Alcohol Bubbles.
I can't say alcohol bubbles,
people are going to think that
it's the Dolphins.
*horse sounds*
I got it.
Hi! I'm Cinnamon Cooney your
Art Sherpa, and today I'm so
excited to share with you how
you can absolutely
paint this underwater fantasy.
If you're a brand new painter,
don't worry I've got your back.
Explain every step of the
process.
Everything you need to know
every technique so you can
create this underwater dolphin
today. Get your paint,
get your brushes get your
rubbing alcohol and come back
in. These are right now.
We're going to get painting.
Today's project has Holbein
watercolor pain in the colors
permanent yellowed deep
cobalt blue hue and
marine blue on top of that
I have taken 140 pound
watercolor paper by Strathmore
and taped it down with low tech
tape. I'm just putting the
watercolor paint out on a
pallet paper I've got
rubbing alcohol.
Any proof will work on this I
just happen to keep 91 percent
in the studio because I work
with acrylics a lot.
And putting that makeup aside
that's going to help me do the
alcohol resist.
I'm going to keep showing it to
you know what I'm doing.
I have a cat's tongue.
Oh gosh. This is a three
quarter inch black
velvet.
I mean it. Get this brush wet
and start putting out a wash.
A wash should make
your paper be noticeably
wet and shiny but it
shouldn't really buckle your
paper. It shouldn't be anything
like say that your dolphin
could swim in.
I pre-scheduled in my dolphin
on the paper in my notes on
that is look if you're not
a person who draws and you're
looking at that thinking I'm
never going to do it.
I think it's OK to trace how
those free trace ripples on my
website. There are product com
you're welcome to go get them
any time you like.
I'm putting out the water.
You can see that there's a
sheen on the paper but it's not
like a pond.
It's not like soaked.
And I'm getting water under the
brush. The thing that I like
about these is that they pull
in the right amount of water.
This is a number a round
black velvet and I'm in a pull
down sunlight streaks from the
upper right corner down
towards the lower left corner.
Now the trick is when you're
putting this out especially if
you're working with the liquid
water coolers like I am right
here. The ones from the tubes
is that you Kamini it kind of
cautiously from the side.
Adding water to it to get these
washes out.
Unlike pan acrylics which are
the dry ones that you're
probably really familiar with
that you add water to to
activate these have a lot
of pigment so that you can get
to really easily.
So that's just the thing is to
come in at a cautiously
and reasonably.
I'm just making a radiation
or brush strokes kind of like a
fan coming out and dragging
down the idea being that water
is lighter at the top and gets
darker as you go down because
the light falls off free and
that starts to get richer and
so that's one of the things
that I want to make sure that I
represent.
I am wearing the bottom of the
page with that same oval.
I'm not using that fantastic
or probably could have done the
whole thing with that brush
because it's like three brushes
in one.
But I wanted the streaking
that I would get with my
beautiful round so that's why I
was using them. I'm getting
into my marine
blue. This is really
kind of like a halo
turquoise.
If you're looking for this in a
another type of watercolor
but I'm just looking for an
aquatic kind of oceanic
turquoise here.
And so I really liked that
color.
You can see in my lower
left screen where I did the
color cards you could really
tell what the colors were and
how they'd mix.
And I liked this because it has
three colors in it as a
project. One of the things that
I guess I'm making streaks in
and this is happening with
my watercolor.
But when you're working well
into wet with your pigment
something to keep in mind is is
it's going to settle.
When you glaze which is where
you paint a wet streak of water
cooler over dry water color.
That color will stay where it
is because the color goes where
the water is right.
Well in this case the color
goes where the water is so
wherever I'm putting this
pigment it's going to bleed
out and softens everything
here that I'm doing is not
going to retain a hard edge.
It's going to be loose.
It's going to be soft
which is great for new painters
because it's a very forgiving
space to ban.
I'm adding some of my yellow
back in and employing these
streaks down.
I'm not worried about what's
happening.
I'm still working.
Just the marine blue
and the permanent yellow deep
here. So this is just the
marine blue and I'm pulling up
the darker color I'm adding
more pigment to the bottom
because the water is darker.
I haven't lost the sketch
that I put in which is if you
do choose to trace it in that's
a good thing for you to know
I'm getting that cobalt blue.
This is going to make the water
feel cooler and deeper
and further away from the
sunlight as the dolphin is
swimming up you know towards
the surface.
And so I'm going to want to
just concentrate that a bit on
the bottom and let that bleed
up to the top
again.
Trying to keep this paper wet
the only way my alcohol resists
bubbles are going to work is if
the paper's damp at least
damp because it's got to be
able to push the pigment in the
water out. When I drop it
to make the effect.
So that's the kind of
components of what I'm
going to be working with here.
You can see that I'm just
carefully coming in from
this outside edge
and just working this in.
You can do this with washes
in acrylic because of course
you can do washes of acrylic on
watercolor paper and that
would work really really really
well. There's a lot of really
cool things where water based
products kind of have some
some more properties but with
water color you're going to
always be working from lightest
to Darkest so you might have
noticed that I'm building up
color here.
I'm building up the color.
I can subtract a little bit.
I like to say watercolor has
like about 200 do's and
so you know I'm just adding
I am wiping all the water out
of my brush.
I'm about to get my alcohol.
This is super fun.
What we're about to do right
here.
So I've got my alcohol again.
It doesn't have to be 91
percent maybe 71 percent just
whatever you have in your local
drugstore will do this.
I just like the 91 percent
because it moves acrylic really
easily.
I'm making these drops and you
can immediately see it's not
like magic how it makes those
bubbles.
And I'm going to just put
little drops of this around.
You know I put one where I'm
going to be painting over black
paint but I like to try to get
a little overlaps.
So things have layers in the
painting because it's what
we're trying to create is these
layers that tell that story
and hope urged that
it's real fun.
On this particular case even if
alcohol drops off one and I
don't expect it to.
I'm OK with it because I'm
trying to make bubbles in the
water ensuring you create this
very soft.
Aquatic dreamy
feel should be very relaxing.
This part of the painting is
incredibly relaxing to do.
I imagine this is a technique
once you discover it that
you're going to be playing with
a lot. It's it's
one of those. There are certain
watercolor techniques or
certain acrylic techniques I
think that just call to New
painters and get them excited
about being creative again.
This being one of those
fabulous fabulous things.
And I don't think it really
matters what your age is
whether you're you know five or
65 or a hundred
and five. It just is fine.
To drop little bits of alcohol
and make the pain go bloop
bloop bloop bloop bloop bloop
it isn't it is just play it and
take that up into the sunlight
because of course and what my
bubbles to go up.
Right. Because bubbles rise up
through the water and they're
fine.
And I'm just enjoying that.
I'm just letting that drop off.
My low around here having
a good time.
Having a lot of fun
it's fun to see what else is
out there there's a lot of
really cool water projects
that you can do this crazy
thing to get into it's good for
travel.
I'm rinsing out my brush
getting the alcohol out of it
and I'm going to come and get
my marine blue and I'm going to
load this brush with a fair
amount of pigment and
spluttered off Im doing this
like little finger flick.
That's how I get a load of
brush up and then just flick
the top of it and it just the
pressure disperses it.
Now the pain
is still damp in because it's
still damp. What is the pigment
going to do. It's going to
disperse it's going to soften
because the pigment goes where
the water is.
So it's going to completely
pull out.
And these little spiders will
become a very soft in fact
that isn't overwhelming to the
piece if you want these spiders
to be really intense
and show and be like Hardage
drops.
You would wait to the piece
dried and then splatter.
And that's how you get those
two results.
Everything watercolors whether
you're working at dry or
working it went into wet and
that's how you kind of get your
two basic kind
of plays in that space.
I'm going to get some yellow
for some sample rate.
Got to have some Zazzle of some
is. Look at that.
That really just pops it.
But again don't worry if
initially it seems like you
might have overwhelmed it.
Give it a second let it rest
because it's going to soften
it's going to mellow
out quite a lot.
So that's something to realize.
That's an area water for
giving. I let it dry completely
and I get my black just so
you could use black paint.
You could use any ink.
I mean do let it be dry.
That really helps because
otherwise where is it going to
go with waters.
I've got a number for Brislin
round here this is for critic
paint.
It has a very nice shirt
point and just allows me to
sort of like it's a bit like
having a pen on paper
you know but it's not paint.
I like the Black just so
because it's very matte and
it's inexpensive but it's still
really high quality.
So there's a lot of things that
I like about it and I tend to
go get it.
It's not really a right or
wrong thing it's just a
preference thing you could use
black graph paint.
You could use
a golden Mar's black paint with
whatever you want to use in
your silhouette here will work
because that kind of a piece
I'm going to definitely paint
this in and what I want
to do is have an outline my
edges first and then fill in.
So I see my little pencil
and I'm going to definitely
filling in again.
If you're not somebody who
draws yet and I
say yeah. Because you can
always learn it just like
you're going to learn painting
you can learn drawing just like
you might be doing acrylic now
and you're taking a watercolor
maybe you're doing what are you
taking a pastel.
These are just new skills.
Just keep adding to your art
skill set. Be a pokey man
you know trader catch all those
art skills and collect them all
up and then you can use them as
you need them for different
situations.
You'll never be sorry for an
art skill that you learn or
technique that you acquire.
It will come up again
and some point in the future
and always be fun.
So and also
never feel bad if you don't do
it yet.
You can't know everything right
away. It's wonderful to be
student. It's wonderful to be
new.
I always feel really good about
that space. I think students
should just wave their new
flags as high
as they can because
you won't be new forever.
So really enjoy this time.
I'm just filling this in and
making sure that this is matte
black.
It's kind of like I'm going
for. The piece is going to
frame up beautifully.
You can do this for a lot of
projects.
This particular piece of paper
is six by nine.
So you know that's
sort of the look I was going
for there was just something
and could easily frame and hang
and have it be kind of a cute
little piece to look at.
Hopefully you're enjoying the
process of painting this piece.
There is definitely
more watercolor out there going
on.
I really love this
media. I think there's a lot to
do.
There's really no end to Art.
Art is one of those.
Endlessly fun discovery
spaces.
So you know.
That's something that I
personally want to say to you
is find more.
Never never stop
being excited about it because
it's always exciting.
I'm going to sign them and get
a number zero
round black pearl to sign.
I'm going to find an
interesting place to sign if
you're going to sign your piece
which I like to because it
helps people know who did it.
But you have to but ours don't.
Really. It's your studio.
So kind of your rules in your
studio on your easel on your
table sort of your way.
So you know do the things that
feel great to you and don't
worry about the things that
aren't really speaking to you
today. Maybe they'll speak to
them or maybe they won't.
It's hard to say.
So I'm putting my name in there
making my mark.
I hope you had a lot of
fun painting this watercolor
with me. Check out the art card
for a really fun
water media painting with
Ginger cook live.
And I definitely
cannot wait to see your
paintings two thumbs up.
Gave myself the thumbs up
thumbs up to you.
I want to see you.
At the easel really soon doing
art projects.
Be good to yourself. Be good to
each other. Other Buh-Bye (LOVE
YOU ALL!)

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