Hi I'm cinnamon Cooney The Art sherpa
today I'm going to show you how
you can significantly improve your
drawing skills today I'm going to show
you the wrong way to draw an eye from the
side and a better way that you can do
today so get your pencil get your paper
come back and meet me at the Easel now
we're going to draw let's go!
The Wrong way to draw an eye from the side is to
cramp your hands around a pencil
gripping it very tightly and pressing in
as hard as you can make a V that looks
like the greater than lesser than V from
math school inside that V you're going
to push out a rounded line so now you've
got a slice of watermelon here but
instead of going that organic direction
putting a pupil right here at the end
that you draw in very very black and
then maybe and iris around that with a
dot then you know you know there's a lid
so let's go ahead and add this very
surprised orbital space and an eyebrow
goes here let's curve one of those
around draw that in nice and solid you
know like it's an eyebrow tattoo right
there eyelashes coming straight out from
the eye and then you think that you want
to have something in there but wait no
you want to have it blended so let's use
that finger that's most what new artists
go through when they're not familiar
with what an eye looks like from the
side so I'm going to come on this side
and I'm going to make a really soft line
so it's just going to help me orient
what I'm drawing I'm going to make a
really soft circle if you're really bad
at circles it's okay to trace around
something round but since you're
practicing your drawing it's probably a
good idea to just do your best to make
as good of a circle as you can now I'm
going to make the pupil next
it's going to be ellipse like this it's
going to come past just the slightest bit
even past my eyeball I'm not going to
erase with a crumbly eraser I'm when I
raised point really cool Clay racers
these gummy stretchy really fun erasers I
like them so much they're called gummies
and everybody should have one in their
life if you can not just use the eraser
at the back of your pencils just make
sure you get the crumbles out of the way
now that I've got my eyeball because an
eyeball is a ball I'm going to put my
lid on and the lids going to come to the
outside of my eyeball I'm going to do my
lower lids first and it's going to cover
just a touch my eyeball but it's going
to come out and down to the outside then
I'm going to come back almost to the
halfway point of my eye curve my lower
lid up now my upper lids going to cover
about this much of my iris it's going to
come out a little bit it's going to
curve up as well because the skin is
fixed so it wouldn't be tight to the
eyeball and this is what helps imply
that I have mass and form here now an
eyeball is set in a socket so we're
going to have to have a rounded crease
you know I'm coming above this line here
I'm going to come down and I'm not going
to join these two I'm not cramping my
hands and I'm drawing light so I can
change my mind now this is the biggest
thing I'm about to tell you it's going
to make a huge improvement today and how
you draw your eye come back from the
edge of the eye at little bit this is
like an eighth inch and make a very
light ellipse
because these are clear the iris is
clear and there's a clear lens over it
and so from the side you need to
represent that in some way so you've
just got to find a way that you want to
say there's a clear lines here you can
go ahead and darken that and already you
can see that you've improved what you
have going on with your eye now is a
good time to clean up your lines I like
my gummy eraser because it doesn't leave
any crumbly bit crumbly bits can trip
you and your drawing and this is less
damaging to the paper interestingly
enough it won't erase a really dark line
you just want to have it lift everything
up so you can get back to shading the
other nice thing about a gummy eraser it
can do precision erasing where you can
shape it to get right into a particular
spot I'm just going to have a light line
there in there up here the other thing
I'm going to talk about now is the
eyebrow I'm going to actually start the
eyebrow in front of the arc just like i
did this line and bring it over the brow
bone going to be high up here because
there's a whole brow bone here I'm sort
of curved in and I'm going to do this
really light because I don't want to
draw a heavy arc now we have to find one
of our darkest values is this fabulous
crease just starts darkening and very
slowly notice I'm not pushing hard and
using a pigment of my pencil no
materials are in the description so you
can check these out you can do this with
a school pencil i'm using a 2b pencil
for art and it's very buttery and soft
and really leaves me a lot of nice
graphite the magic is not in the pencil
it is in you tools are just for fun but
the art comes from you
I'll never forget it all right so I'm
lifting the ellipse see I've shaded that
and that has a real feeling now but I
want to blend it out what I don't want
to do is smear it with my finger because
my finger has oils this is a blending
stump it will let me soften my pencil
and blend it out with about very very
easily i just have to rub it off if i
didn't have a blending pencil q-tips
work you just don't want to put a bunch
of oil on your paper the other place i
want to add a shadow had a very soft
shadow of a front of the eye
i'm going to have a nice little shadow
coming out here and i'm looking at that
and i think all i want to curve that
more this is a crumbly eraser see that's
leaving crumbles but it takes away more
graphite it's about understanding tools
but again the eraser on the back of your
pencil still erases graphite just shading
this right here very carefully creating
a nice soft value all right take my
blending tool
blend this out very nicely nice i was
blending that out softlt softly
blending that out creating a gradated
value way too light and shadow falls off
we have that we have some shape
happening there the other place that I
might have a shadow is on the roll of my
eyelid and it would be darkest here and
kind of a little bit at the corner here
because the light source is coming from
the right I'm going to shade that it's
just part of the lid would have the most
light on it I'm just making light marks
and as your blender you can also just
use your pencil slower and make soft
soft marks there's a lot of ways to get
this done all right I'm going to want a
little shadow here I'm actually see I'm
using my blending stick to even draw you
can do that very soft soft soft soft
soft soft soft this is going to be more
in light if you lose your white paper
you can always come back with an eraser
to get it back don't stress out about it
Nate the value come back here a little
highlight back there that's a little bit
very very soft
lit right here a little bit just softly
here I'm trying to shape out is the fact
that this pressed out all right well I'm
happy with that I can pull a little bit
of this shadow up the ball will do that
with a very light soft soft soft pencil
marks will nose out that's quite a lot
kept fun don't take it too seriously the
trick is to keep the oils from your
hands off your paper right now and to
think about the fact that this is a
shape I'm going to save some white right
here for the reflection this is what's
coming through the lens it's going to
curve I'm going to leave that my
reflection darken pupil
I'm going to shade my iris I'm going to
put a stronger shadow right here have a
tutorial about water drops and explains
how the light come through and where it
casts a shadow and where you actually
see the light come out and your eyes all
actually does the same thing which is
just sort of interesting and I'm shading
around I'm going to make that quite dark
darken on the outside to create that
shape that value dark value right here
now you can come make little lines
pulling out from your eye even just a
little shadow here and the next trick is
eyelashes I'm going to sharpen my pencil
good to work with a sharp tool and
here's the trick you're going to curve
out an eyelash like you might think you
would but now we're going to do
something maybe you didn't think of
we're going to come around the front of
the eye making shorter eyelashes next
thing I'm going to do I'm going to curve
down in front hold my eye a little bit
while we're doing back here eyelashes
may even curve let me just shadow this
just a little more along the lash line
roll the skin there
just pulling those in you just probably
never thought of taking eyelashes in
perspective what they are look at that
same thing here at the bottom you start
around the backside of the eye and come
in curving down and they don't all line
up in a little row do they I'm not
planting corn I character is smaller and
lighter here we go some nice eyelashes
now on this eyebrow I'm going to make
sure this line is very light but I want
to still be able to see it I'm gonna do
a similar thing here but I'm going to
arc these hairs and they're going to be
fuller and longer here and lighter and
shorter here start out a little bit i'm
sure themselves and curve up there's a
lot of ways to have eyebrows lot of ways
to draw eyebrows sometimes that's the
most important thing in a portrait so
it's a good thing to practice just
applying the line of the eyebrow these
little hairs that it's a nice dark one
look at that it's not big changes that
you have to make it as an artist to make
big improvement in your art and honestly
I promise you all it takes is practice
start practicing drawing side eyes today
I hope to see you with the easel or pad
really soon take care of yourselves be
good to each other
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