Chủ Nhật, 2 tháng 9, 2018

Waching daily Sep 2 2018

what color what color do

you want do you want?

red! yes? no

what color what color do you want do you want

yellow

yes no what color what color do you want

do you

orange

what color what color do you want do

you want

green

what color what

color do you want do you want?

blue

yes?

no what color what color do you want

do you want?

purple

yeah

no!

what color what color do you want

do you want?

pink

yes? no! what color what color do you want

do you want?

rainbow

yes? are you sleeping are you sleeping

little girl little

golden dollar ring golden buzzer ringing

ding ding dong ding ding dong yes

For more infomation >> Learn Colors with Surprise Hair Colors at Beauty Salon | Color Song for Kids - Duration: 2:32.

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Arsenal 5 key players to watch for against Cardiff City | AFC News - Duration: 2:41.

5.

Henrikh Mkhitaryan

He has had one really good stretch of about 20 minutes against Chelsea, but aside from

that, he has been nothing short of terrible.

Mkhitaryan has not been able to cover for a collapsing Ozil.

He hasn't even been able to provide for himself.

That has to change.

Cardiff should see Mkhitaryan given plenty of opportunities and, by nature, you'd have

to assume that he would take some of them.

4.

Mesut Ozil

Mesut Ozil is gradually falling down this list of key players simply because he is looking

powerless to be a key player anymore.

Ozil missed out on West Ham due to illness/not liking what Emery had in mind for his usage

against the Hammers.

It was a major blow to fans' confidence in Ozil because we've been here before with

his mystery illnesses.

It was a major blow to fans' confidence in Ozil because we've been here before with

his mystery illnesses.

3.

Granit Xhaka

With Ozil on the fritz, Granit Xhaka can take the majority of the responsibility there.

Those kinds of passes will be needed against Cardiff.

In fact, this whole game figures to be one that Xhaka can really shine in.

The Gunners will have most of the possession and that inevitably brings Xhaka into the

game much more, as he is a control tower of a midfielder that needs possession to be at

his best.

2.

Pierre-Emerick Aubameyang

Chances are, this isn't a game that is going to favor his over the top speed and style.

For a team that hasn't given up any goals, Aubameyang will be tasked with doing more

than he is traditionally used to.

Aubameyang is going to have to navigate tight spaces and, let me say this again, make the

most of his chances.

1.

Aaron Ramsey

Well, Aaron Ramsey sits perfectly in the middle ground of creating chances and taking chances.

The midfielder will be facing his youth side, which is always a bit of an added motivation,

to show them how far you've come.

But aside from the emotional connection, Ramsey is probably the only guy present in the expected

starting XI that can make things happen all on his own.

For more infomation >> Arsenal 5 key players to watch for against Cardiff City | AFC News - Duration: 2:41.

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New study: Printing rollers market report for 2018 - Duration: 4:46.

For more infomation >> New study: Printing rollers market report for 2018 - Duration: 4:46.

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I Am the Wolf, Sister Goth (The Abyss) March for Our Lives Video - Duration: 4:36.

(Hunted shall we be)

(running through the night)

(shadows dashing)

(beneath the moonlight)

From within I feel it rising

when the full moon breaks the tide

and the innocent fall silent

when the anger burns inside

I am one, but one of many

when I howl they'll hear my call

when we run, we run together

hear us howl

hear us roar

I am the wolf

come, run with me

(teeth and flesh, no more, no less)

I am the wolf

and the wolf

the wolf

is

me

When the pack runs

when the night comes

when the moon feasts

only beasts can destroy other beasts

I am the wolf

and wolves run

free (teeth and flesh, no more, no less)

(teeth and flesh)

come (no more, no less)

with me

We are changed by the horrors of man

changed by the horrors of man

we change to protect

transform to be heard

turn pride into a howl

will you howl?

(Hunted shall we be)

With the world behind us (Hunted shall we be)

hard fought battles, sharp reminders (running through the night)

(shadows dashing)

all those desperate choices (shadows dashing)

slowly grow inside our voices (beneath the moonlight)

slowly grow inside our voices (come with me)

(hunted shall we be)

all the people in the world (hunted shall we be)

one by one become (running through the night)

(shadows dashing)

hand in hand (shadows dashing)

we all become (beneath the moonlight)

the wolf

the wolf (let free the wolf)

(let free the wolf)

I am the wolf (let free the wolf)

I am the wolf (and come what may)

I am the wolf (let free the wolf)

and the wolf is me (let free the wolf)

and the wolf is me (and come what may)

(let free the wolf)

I am the wolf (let free the wolf)

I am the wolf (and come what may)

the wolf (let free the wolf)

the wolf (let free the wolf)

the wolf

is

me

For more infomation >> I Am the Wolf, Sister Goth (The Abyss) March for Our Lives Video - Duration: 4:36.

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"Ideal Replacement for lallana" some fan rue Liverpool not signing £20 m target - Duration: 1:22.

Liverpool stand a fantastic chance of

going into the International brakes at

at the top of the Premier League table

after they made it four wins out of four

with a 2-1 victory at Leicester on

Saturday night II appeared that the Reds

would cruise to another victory as

Seidio Maine gave the visitors an early

lead at the King Power Stadium before

Roberto Firmino made the score 2-0 just

before the break dot Allison's mistake

set up a nervy finish as he allowed

ratchet gazel to score Lester's first of

the game shortly after the owl mark but

Liverpool would see the contest out to

secure the three points it may not have

been a perfect performance from the reds

but they did get the job done and one of

the players who ensured that it would be

a tricky afternoon for the visitors was

James Madison doc Lester's 20 million

pound signing fee reported by BBC Sport

has made a fantastic start to life with

the Foxes and he

For more infomation >> "Ideal Replacement for lallana" some fan rue Liverpool not signing £20 m target - Duration: 1:22.

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V-Carving for the Absolute Beginner – Part 1 – How It Works - Duration: 23:29.

Hey y'all.

Welcome to Part 1 of my series on v-carving for the absolute beginner.

Before I get started, let me say that I am in no way sponsored nor endorsed...

...by Vectric Ltd., nor any router bit company or manufacturer that I may mention.

I'm doing this series to help the person who has never done this before...

...learn the v-carving process...

...understand a little bit about the router bits involved...

...and create and finish a v-carve project within the CAD/CAM software.

I'm going to be talking about VCarve Pro...

...during this presentation because that's the software I use.

But everything I'm going to show you in this series...

...applies equally to VCarve Desktop, VCarve Pro, and Aspire.

So with that out of the way, let me start by saying to...

...some of the more experienced users, and some of the seasoned veterans out there...

...that some of this that you're going to see will be old news.

You already know a lot of this.

Again, I'm doing this for the absolute beginner.

So I'll ask you to please remember that none of us were born knowing this information.

We all had to learn it somewhere.

So if you'll please keep that in mind, I'd appreciate it.

To the absolute beginner:

I'm here to help you try to...

...understand a little bit of how this process works.

To help you with bit selection and help you get started in v-carving.

If you have any questions or comments, feel free to leave them in the comment section...

...or contact me through my website...

...and I'll get into that a little bit more later on.

So, taking the advice of Lewis Carroll...

...we can go ahead and begin at the beginning...

...and use this to illustrate something that I see come up a lot.

And that is the difference in the various router bits.

Here we have a 90 degree v-bit...

...and here we have a 60 degree v-bit.

The main thing to remember about these bits is...

...that the higher the number, the more shallow the angle.

This bit, as measured from this corner here to the tip ...

...and then this tip to this corner here...

...that angle is 90 degrees.

On the other side, over here...

As measured from this corner here, to the tip...

...and then from the tip down to this corner here is 60 degrees.

The rule of thumb to remember is; the larger the number, the more shallow the angle...

...the smaller the number, the steeper the angle.

When we talk about cutting diameter, what we mean is...

...the diameter from this corner here...

...to this corner here on the V bit.

These carbide cutters here will cut this V shape from here to here.

Same thing with the 60-degree.

From this corner here, to this corner here...

...that is the widest these bits will cut.

That'll become important a little bit later on

Probably the first place to start is...

...why would we want to use v-carving in the first place?

Well, that answer can be summed up in two words - square corners.

As you can see, in this photograph of a simulation in VCarve Pro...

...if we were to pocket out a square with just a standard 1/4 inch end mill, for example...

The bit has a radius.

It is a round bit, and when it gets over here in these corners, it's going to cut that radius.

It's going to machine the radius of the bit, whatever that may be.

Using a v-bit, however, it will not only machine out the entire area...

...but it'll also add this chamfered detail...

...and take advantage of the z-axis to create these sharp corners.

Up here, what would happen is, depending upon your toolpathing strategy...

...the bit would plunge down into the center...

...if you're using the offset strategy...

...and start hollowing out this area here...

...until it got to the profile pass...

...in which case it would come around and clean up...

...leaving these rounded corners.

If you were using the raster strategy, it would...

...move back and forth to hollow out this pocket...

...then do a final profile pass to clean it up.

With the v-carve toolpath...

...what it will do is use a large area clearance tool to machine out...

...the bulk of the material here, the same as this one...

Then you would do a tool change, to your v-bit...

...and it'll do the profile pass here.

When it gets to one of these corners, the X and Y will start moving outward...

...while the Z raises...

...which will give us this nice square corner here, and this faceted appearance.

So that's how the machine reacts to a v-carve toolpath.

One of the more common questions I get is related to the depth of cut in a v-carve toolpath.

Let's take a look at this in the context of v-carving text.

I have an illustration here to show you what I'm talking about.

This is a representation of a 90 degree v-bit ...

...and a 60 degree V bit.

These here and here are the same.

One of the determining factors of how deep of v-bit will cut is...

...the width of the space between the vectors you're attempting to cut out.

If we have, for example...

...this simple text right here - a capital I and a capital O...

The v-bit in a v-carve toolpath is going to carve away all the material inside these vectors.

It's not going to cut on the vector...

...it's going to cut inside the vectors.

It's going to carve away all the material here until...

...the edges of that v-bit are riding along this vector here...

...and this vector here.

It's this space between this vector and this vector...

...as well as...

...the angle of the bit that's going to determine that cutting depth.

In this example here, if a 90 degree v-bit...

...and a 60 degree v-bit...

...are attempting to cut to the same 1/2 inch width...

...the 60 degree v-bit is going to cut approximately twice as deep...

...as that 90 degree v-bit.

So it's the width in between the two vectors that you're trying to machine out...

...as well as the angle of the bit...

...that's going to determine how deep that bit cuts.

Now, there are ways you can control the depth of cut...

...but we'll get it into that in a later video.

When it comes to bit selection...

...just know that the steeper the angle of the bit...

...the deeper it's going to cut...

...to get the same width as a bit of a shallower angle.

To demonstrate that, I'll take this capital I and this capital O...

...and I'll calculate a couple of toolpaths for them to show you the difference.

Another thing to pay attention to...

I said the distance between this vector here and this vector here...

..that also means the distance between them over here.

And the distance between this vector here and this vector here.

V-carving is considered, by some, to be 2 1/2 dimensional (2.5D) carving...

...and by others to be 3 dimensional (3D) carving...

...meaning that all three axes work at the same time...

...to carve out this area here.

Let me go ahead and calculate the toolpath and I'll show you exactly what I mean.

I'll select the text here...

...we'll go over to the Toolpath tab...

I'm going to go down here to the V-Carve/Engraving toolpath.

Select that.

We're going to set our start depth to 0.0

We are going to start at the top surface of the material.

When v-carving, always set your Z zero to the top of the material.

So I'm going to use a start depth of 0.0

I'm not going to use a flat depth. We'll get into that in another video.

The v-bit I'm going to use for this demonstration is a 90 degree v-bit with a 1/2 inch cutting diameter.

I'm not going to make any changes here at all...

I'm simply going to call this...

...v-carve... 90 degree...

...then we'll calculate....

...and we have our toolpaths created, and if you notice...

...it looks a little bit different than what we would imagine.

If we get over here into the O, we see it's going to have to make a couple of passes at different depths.

I'm going to leave the material alone...

I will select the toolpath color; black.

...and we'll preview this toolpath.

As you can see, when we get in here and zoom in a little bit...

...our tool carved a straight line down here at a depth...

...then when it got to this corner...

...it made a curved pass...

...and the Z kicked in, and retracted that bit...

...to make this nice narrow portion in here.

Then it came back...

...lifted up here to make that square corner, then lifted up here to make that square corner.

By the same token, you get over here and look at this O...

Because we have a wider area here between this outside and the inside of that letter O...

...we cut pretty deep here...

...then as this vector narrowed down, the Z kicked in, lifted that bit up...

...and we cut much shallower here.

Now if you recall from the other tutorials that we did...

...if we look down here at my XY and Z display here...

...you'll see my Z is at 0.0 because it's on the material's surface.

But when I come over here and drop that pointer down into...

...this trench, for lack of a better term...

...we can see that it cut almost 1/4 inch into the material.

We're at -.2467

Almost 1/4 inch into the material.

That was so the edges of this bit could get in and ride the edges of those vectors.

If we go over here to the letter I we can see...

...it's about the same...

...maybe a little bit less; -.2069

That's how deep it had to plunge to get these real wide areas.

If you watch the letter O here, as those vectors get closer and closer together...

...the depth on my Z gets shallower and shallower and shallower...

...until we get up here to the top...

...and we've cut just a little over 1/16 inch deep.

My point in all of this is that it's a combination of the width of the space between the vectors...

...and the angle of the v-bit, that dictate how deep that bit is going to cut...

...in order to to do the v-carving that we want it to do.

Let me reset my preview...

I'll close that...

...and we'll go back into the 2D view.

The vectors are still selected.

I'll do another v-carve and engraving toolpath...

But this time I'll switch over to...

...a 60-degree v-bit with a 1/2 inch cutting diameter.

I'll make no other changes here except to call this...

...60 degree...

...calculate...

...and already we can see a little bit of a difference.

To carve the letter I, it's going to have to do it in a couple of passes.

To carve the letter O, it's going to have to make two or three passes...

So, let's go ahead and preview this toolpath. We'll set my toolpath color to black...

...and we'll preview that toolpath.

Again, we got a good result...

...but when we zoom in...

...keeping an eye down here on our Z readout...

...we can see that in order to carve this letter O...

...it had to cut .420"...

.4250" almost .430"... deep to carve this letter O.

So you see what I mean...

If our material is a 1/2 inch thick, we have machined almost...

...well, actually we've machined a little over 2/3 of the way through that material to get this width...

...out of a 60-degree V bit.

We come over here to the letter I...

We're a lot better off...

...we're at .356"

We're over 1/4 inch deep, but we're not quite...

...3/8 inch deep.

For a situation like this...

I think we would be better served running...

...the 90 degree v-bit...

...rather than the 60 degree, simply because we can still get our width...

...without carving as deeply into the material.

This is something that will come with experience - knowing when to use which bit.

And this is the time to experiment.

Now we know that this is going to cut...

...about two-thirds of the way through the material...

...that's probably not our best way to go.

I'll reset the preview, and I'm going to delete that toolpath.

If I were going to carve this...

I would use the 90 degree v-bit.

Then I know I'm only going to carve about 1/4 inch deep...

...maybe a little more, maybe a little less.

Text size, or the size of the object that you are carving out...

...will help dictate which bit you should use.

If I select these vectors and go back into my text editor...

...we can see I just have the I and the O here...

My text height is 3 inches tall.

If I were going to carve anything 4.5 inches or taller...

I might want to switch over to a 120 degree v-bit...

...so it carves even shallower than this.

If I were going to make this text height 1/4 inch tall...

I might want to switch to a 30 degree v-bit...

...so that it carves deeper...

...and we don't lose any detail if we sand after cutting.

That's a lot of information to take in on the first outing.

The takeaways I hope you get from this are...

...it's the bit angle...

...and the width of the area that you're attempting to cut...

...that determine the depth of that cut.

The lower the number on the angle of your bit...

...the steeper the angle is.

The higher the number, the shallower it is.

I think we're called this the end...

...of the introductory video to this series.

In the next video, we'll get into...

...v-carving a simple text sign.

Then in future videos we'll get into carving to a flat depth...

...and maybe doing some pictures.

But we'll end this one here.

If you'd like to continue to follow this series...

...or if you'd like to follow along with some of my other CNC adventures...

...I do hope you'll subscribe to my channel.

If you have any questions, comments, or concerns at all...

...feel free to leave me a comment down in the comment section.

If you'd rather not leave a public comment...

...head on over here to my website

marklindsaycnc.com

...and click on this Contact Us link right here.

You can send me any comment you'd like...

...and I will receive it via email.

I do read every comment I receive...

...and try to answer every single one of them.

While you're over here...

...take a look in the shop...

...and you'll find I have a few DXF file downloads here...

...that are absolutely free.

And of course, you can check out my coffee cups and t-shirts if you're of a mind to...

...but there are some free CNC file downloads here in DXF format.

marklindsaycnc.com is sponsored by Harneal Media.

The web design company that specializes in website design and hosting for makers and the maker community.

Harneal Media, as well as I, are both proud members of the Makers Media Network.

So that'll wrap up this first episode.

Again I'd like to thank you very much for watching.

If you got anything at all out of this video, please give me a thumbs up down below.

And if you'd like to follow along in my CNC adventures, please hit that subscribe button...

...and hit that Bell button right next to it.

That way you'll get a notification whenever I post a new video.

Whether you subscribe to me or not, I'd like to thank you very much for taking the time to watch this video...

...and y'all take care.

For more infomation >> V-Carving for the Absolute Beginner – Part 1 – How It Works - Duration: 23:29.

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Mixing cold wax and oil for painting - Duration: 10:26.

yummy looks like Crisco Hi I'm Sherry and I

want to welcome you to my studio today

so you start with a big ol wad of cold

wax medium and then you - OOPS! covered it

up clearly not a hand model - then you put

about 25% galkyd gel so whatever you

have here you want to put up to one

third of that of Galkyd gel and then it

now you can use this without Galkyd gel

- the Galkyd gel just helps it dry a

little bit more quickly so that by the

next day you can work without lifting

the day befores work more Crisco I mix

up a big a lot of it and I put it in a

jar and now let's see how this mixes

with different colorings

you want to do about 50/50 with oil

paint I'm gonna use perylene red I just

keep hearing about this red and I've not

used it before

no wonder they talk about this all the

time - it's

gorgeous

that is beautiful oh I want to paint now

now the next thing you can mix with is

an oil stick now this is much thicker

and this still has the covering I

believe I mentioned in an earlier video

help all of these will get a nice crust

on the outside

the rnf are much softer than this but

you can do this one to peel off that

this is the hardest part it's just the

squishing

I think I need to put in some more of

the cold wax medium because that's so

much thicker than oil paint personally I

would rather write with my sticks but I

wanted to show you that you know if you

need a red and all you have it is an oil

pastel or well stick you can mix that up

to you alright the next thing you can

mix is chalk pastels for a regular

pastel and this is done a little bit

differently

in that you have to scrape it off

these when you mix this way it is so

sheer it's just the color is so

transparent then you have fine like

powders these are by color art I think

that's what it's called

these are really fine

hello stuck my hand in the red paint

also experimenting with different ways

to hold my camera so that when I do a

long piece on a easel I can handle it

let's see a little bit more

I'm not pretty

you can also do a coarse powder this is

more textural it's not as textural as

say using marble dust but it's still

textural you can also use metallic

powders this is copper and that pretty I

think I might have to mix this one up

just because it's so gorgeous a few

months ago I dropped one of these

containers with gold in it

yeah it's amazing how I could color the

whole entire floor of my kitchen with it

and still have most of it left in the

container if you buy from

color art they no longer make them in

that size I'll show you the containers

now oh that's pretty

they're called primary elements it's art

pigment and they're by a company called

color art and I'll put a link in the

description they are just gorgeous

and they come in those two size

containers now and then the last thing I

want to mix with my cold wax medium is

charcoal powder and it is so fine be

careful don't breathe it now if you

don't have that or can't get it air

supply store you can take compressed

charcoal and do the same thing that you

did with the chalk pastel

you

this is also incredibly transparent and

it's great to say mix with another color

now I will say this I usually use paint

unless I'm looking for a mica powder

because those are just stunning but you

can also rub compressed powder charcoal

powder directly onto the canvas or

substrate rub it on and it'll make a

nice gray tint and then when you smear

the cold wax medium over it it will

smear you can write with charcoal and it

will smear too

I think I saw that in one of my pieces

but you gotta be careful with that stuff

see smears okay now I want to show you

how I keep my paints because because

since it does take a while to finish a

painting you I don't like to start my

palette over every day oh my god I'm a

filthy mess so I get this Sterlite

container that the palette fits right

into it's still not completely airtight

but it's close take a big bag

and I cut this inside and seal it and

they stay fresh and that's that thanks

for watching my video please leave it

any questions or comments you might have

and I will get back to you as soon as I

can hope you'll subscribe thanks again

bye

For more infomation >> Mixing cold wax and oil for painting - Duration: 10:26.

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Baby Shark Dance | Sing and Dance! | Animal Songs | Songs for Children - Duration: 1:39.

Baby shark, doo doo doo, doo doo doo doo doo. Baby shark.

Mama shark, doo doo doo, doo doo doo doo doo. Mama shark.

Daddy shark, doo doo doo, doo doo doo doo doo. Daddy shark.

Grandma shark, doo doo doo, doo doo doo doo doo. Grandma shark.

Grandpa shark, doo doo doo, doo doo doo doo doo. Grandpa shark.

Let's go hunt doo, doo, doo, doo, doo

Let's go hunt!

Run away doo, doo, doo, doo, doo

Run away!

Safe at lest doo, doo, doo, doo, doo

Safe at lest!

For more infomation >> Baby Shark Dance | Sing and Dance! | Animal Songs | Songs for Children - Duration: 1:39.

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Should You Use A Script For Your YouTube Videos? - Duration: 4:49.

Should you use a script for your YouTube

videos well in this video I'm going to

talk all about should you use a script

in your YouTube videos or not so be sure

to stick around until the end as I

answer that question what's going on my

name is Devin Street helping you build

your online presence and today we're

going to be talking about should you use

a script in your YouTube videos but if

you're not already subscribed to the

channel go ahead and click the subscribe

button there's a new video every single

Sunday showing you how you can grow on

YouTube so many have this question

should they use a script on YouTube and

my sort of simple basic answer would be

no you should but my long answer well

let's talk about that so when I first

started out on YouTube I actually used a

script and it wasn't very helpful it

wasn't very good basically because I was

having to stick a script right above the

camera and then read that off and it

looks like I'm not really looking into

the camera it looks like I'm looking

above the camera instead of at it so

with that that sort of automatically

creates a disconnect with your audience

where you're reading off a script

instead of looking straight to the

camera and then along with that you can

sound very very robotic when you're

reading your script now most people

aren't voice actors or audio book

readers so when they read this script

they're gonna sound very dull very

neutral and show no emotion now I've

been able to tell when people are

reading off scripts before because I

sound very Auto toned and very neutral

and no emotion is shown whatsoever and

there's sort of sound like this after

much anticipation from Android fans the

newest version of software was finally

named by Google as it declared the

original pixel and pixel to hardware to

be the first to experience the update of

Android Pi see like that doesn't sound

like it has any emotion in it whatsoever

it just sounds so neutral so bland

it turns viewers off they're not gonna

be interested in your video they're not

going to continue to watch that's going

to hurt your audience retention and hurt

you as a youtuber because you won't be

getting as much watch time and you won't

be able to grow on YouTube without that

watch time. Now many of you may be like

what am I supposed to do then I don't

have a script that I can't remember at

all and yes I know I'm the same way I

can't remember everything I'm supposed

to say in a video so what I do instead

instead of making a script where I say

every single exact word I'm supposed to

say I create a bullet-pointed list an

outline of what I'm gonna do so what I

would do with this list is first I would

start with a title and then I would have

what I'm gonna start out with as my

intro is saying and then I'm gonna say

that I need to remind people to

subscribe at the beginning and then I'm

gonna do bullet points of what I need to

talk about so I'm gonna do small little

keywords about what I'm gonna talk about

in that one section so it keeps me from

not rambling on by just not having

anything to go by in the first place and

then I'm still able to talk about it in

my own free way without having to go

word-for-word for something and not be

able to show any emotion with that so

simply creating these outlines it's

going to be much better than doing a

full-on script because it's not going to

be very real it's not gonna be very

emotional unless you're a great reader

or maybe you don't have to be on screen

to read your script off of if you don't

have to do that then that's fine to use

a script but for the most part you're

gonna want to sort of go off on your own

and show your own emotion and opinion

about the subject while just giving a

little bullet point to keep you on track

for how your video is supposed to be and

shout out to Catana raha who commented

two comments that I really like I said

they loved me so much and that they also

loved penguins and I have to agree with

both of those comments but if you want

to be shouted out in a video all you

have to do is subscribe to the channel

go down in the comments

and comment telling me that you

subscribed what you liked about the

video and I'll shout you out in a video

just keep in mind that commenting

multiple times telling me that you

subscribed and asking for a shout-out

will eliminate you from being shouted

out in a video but if you want to build

your online presence and grow your

YouTube channel make sure you're

subscribed to the channel and I want to

thank you for watching until the very

end and I'll see you in the next video

For more infomation >> Should You Use A Script For Your YouTube Videos? - Duration: 4:49.

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Kate Garraway slammed for 'disrespectful' Princess Diana question: 'So rude' - Duration: 4:08.

Kate Garraway slammed for 'disrespectful' Princess Diana question: 'So rude'

Good Morning Britain presenter Kate Garraway was on the show alongside Adil Ray today, as they stepped in for Piers Morgan and Susanna Reid.

The pair spoke to former Home Secretary Jacqui Smith and Princess Diana's former personal security officer Lee Samsun on the show today, as they discussed how realistic BBC drama Bodyguard is.

Kate was clearly very interested in whether the romantic storyline on the show could happen in real life, as she asked Lee if it is possible for bodyguards to get close to their assignments.

Lee replied: "Well, it's possible.

When I've been working I've spent more time with my principal than my whole family.".

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Kate then asked Lee about his time with Diana, and whether they had experienced any romantic moments together, in particular when the princess had just found out her friend had died.

Lee quickly said: "That wasn't a romantic thing by any stretch of the imagination.

"I was in Saint Tropez and I just came across her, she was turned around and she was crying.

She was very upset about a number of things.".

He continued: "She walked quite close to me, and she was quite concerned about her friend's death.

"Any normal person I would have given her a hug but I couldn't do that because of the paparazzi.

I wanted to be there for her." Fans rushed to social media to slam Kate for the invasive question, as one posted: "You call yourself a journalist Kate?.

Related Articles   GMB's Kate Garraway thrills in plunging leopard print blouse   This Morning's Eamonn Holmes destroys set: 'What's the point?'   Loose Women in hot water as Kim Woodburn carnage escalates: 'Time to axe it'.

"That was the rudest and most disrespectful behaviour.

Are you egged on in your earpiece to behave that way or is that your own volition? "And the behaviour of the two of you after the interview concluded was childish in the extreme." Another added: "What a pathetic interview regarding the Bodyguard.

Desperately trying to stretch any link to talk about Diana." While one social networker joked: "Hello!! Has Theresa May been up to naughties with her bodyguard??" Good Morning Britain airs weekdays at 6am on ITV.

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