that.

- Eat. / - You want to keep eating?

(They're good enough to be shared.)

(He notices the cameramen.)

Uncle.

Eat it.

- Did you take out the poop, Siha? / - Yes.

Thanks.

Give him the one with the poop still attached.

Mister.

(Why am I "mister"?)

(Let's see.)

(Siha feels bad.)

I'm sorry.

(He takes off the head.)

(And hands the poop to his dad.)

Okay.

- Eat it. / - Thank you.

Good job.

One more for Siha.

(Siha shares the things that he likes.)

Is it really that good?

- Yes. / - I see.

When I was young,

my dad used to pick off anchovy heads too.

I'd lay down next to him like you too.

Whenever I'm with you,

old memories keep surfacing.

- Okay. / - That's right.

What do you think about when you're with Daddy?

Anchovies.

What?

Anchovies.

- You remember anchovies? / - Yes.

(Do I look like one?)

(Are you really trying to pick off my head?)

First, we'll stir-fry them.

We have to wash up. Lani will be here soon.

You need to brush them. Like this.

(Uncle, I can brush my teeth well, right?)

(He gets his diaper and clothes changed.)

Let's go!

Let's go!

(However...)

Why are you giving me that sly smile?

(At that moment)

(They become nervous when the time arrives.)

Lani must be here.

Incoming call.

(Running)

Hold on.

Let's go.

They are here.

Give this to Lani.

- Welcome. / - Put it around her neck.

- Hello. / - Hello.

Siha.

(Lani comes in without hesitation.)

- Siha, hello. / - Siha.

Hello.

(He drops the flowers and steps backward.)

Give this to Lani.

(Am I trembling?)

- Goodness. / - What is that?

(Taegyu helps him.)

Lani, Siha will give this to you.

(Will he deliver it well?)

Welcome.

(He succeeds.)

Thank you.

(Embarrassed)

Lani, come here. Siha, let's go.

(Dad, hold my hand.)

Excuse us.

Welcome, Lani.

(Lani enters like a president.)

Is this Siha's place?

- Yes. / - Goodness, thank you.

Siha, who is that?

Lani.

Lani.

- I'm at your house! / - It's unbelievable.

I'm in awe. How did this happen?

Why does this move?

(Lani sees a moving camera.)

It's okay, Lani.

It's scary, right?

I guess it knows how to move.

(It's not scary.)

(Siha brings something.)

(Will she like it? I think she will like it.)

Here, Lani. What is this, Siha?

A present.

(Don't be nervous.)

- What is this? / - Anchovies.

(Anchovies)

You keep bonding over anchovies.

Take it. It's your present.

- Say thank you. / - Thank you.

Thank you, Siha.

Did you prepare the anchovies?

Siha, give one to Lani.

(Siha feeds Lani an anchovy.)

- Have you been well? / - Yes.

Okay.

Siha, shall we try that?

(At that moment)

(Lani wants to share her anchovy with Siha.)

(His eyebrows show his flustered state.)

(It's the biggest crisis he faced in his life.)

Siha.

(Come on.)

Will you eat it?

Taegyu!

Why are you...

Goodness.

I'm being silly, right?

All right, Siha.

(Siha is cute.)

Lani, do you want to go to Siha's room?

Siha, take her to your room.

Do you have a room, Siha?

- Lani, follow Siha. / - Really?

Follow Siha.

(What does Siha's room look like?)

Siha's room is pink.

Lani sits down on the pink bed.

(They sit down side by side.)

(I don't know what to say.)

(Lani gives him an anchovy.)

Their friendship is built on anchovies.

They are so cute.

Lani, are you peeling a tangerine?

I'm really good at peeling tangerines.

(She peels a tangerine with her small hands.)

(Her mouth shows that she is concentrating.)

(She splits the tangerine in half.)

Here, Siha.

(She gives it to Siha.)

(Staring)

(Then she takes a bite herself.)

(Siha follows Lani around.)

(Lovey-dovey)

Lani is into princesses these days.

She brought an outfit to wear in front of Siha.

What is this?

(What is that?)

(Siha follows her as if he is in a trance.)

Mom, I want to wear a pink dress.

- A pink dress for Lani. / - A pink dress?

I want to wear a pink dress.

What could this be?

- What is this? / - What is this?

Siha, you are as pretty as a princess.

A princess.

I only have girls' clothes.

It's an outfit for Snow White.

Snow White.

(It's precious.)

- Siha, do you know who Snow White is? / - Yes.

Do you want to wear a princess' dress?

Yes.

Lani, what are you doing?

(Lani undresses.)

(Siha is surprised.)

- I want to wear this. / - Okay.

Can you wear it by yourself?

Let's become a cool prince

and a cool princess.

(How did they transform?)

Oh, my goodness.

The one who walks elegantly is...

(Princess Lani in pink walks elegantly.)

How pretty!

How pretty!

(Let me see.)

(Satisfied)

Transform!

What did I become?

- A frog. / - A frog?

- Siha. / - Siha, you look pretty.

- Come on in. / - Come on in.

He is a princess.

Siha, you are so pretty.

(He is 100 percent in sync with Snow White.)

Even his hairstyle is perfect.

(Satisfied)

Siha, you are so pretty.

Lani, do you like it?

(Her facial expression says all.)

Princesses, sit down.

There is one for Siha.

(They are...)

Ta-da. Princesses.

Oh, my goodness.

How pretty!

(I want to look at myself more closely.)

(What is Lani doing?)

(She is applying makeup.)

- Do I look pretty? / - Yes, you do.

Here.

You are good at it.

Put it on gently.

- I put it on gently. / - Don't do it with force.

Siha, you look so pretty.

Siha, do you like it?

Yes.

(They are absorbed in being princesses.)

For the princesses who must be hungry,

Taegyu prepares lunch.

He stir-fries bacon and zucchini,

and adds cream sauce.

Then he mixes the sauce with pasta

to make cream pasta.

Taegyu is good at making pasta.

Shall we eat?

It's hot, so make sure to blow on it.

- Goodness. / - Thank you for the food.

(Goodness.)

- Thank you for the food. / - Eat up.

Try it.

You say that again after you finish eating.

Thank you for the food.

How does it taste? Is it good?

Yes.

(He takes another bite.)

There you go.

(His eyebrows show that he is enjoying it.)

- Try it, Lani. / - There you go.

(Lani takes a bite as well.)

Take a big bite.

(It's tasty.)

There you go.

How did I end up eating pasta you cooked?

(Unexpected things happen in life.)

Taegyu, eat some more.

- Taegyu, eat some more. / - What?

Taegyu, eat some more.

"Taegyu, eat some more"?

Goodness.

How cute!

Siha, eat up.

Here. Take a big bite.

(He takes a bite in a powerful way.)

There you go.

Goodness.

There you go.

- What is this? / - It's a camera.

The uncles set it up

to film you in a pretty way.

- Okay? / - What's this?

Why don't you show the uncles how you enjoy your food?

(My eyes are set on that uncle.)

(He chooses the uncle who is behind him.)

Pick it up.

(Watch me, Uncle.)

Look at that uncle and enjoy your food.

Enjoy your food.

(Here I go.)

There you go.

Look at the camera.

- Look at the camera. / - That's it.

(I won't let go of it.)

- How cute! / - Good job.

Siha, you are eating well.

I was so surprised.

(Lani doesn't seem to be feeling well.)

(Mumbling)

- Do you have the urge? / - Yes.

- Press on it. / - Uncle.

- Uncle. / - Ask him.

- What? / - Restroom.

- Restroom? / - Yes.

Show Lani to the restroom.

Lani wants to go to the restroom.

(He sees the desperation in her eyes.)

- Follow Siha. / - Follow Siha.

(Running over)

Lani.

It's here.

(Lani arrives a moment later.)

It's here.

(It's here.)

Good job.

(Don't mention it.)

(She brings the step stool.)

(She steps on the step stool)

(and sits on the toilet.)

(Meanwhile,)

(Siha covers his eyes for Lani.)

I will poop and go out.

(He pretends to not hear her.)

(Grunting)

(Grunting)

(Siha turns around for Lani.)

(Grunting)

(Siha stays by Lani's side.)

(Moon crystal power!)

(When will it end?)

(Wait a bit longer, Siha.)

(They share an important moment.)

- Mom, I'm done. / - Okay.

(Siha is relieved.)

Are you done?

Oh, Siha was waiting.

Hold on, Siha.

Thank you for staying by her side.

(Yoonji marvels at her achievement.)

Lani, you pooped well.

(He waits until the end.)

Siha was waiting. Look.

- Come on down. / - Thank you, Siha.

Thank you for waiting.

Thank you for waiting. Let's go.

(Lani feels much lighter.)

- I'm happy. / - Are you happy?

(Let's have a kiss.)

(Uncle, I did well, right?)

(He screams like a dolphin.)

Yoonji, come here for a second.

Taegyu is acting in a suspicious way.

What is he doing?

Yes. Hold it like that.

(Siha doesn't know anything.)

(Did Taegyu prepare a special event?)

What is Lani helping them carry?

(What?)

Siha, look at this.

What is this? Who knows what this is?

- It's a train. / - That's right.

- Watch. / - Get ready.

(What is it?)

Watch. Watch.

(Goodness.)

I will put a snack on the train.

You get to eat it one by one.

- Are you ready? / - Yes!

Lani, are you ready?

Yes!

Eat it.

(However,)

(the train is too fast.)

It's too fast.

It's too fast.

You can do it. Come on.

(Sad, restless, nervous, worried, tensed)

(They get another chance.)

- Here it comes. / - Lani, the orange tray.

(Let me catch you.)

- Here it comes. / - Lani, the orange tray.

(What will happen?)

Go, go.

(They caught the snacks.)

(He puts it in his mouth.)

There you go. Good job.

(This is fun.)

Here we go again. Are you ready?

- Yes! / - Yes!

Are you ready?

- Yes! / - Yes!

All right.

Here it comes. Let's go.

(Yes!)

Good job!

Here come the strawberries.

Lani, the orange tray.

(They became more relaxed.)

Siha.

- There you go. / - There you go.

(Eating)

Good job.

- It's fascinating. / - Is it fascinating?

(It's fun.)

Dance!

(It's a happy dance time.)

(Lani dances as well.)

(Inviting the guests over is a huge success.)

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ఈతంత్రంపాటిస్తే దోషాలుపోయి సకాలంలోవివాహం | Astrology | Remedies for Late Marriage Problems in Telugu - Duration: 4:26.

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Kiran Bedi, Tihar Jail: Learn Hindi with subtitles - Story for Children "BookBox.Com" - Duration: 5:02.

Tihar Jail

The jail warden led me

The jail warden led me

through a dark winding passage.

I was almost suffocated

by the humid stench of the open gutters

that lined the walls.

Soon we came to an opening

where hundreds of people,

all dressed in striped rags,

stood looking at me in wonder.

The warden suddenly broke the silence

by yelling some commands at the crowd.

Where there was space

for 2,500 prisoners,

more than 10,000 were herded together

within the walls of Tihar jail.

I thought to myself,

if there was a hell on earth,

this was it.

That very moment I realised

why I had been posted

as the Inspector General, or IG,

of the infamous Tihar jail in Delhi.

I had to do something

to improve the condition of the prisoners.

I knew that it would be

the toughest challenge so far in my career.

I began to visit the prisoners every day.

I was told

that the IGs posted there before me

would never set foot inside the jail premises.

In the beginning, the prisoners would crowd around me

and not speak much as they feared wardens.

I would sit among large groups

and discuss their problems.

I knew that apart from improving the hygiene

and general condition of the prison,

I had to also keep the prisoners busy so that

they would not have any free time to get into mischief.

I started by introducing some simple

but effective routines for them

such as walks around the prison, sporting events

and cultural events like singing and acting.

I soon formed

a group of trusted officials

who helped me.

A major problem that my team and I faced

was that of religious groupings

and enmity between them.

To put an end to this danger

we began to celebrate festivals from all religions,

like Rakhi, Holi, Ramzaan and Christmas.

like Rakhi, Holi, Ramzaan and Christmas.

This helped the inmates

to accept each other's religious practices better

to accept each other's religious practices better

and even feel good

about participating in them.

I also made sure

plenty of books were available.

Soon, many universities

began to offer courses for the prisoners.

We introduced meditation

and helped them think positively

and plan their life outside prison.

and plan their life outside prison.

and plan their life outside prison.

I was posted in Tihar Jail

between 1993 and 1995.

Those two years were the most fruitful years of my life.

On my last day,

as I went on my usual round of the prison,

I saw what could only be described

as an ashram of Indian rishis.

Hundreds of hardened criminals,

who had committed the worst of crimes,

were sitting peacefully in meditation.

The grounds were green and filled with sunlight.

Inmates were either preparing for exams

or learning a craft

that they were passionate about.

For more infomation >> Kiran Bedi, Tihar Jail: Learn Hindi with subtitles - Story for Children "BookBox.Com" - Duration: 5:02.

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This is a normal template with text, media & logo placeholders

But the order of the folders are currently confusing for the end user

Import the MotionElements AE Example Template

The folders are structured clearly for the end user

Move your placeholders into each respective folder under "01 Import Files Here"

Please replace your logo placeholder with our MotionElements logo

Please do NOT use logos that belong to other marketplaces

"02 Edit This" folder should contain the compositions the user use to customize the template

Move your editable compositions here into the respective folders

"03 Render This" folder should contain the final composition which the user can render with

The remaining compositions are likely precomps which user should not be altering ...

Simply shift them to the "Do Not Touch" folder

Move the "MotionElements" folder to the root (i.e. no parent folder)

You can reduce the composition to remove unnecessary files and folders

Once you're done, you can collect and prepare your template for upload

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Red

Orange

Yellow

Green

Blue

Purple

Red

Orange

Yellow

Green

Blue

Purple

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Import the MotionElements Premiere Pro Example Template

The folders are structured clearly for the end user

Move your sequences and/or assets into each respective folder under "01 Import Files Here"

Please replace your logo placeholder image with our MotionElements logo

Please do NOT use logos that belong to other marketplaces

"02 Edit This" folder should contain the sequences the user use to customize the template

Move your editable sequences here into the respective folders

"03 Render This" folder should contain the final sequences which the user can render with

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Reinstatement Ordered in an Unfair Dismissal Case-A Warning for Employers - Duration: 5:07.

you're probably very well aware that an unfair dismissal situation unfair

dismissal case the normal remedy that looked for and awarded is in the world

for compensation so it can be up to year's salary but what what we looked at

at the time is that an employee can also seek as a remedy damages or stirring up

damages reinstatement or reengagement and in a recent decision from the WRC in

March of 2018 involving a bank and a banker that's precisely what happened

the adjudicator held the banker who was dismissed was unfairly dismissed the

warders IRA made an order at us for

that means that the employee is going back into the bank in exactly same

position on exactly the same terms of conditions as previously but what's more

the judicata said that the reinstatement order was from the day that the employee

was dismissed which would mean I assumed that the

employee would have a lot of back pay till annoying to him because obviously

he would have been paid having been dismissed and perhaps four to six months

prior to the hearing so this came as a bit of a shocker probably will come as a

bit of a shock to the bank and the bank argued very vigorously against

reinstatement and it did so on the basis of the usual argument that's made in

such a circumstance and that is that the employer had lost trust and confidence

in the employee now trust and confidence is something that both employer and

employee are entitled to enjoy in each other and generally adjudicated in the

WRC or indeed in the labor court or Court will not put together an employer

and employee in a situation where the relationship has completely broken down

our trust and confidences and it's gone however in this case the jury favor

discovered site that after hearing the arguments and after very very close

cross-examination of the bank from the employee the jury clearly decided that

the distant confidence wasn't necessarily broken or breached entirely

and that an award of reinstatement was justified unreasonable now whether the

case is going to be appealed or not I don't know but two things need to be

gleaned from us one if you're an employer you do meet need to be careful

and be aware that reinstatement re-engagement can be ordered not just

compensation by the WR and from number two from an employee's

perspective it may well be a good idea if you're bringing a claim to put in a

claim or to check the box looking for reinstatement or re-engagement as one of

the remedies that you're looking for because it may prompt the employer for

fear of losing to try to settle the case with you because if you are looking to

be reinstated and if the employer felis relationship is irretrievably broken

down and if the employer doesn't have trust and confidence in you the last

thing that they will want is you winning a claim for unfair dismissal and getting

an order for reinstatement so from a tactical perspective it might be useful

for the employee to choose reinstatement or re-engagement as one of the remedies

being sought you can also choose damages or compensation or whatever it is you

can choose all three support from an employer's perspective you need to be

aware that it can be awarded an order for reinstatement or reengagement

and that's not something that you might want you may well feel that the

relationship is completely gone but you do need to keep in mind that it can be

awarded now if you visit my website employment razor and Comm Ave an article

or a blog post about this particular case linking us to the actual decision

from the adjudicator himself mr. Kevin being ham it's worth a read it's very

very long it's very very detailed portion if you ever have a concern about

an unfair dismissal claim and if you ever are concerned about reinstatement

re-engagement it's a good article to look at or rather

it's a good decision to look at from the point of view of seeing exactly the

circumstances where reinstatement or reengagement

may be awarded I hope you find this useful if you do you might give it a

thumbs up down below thanks

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Yoga for Flexibility Series| Bharti Yoga Episode 3 - Duration: 9:51.

hi everyone welcome to the third episode for Yoga for flexibility series. Do hit

the Subscribe and the bell icon if you're liking these videos and would

like to stay updated let's start with some warm-up we will use a chair today

for assistance taking support of the chair with your

left hand it your left leg forward and touch the toes with the right hand then

swing the same leg back taking your right arm up and bending back look up

towards the hands let's repeat this motion in pick successions as you exhale

it front as you inhale swing back let us repeat this 10 times

let's turn back and repeat it for the other leg exhale it front and inhale

swing back I find this to be a great warm-up as it opens up a lot of areas

like the shoulders back hips right till the tools come back once you are done

with ten repetitions stay in the same position as you inhale bring your left

arm up as you exhale bend to the right as you are bending make sure your torso

hips and legs stay in the same plane and the torso does not fall forward slowly

come back again inhale and as you exhale when to the right it is okay to bend

less but maintain your posture let us repeat this three more times and then

change side

repeat the stretch for the right side five times as well

relax once you're done now stand with your feet together take a big step back

with your right leg place both your hands on the pelvic bones and start

folding forward and maintaining a plaid back then you can lift your back heel up

and drop your hands down to the ground make sure your front leg is straight so

that you feel a stretch in your hamstrings if you are comfortable here

you can drop from the back heel down then slowly come back up turn to the

opposite side and repeat

slowly come back let's both your feet to the left to come

into a wide legged stance with your feet pointing out diagonally then start

folding forward till your hands reach the ground keep looking forward as you

maintain a straight back then fold on completely again come up to a straight

back and then fall down now start shifting your weights to the left leg

squat down fully to the left leg taking support of the ground with your hands

you can keep your right hand behind your right thigh if you are falling back flex

your right foot so that the toes point upwards try to keep the left heel down

on the ground you might find keeping the heel down

tough so you can fold your match or keep a towel under your heel for support

keep pushing your left knee out with your left elbow and stay here for a

couple of breaths

then slowly come back to the center taking support of the ground and then

move to the right side I know this stretch can be a bit challenging for

people with tight cuffs and hip flexors but with practice I really feel this is

a great stretch to open up the lower body and create now from the same

position turn your body to the right side to come into a low lunge

adjust your legs so that your right knee is just above the right ankle you can

drop your back knee to the ground bring both your hands in front of the right

leg from here start dropping your torso down so that you come on to your elbows

now for some of you this might be enough if you are feeling an intense stretch on

the inside of the right thigh for others you can push your hips down to increase

the stretch stay for a few breaths

and then slowly come up now fold your right leg to bring the right foot near

the left thigh then fold it also down you can rest on your elbows or go all

the way down stay here for few breaths this is called the pigeon pose and it is

a great stretch for outer thighs then slowly come back and change sides move

to the left side and come into a low lunge drop both your elbows down and

feed into the stretch

then come back up Foles your legs to come into the pigeon poles

drop your torso forward and relax you should feel a nice stretch on the

outside of the left eye

slowly come back now come into a seated position bring both your feet together

in front of you grab hold of them with your hands and hold the feet in as close

as possible keeping a straight back start pulsing the legs up and down let's

do this for 30 seconds

then maintaining the position of the legs start bending forward you should

feel a nice stretch along the insides of your thigh

just breathe into the stretch and stay in the forward bend position then slowly

come back next come into a wide legged child pose and just relax

that's all we have for today see you tomorrow

For more infomation >> Yoga for Flexibility Series| Bharti Yoga Episode 3 - Duration: 9:51.

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Birthday Song for Lovely - Happy Birthday Song for Lovely - Duration: 2:04.

Birthday Song for Lovely

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