allô and welcome to busy works beat.com
today we continue the music theory
series right here busy works beats calm
/ music theory I want to show you a
quick core technique for your trap
tracks and RMB trap tracks to make them
sound really unique now the trick is
that they're not even using courts we
are not using cords let me show you what
I'm doing here let me play it first and
I'll explain why it sounds cool
okay so the reason these chord sounds so
unique is because we're not really using
quartz similar to rock music where they
play fifths we're doing the same thing
here and our chord progression so
technically 1/5 isn't a chord because
you're only playing two notes so if we
break this down the reason it seems like
a chord is because we're playing three
or more notes but technically we're only
playing two notes so if you look here we
have F sharp and we have C what this
really is and we have G sharp as well
now that's a part of our let me zoom in
for you make these notes a lot bigger
hard to see so in the very beginning
okay so it looks like i zoomed into the
wrong portion here's what i was
referring to
so f sharp and then you have C sharp
what this really is is a fourth from C
sharp to F sharp that's considered a
fourth okay just like C the e is a third
see the F is a fourth and we go over
what fourths are busy works beats calm
and our new course called circle of
fifths and circle of fourths secrets
explained we go over not only what a
fifth and a fourth is but the secrets
behind it there's deeper knowledge to it
but the point is we're really just
playing a fourth here and then we're
backing that up with an octave of the
same note
so it's really just a fourth now the
second half right here f-sharp the
c-sharp a little hard to see my screen
is kind of far away so let me scoot in a
little bit more so I can see what is
going on so here we have F sharp and we
have G sharp now G sharp to C sharp is a
fifth so I'm playing the fifth and then
I'm stacking a fourth underneath it so F
sharp and C sharp are fourths together G
sharp and C sharp are fits so I'm
stacking the fourth and then the fifth
and we're doing the octave trick so
we're spacing these out in octave now
here I really like the suspended second
so we're adding a second and we go over
this and a lot of our trap videos how to
do chords for trap especially a busy
works beats calm we have full courses on
chords and chord progressions and one of
the genres recover is trap so for
example we go over in trap music we use
a lot of suspended fourths and a lot of
suspended second chords and this would
be adding the second in so here starting
at G sharp a sharp would make that a
second if we were to build out that
chord so for example the major chord of
G would be G B D so we know the end note
is d so that's our fifth so we're
playing the fifth and then we're playing
a second
so we're stacking a second and a fifth
and then we're just doing an octave of
the fifth it's a lot of fifths a lot of
interval stuff it's not really chords
per se
unless it's in that case the suspended
second same thing here we're playing the
fourth and then the fifth on top and
then we're playing that second so all
we're doing is playing seconds fourths
and fifths and we're just stacking them
up so that's the trick so instead of
thinking like should I play a minor or a
major chord here start thinking in terms
of intervals so if I want to play you
know what's go up an octave C and I want
to play the fifth I'm gonna add G so
it's really two notes playing but it
feels like a chord then to make it
really feel like a chord I can add an
octave of the root note if I want to
make this feel a little more trappy
let's add a second in here add a little
more tension okay and we can do octaves
we can do the fourth
so it gives the same kind of vibe
let's hear it in context okay so another
thing is the vocal part that comes in
let's solo this and then I'll wrap it up
for today
but this eight it supports the chords so
that's why I'm pulling it up pull back
to the beginning first but these are
separate patterns okay so I'm pattern
five where it really gets cool when it
harmonizes again we're using fifths and
seconds and just you know to spend a
second but right here I think I raised
this note up if we pull it back down
it's hard to identify interval stuff
when they're like an octave apart so
what I like to do is pull stuff an
octave up so I can understand what it
actually is so what this actually is is
a fourth and then this little jump here
these two notes
is another force that's forth the fourth
right here and then we can see this jump
is another fourth to jump just an octave
apart I'm stacking this over top the
cords and again it's just fourths and
fifths we're not really making complex
chords
all right so trap music is the modern
rock per se as far as pop music then we
were gonna use the same musical
techniques which is fourths and fifths
just like in rock music so if you want
to learn more about music theory I
highly suggest you join us at busy works
beats dot-com we have tons of courses
there on everything from music theory to
mixing to mastering to composition to
how to make beads to how to sell your
beats how to sell your music it's all
there just go to Bizzy works beats com
every picture you see on the front page
is its own course that's how crazy
in-depth we go we have courses on the
circle of fifths and fourths explained
and all the secrets behind it complex
chords how to build chords from number
or nothing with no scales that's called
chord codes you know so there's a lot
there just go to Bizzy works beats calm
thanks for watching today if you want to
learn more about music theory go to
busywork beats comm slash music theory
it's busy work sweets deca
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