what's up guys today I'm going to be talking about five simple tips to
elevate your video content that everybody should do and not enough
people are doing
so I know a lot of people that actually started out doing photography and then
they wanted to jump into doing video and they just didn't really know the right
principle so I'm like how you should actually treat video because it's
actually a little different there's certain rules so you have to apply when
you're going to be shooting something on a video camera that you can't really
consider when you're doing a photo the very first is actually going to be the
180 degree shutter rule the 180 degree shuttle is one of the simplest and most
important aspects when it comes to getting like that really six cinematic
footage so you when you look for its basically measuring it so that you get
the proper amount of motion blur between each frame so to do this is really
simple you basically just take the frame right that you're working with so I'm
shooting at 24 frames per second right now you're gonna double that number and
then make that your shutter speed so I'm gonna make this one over 50 because it
doesn't go to 48 same idea applies if you're gonna be going for like a faster
frame rate so let's say I'm shooting at 60 frames per second I'm gonna try to
get that as close to 1 over 120 as possible and then that's gonna introduce
the proper amount of motion blur for every single frame in there so when you
actually do slow it down it's going to look really great if you were to shoot
at a faster frame rate and actually not apply that property to it it just it
just falls apart it's really staticky and laggy and it makes it so it looks
really bad have you ever actually tried to take footage that shot at let's say
like 24 frames per second and slow it down really far and everything just
looks really really staticky as it goes that's because it's not following the
180 degree shuttle so with that anytime you're actually
gonna be shooting any footage so let's say like it's talking head stuff you
really just want to make sure that you're gonna be shooting at the frame
rate that you really want one of the biggest issues that people run into and
they are following the 180 degree shutter rule is that if you're shooting
at 24 frames per second and you want to have your shutter speed at 1 over 50
you're basically letting in a ton of light and the problem with that is that
you're over exposing a lot of things so you can't really control it and that is
where ND filters come in and this is tip number 2 utilizing a neutral density
filter otherwise known as an ND filter so ND filters are one of those things
that every single person should have in their camera bag it's one of those tools
you just can't really live without if you're going to be doing proper video
and it makes it so simple to actually continue to get the right exposure so
you've got to think of it it's like a little
sunglasses for your lens so if you take this I'm gonna take this right here if
you dial this in you can actually adjust for the right exposure while keeping the
same frame rate in the same shutter speed and something to kind of consider
as well as it sometimes they're not gonna fit the same you know lens size
the diameters on certain lenses are very different so this fifty millimeter lens
I'm using right now is not the same as my 35 millimeter is not the same as my
macro so if I actually have a step-up ring I can actually adjust that by
putting the right step of measurement on that particular lens and then boom I
actually still have the proper amount of sunshade that I get with that ND filter
with just those two simple rules alone you're gonna actually see a really huge
improvement in your video content and it's gonna elevate it to that kind of
cinematic quality that everybody is looking for and really wants to get but
you might not be getting it because you're not really aware of why it's not
working and that's a huge reason why I see a lot of people's videos not look as
good as they could my third tip actually goes out to every single person that has
an external microphone in their camera and one of the first things that you
should actually be doing is going inside of your camera and then going to the
internal audio adjustment section in there you actually want to dial down
your audio or at least to play around with it to be able to make sure that you
get the best sound that you can because with the microphone this on there it's
actually a little more powerful than the internal mic on your camera so a lot of
people end up resulting and clipping or some unusable sound because they're just
not changing that really simple aspect but if you do that you're gonna be able
to make sure that all the audio you get is just gonna be perfect and really easy
to use down the line so you always have the best footage that you can and this
is especially important for anybody's to be doing that close range vlogging or
something like that when you're talking about this far away from yourself you
really want to make sure that that microphone is can be adjusted properly
because you're gonna have this really expensive mic but if you're not
adjusting the internal volume on your camera it's just gonna be useless anyway
so make sure you take that time dial it down a little bit play around through
settings make sure you find what works best for you but I guarantee you if you
actually take this little step you're gonna find amazing content down the road
my fourth tip goes out to every single person that's actually trying to save a
couple of dollars and they don't actually want to go out and buy a gimbal
or they don't want to use one all the time and it basically just comes with
your camera it's a simple camera strap and all you actually have to do is just
think about creating three points of contact with anything that you're doing
that's kind of the same idea is what like a shoulder rig is going to be doing
is the same ideas what a gimbal or stabilizer is doing
it's creating these extra points to contact on the camera so that it's
allowing it to stabilize a little bit better so if you just take the strap and
you put it behind your neck extend as far as you can for your good
grip and then just make it taut you're gonna be able to get that really nice
smooth footage with that actually even like that shakiness that you would
normally get by just going handheld this is something I use on a regular basis
because I don't always feel like actually carrying around a giant Kimball
with me or just carrying all this extra gear because sometimes it's not ideal
and especially if you're in a running gun situation it really makes it simple
to just have a strap on you and just be able to carry it with you as you go and
then boom if you need to do it you just get that really smooth footage without
even really trying so give it a shot I guarantee you're gonna find some better
results and by fit tip to actually help you guys make sure that you get like the
best actual outcome of all of your video footage is to try to shoot in the
flattest picture profile that you can now some cameras these days actually
allowed to shoot in like a log profile and you know some others don't
okay so my neighbor right next door is playing this like Angry trance music
that kind of sounds like the blade to soundtrack got into a fight with a
washing machine so anyway my fifth tip for you guys is basically try to shoot
in a flat picture profile now you might have heard a lot of people talk about
the term log or a flat profile for a little bit and stuff when it comes to
doing video and the reason for that is because most cameras actually just have
like this kind of baked in look as what it calls you know and and it basically
allows only so much information to be captured in let's say like your
highlights so for example I could be exposed properly on the outside but
everything behind me might be blown out and just kind of white and just useless
but if you shoot in a flatter picture profile you know it's basically gonna
take that image and then squeeze it down to about here so that when you go into
post-production you can drop those shadows and then lift up the highlights
add a little bit of saturation and then all of a sudden you're gonna have this
amazing image that you just couldn't have gotten if you just used a regular
standard picture profile and not if your camera is actually gonna have the
ability to shoot log so this is a big problem for some cameras like a Canon
camera or something like that and it's okay all you have to do is actually just
go into your settings and they're just basically just dial down your contrast
dial down your saturation you can change a couple of their aspects if you'd like
as well but just kind of make it as flat as possible so it's gonna look really
bland and boring and grey but when you're doing that you're able to
actually take a lot more information in there so that when you go into your
editing software you can just kind of play around with your scopes and your
settings bring down your shadows lift up your highlights and you're gonna see a
lot more information in there then you would have gotten if you just used a
regular baked in profile this is something a lot of people actually feel
really nervous about when they're working with it at first and it's not as
daunting as it seems you just really have to kind of understand how you're
working with it now for example like if I'm shooting an S log2 on my Sony I
actually understand that I really want to be exposing almost two full stops
over what I think is actually accurate whereas with like a cannon shooting in
in C log or you know another camera shooting and you know like another log
format it might be a little different you know it's just one of those things
where you have to kind of understand your camera and understand how it works
watch some videos I'm kind of see like how other people work with it but
understanding it is one of the most important
you can do to really elevate that content and get that really cinematic
look that you're going for and I think at the end of the day just adding a
little bit of saturation to almost any shot that you do is always gonna make it
a better choice alright guys and that's it for me on this video I really wanted
to make this because I see so many of you guys out there making amazing videos
and you're taking the time to learn the craft you're working hard to edit and
put things together and it just could be better and it's one of those things
where it's just not for lack of trying is for lack of knowledge if you get out
there and just kind of try to study and just understand as much as you can it's
really gonna change the game free it's gonna elevate your content it's just
gonna take everybody on YouTube and just bring us all up together so if you guys
can just take a little minute get out there follow the hundred eighty degree
shuttle and get those neutral density filters change the volume inside of your
camera get a neck strap so you can actually walk around and feel a little
more stable footage when you're gonna be vlogging or just getting some outside
content and try to shoot in a flatter picture profile because it's really
gonna change the way that you work in post-production and get you just the
best image possible and if you guys did like this video do me a favor go down
there and hit that like button subscribe to this channel if you haven't already
because I would really love to keep growing this community with each of you
and if you don't mind go down there and leave me a little comment let me know
something about this that you liked and that you know you may have gotten out of
this so spread the word share this video with a friend and until next week I will
catch you then I'm Bobby Hicks and I'm this fellow
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