Hello Friends!
It's Kat, from MeowMeowKapow!
If life were an episode of Dragon Ball Z, this is where I would say "Previously on
MeowMeowKapow" and roll a dramatic highlights reel of parts 1 and 2 of this series.
But we don't have time for that!
Check the i-card and doobly-doo for more info on our journey thus far.
Let's get this final showdown under way!!!
Given that I've been specifically testing these brush pens for their usability with
watercolor, it seemed pretty obvious I should paint something.
Per usual, I made doodle finders with each pen, waited for them to dry, and then used
my Daniel Smith watercolors over them to see how they interacted.
Oh, and I used Canson Montval watercolor paper for this.
Also, it was requested that I show whether or not these pens feather or bleed on watercolor
paper.
For sure, they don't do either.
Each pen has its own unique texture along the edges of the line they make, but that's
partly due to being used on cold pressed paper and partly because I intentionally used these
pens exactly how I would in real life, which is not especially delicately.
One curious thing that someone mentioned in the comments of our last video, was something
that I'm glad I was aware of beforehand because I would have thought I was crazy otherwise.
The Pentel Pigment brush pen noticeably rejects any watercolor that comes in contact with
it, which is mostly resolved by running your watercolor brush over the ink a couple more
times but looks kind of like a mess initially.
Aside from that, our initial test didn't show anything that we weren't already aware
of, though it did slightly intensify any opinions I already had.
For instance, I mentioned in the first video that the Lictin pen's long, thin tip made
it a bit difficult to control…. and after having tried twelve different brush pens in
a row I can confirm that its flimsy point is still difficult to control.
Also, having three different pens with the Pigma set does technically mean that you can
make any line width you could dream of, but it's also kind of a pain to switch between
the three pens, especially because it's not immediately obvious which one is which.
The extreme firmness of their points also makes it a bit difficult to judge exactly
how much pressure you need to get what you want done, and each individual brush only
has a so-so line variety on its own.
Both the sigma and the lictin have already been eliminated from the running early as
the champion of this fight, but I'll still put them through the full gamut of tests for
those of you curious.
Thinking about how the Pentel brush sort of caused watercolor to run from it, I started
to wonder how the pens performed with other mediums.
For the following experiments, I switched over to my Canson XL watercolor paper since
it's cheaper and works just fine.
I decided to do a couple extra quick tests to see how they worked with watercolor and
gouache, both being applied on top of those mediums as well as having those mediums applied
on top of the pen.
Unsurprisingly, they all performed as normal on top of both watercolor and gouache, but
the Pentel brush mildly rejected both watercolor and gouache being placed on top of them.
Also, the Zig mangaka brush pen smudged when watercolor was put on top of it.
I only waited five minutes after applying the ink before doing these tests so that tells
me that the zig ink likely has a longer drying time than some of the other pens.
How long, you may ask?
Well, I did tests with each pen to determine their waterproof drying times.
We already know their smudge-proof drying times from our last two videos, but it turns
out that three of the four pens are completely waterproof within one minute of application.
It took the zig mangaka #24 brush pen twelve minutes to completely dry and be absolutely
waterproof.
This long dry time has me a bit worried, because if you were to use the pen while Oot and Aboot
for some urban sketching, you'd have to either paint first and apply the ink after,
or wait at least twelve minutes after finishing your inking to start painting.
Also, out of curiosity, I decided to see how these pens interact with alcohol markers.
I don't have a lot of alcohol markers, and what I do have are these kind of old Winsor
& Newton ones that are sort of running out of ink.
However, they were good enough to let us know that these pens for sure aren't meant to
have alcohol markers used on top of them.
I thoroughly cleaned the markers between each swatch here so they definitely all smudged
on their own.
Thinking about the two pens that I consider to still be in the running, the Pentel Pigment
brush pen in extra fine and the Zig Mangaka #24, I know which one I prefer… though I
think it may sound a bit crazy.
When it comes down to it, the Pentel brush is technically the best one of the lot.
It scored highest in every single test we put it through.
Though there were two things that weren't on the initial rubric that I think have more
points attributed to them than anything else.
One is intangible.
It's that feeling where even though you know it's not logical, you like something.
Like how your favorite video game might be special to you but everyone else on the planet
things it's hot wet garbage.
But the other is control.
The Pentel brush is capable of making very thin and very thick lines in a wide range
of smoothness and texture…
But I never really felt like I was in control of the brush.
Its super long, super thin point meant that I would occasionally have the tip flick out
in a direction I wasn't expecting and there would be just a tiny moment of frustration
despite each line still looking great.
I tried to use this little test to show what I meant, but of course, this technically superior
brush still produced great results.
I'm telling you though, in your hand it does feel a little like a wild card.
So my gut keeps telling me over and over again that the Zig Mangaka #24 pen is the best,
and my favorite.
But when you look at the lines I got in this control test, they're not as thin and delicate
as the pentel brush.
Plus, there's the dry-time issue to consider.
And the fact that it's literally the most expensive single brush we got, at $11 a pen.
But I still love it.
I prefer the matte finish of its ink to the slightly glistening finish of the pentel pen,
especially for filling larger areas.
I think the ink flows a bit smoother from the tip and glides across the paper in a satisfying
way.
Plus, it doesn't reject watercolor being put on top of it and that was kind of the
whole point of this series-finding the best premanufactured brush pen for use with watercolors.
Let's be clear here though, the Pentel brush is technically better.
I just don't love it as much.
For sure though, I think it'll become my travel brush pen since the super fast dry
dry time is definitely important out in the field.
So, there you have it.
After being put through a series of tests, forced to battle against 11 competitors, and
used repeatedly over the course of a month, the Zig Mangaka #24 brush pen gets the official
MeowMeowKapow seal of approval as best brush pen to use with watercolors.
But the Pentel brush pen was basically robbed.
What do you think?
And what should I put through an ultimate showdown next?
I've already got a couple of ideas but want to know what you'd like to see.
And if you'd like to help fund these epic experiments, I set up a Ko-Fi account in my
doobly-doo.
Anything you donate will go directly towards more investigations like this one!
Thank you so much for all your ideas in this series, if you'd like to see more please
remember to like and subscribe to help support this channel!
Until I see you next time, I wish you peace, love, and ink flow.
Bye!
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