John Carpenter movies occupy a space in my mind that's like, they stick with you.
I keep thinking about John Carpenter movies.
"Where you goin' buddy?"
Most movies are just movies.
I could watch a hundred fucking Spiderman movies
and they're all going to be about the same amount of interesting to me,
which is only a little.
And I'm going to walk away from them feeling only a little bit like they did anything for
me cognitively or intellectually.
I think about John Carpenter movies in normal interactions with people.
I want to tell people about John Carpenter movies
and evangelize what he's done with his film,
which is a very weird sensation.
You know, he's one of the greatest living directors.
His first movie is actually called "Darkstar," but he's most famous for "Halloween."
that's his big sort of entrance to the world of horror filmmaking
and filmmaking really.
He did direct "Ghosts of Mars" which is very bad.
So you know, everybody makes mistakes.
Oh, he's also like a musician.
I mean he scores all of his own movies which is incredibly cool.
So my favorite of his films is something that's called the Apocalypse Trilogy
which is "The Thing," "In The Mouth of Madness," and "Prince of Darkness."
And those are all predicated on this concept of cosmic horror,
which is something that H.P. Lovecraft sort of pioneered.
What's scary about the concept of cosmic horror is that there is something
that is of nature, but not of a nature that we know or understand.
There is an explainable reason why these things are happening, but it's not a reason that
our puny human minds can really comprehend.
You know in "The Thing" the the horrific part is not like a ghost or a monster
that's just random, like attacking people.
It's a physical entity from another planet that is taking over people's bodies
and changing them.
In "Prince of Darkness,"
I mean, I don't want to...
a spoiler alert:
in "Prince of Darkness," the villain is literally Satan,
and Satan is not like a magical creature from the Bible.
He is like an alien that was cast down to earth and was entombed in this church.
What he's playing with "In the Mouth of Madness" is really our ability to parse
what is real and what is imagined,
and what is fiction and what is fact.
"I'm not a piece of fiction."
"I think therefore you are."
One of the things that John Carpenter does that's really good is he puts people in
this isolated situation where it's just them isolated from the rest of humanity
dealing with something that is absolutely horrific.
And there's something that's especially terrifying and upsetting
about that concept to me.
And I think one of the things that he does really well is he doesn't let you escape.
There's no easy out from the places that he puts his characters in.
They can't just walk away.
They literally can't, in many cases.
"The Thing" is great — they're isolated in the middle of the Antarctic at a research
facility and they have to figure out how to get this thing out of there.
And there's no other place to go.
They can't get on a helicopter.
They can't call somebody.
They can't walk away.
"U.S. number 31 calling McMurdo, urgent. Come in, over."
"Great."
It's not the way you think of modern horror with like a lot of gore and guts
and people being ripped apart.
I mean that does happen in his movies but it's much more subtle.
[screaming]
But what really is horrifying about his films
and why I think they transcend the genre of horror
is because they are psychologically horrific.
John Carpenter's addressing big questions and big ideas
but he's doing in a way that is filled with awareness
and self-awareness
and a sense of levity.
♫ "We've Only Just Begun" by The Carpenters ♫
"Oh no.
Not The Carpenters too."
"Do you read Sutter Cane?"
"Look at them!
They're everywhere!"
"Gotta be fucking kidding."
I mean he changed me as a person.
He changed the way I feel about the world
and the way I feel now is that we're living
a horrific lie, manufactured by Satan and/or an author named Sutter Cane.
And soon the fabric of reality will be torn to shreds in front of us
and the gaping maw of a hellish netherworld will be unveiled.
And John Carpenter will be waiting there,
playing a synthesizer.



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