Thứ Ba, 27 tháng 6, 2017

Waching daily Jun 27 2017

BE AROUND FOR A COUPLE MORE

YEARS.

LET'S HOPE SO.

A PIECE OF MAJOR LEAGUE

HISTORY IS UP FOR AUCTION,

COURTESY OFFICIALLY SHEEN.

THIS IS BABY RUTH'S

WORLDSHIPSHIP RING.

HE SAID HE IS SELLING THE RING

AS WELL THAT MADE HIM A NEW

YORK YANKEE.

AT LAST CHECK, BIDDING ON THE

RING WAS OVER A HALF MILLION

For more infomation >> Sheen's Ruth Memorabilia Up For Auction - Duration: 0:32.

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Arpo: The Robot for All Kids English Cartoon Episode 5 | Best New Cartoon and Animation Movies - Duration: 10:52.

Arpo: The Robot for All Kids English Cartoon Episode 5 | Best New Cartoon and Animation Movies

For more infomation >> Arpo: The Robot for All Kids English Cartoon Episode 5 | Best New Cartoon and Animation Movies - Duration: 10:52.

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Insights for ArcGIS | Dica 3: Pegue um Atalho Para o Pensamento Espacial - Duration: 0:46.

For more infomation >> Insights for ArcGIS | Dica 3: Pegue um Atalho Para o Pensamento Espacial - Duration: 0:46.

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Metro Court seeking more volunteers for new legal clinic program - Duration: 1:35.

DEALING WITH COMPLEX

COURT PROCESS MAY BE

DIFFICULT FOR SOME....

AND SOME MAY NOT HAVE

THE MEANS TO AFFORD IT--

BUT A NEW METRO COURT

PROGRAM IS LOOKING TO

HELP WITH THAT-- FOR

FREE.

NEWS 13S SARA YINGLING

JOINS US NOW WITH MORE.

CRYSTAL--

DURING THESE FREE LEGAL

CLINICS-- LOCAL

ATTORNEYS PROVIDE FREE

HELP FOR PEOPLE DEALING

WITH ANY KIND OF CIVIL

MATTER.

BUT NOW THEY )RE LOOKING

FOR MORE HELP TO DEAL

WITH THE GROWING

DEMAND.

SINCE MARCH-- METRO

COURT HAS HELD A LEGAL

CLINIC ON THE SECOND

FRIDAY OF EVERY MONTH.

DURING THAT TIME--

RESIDENTS-- WHO AREN )T

ABLE TO AFFORD LEGAL

HELP--CAN COME IN TO GET

HELP WITH LANDLORD OR

TENANT ISSUES--

CONSUMER RIGHTS-- TRIAL

PREPARATION AND OTHER

CIVIL MATTERS.

ALL THANKS TO LOCAL

ATTORNEYS VOLUNTEERING

THEIR TIME.

PARALEGAL RENEE VALDEZ

SAYS THEY NEED 6 TO 8

ATTORNEYS EACH

MONTH-- JUST TO KEEP UP

WITH THE NEEDS OF THE

COMMUNITY.

2:08 it puts them at

ease and helps them deal

with the matter at hand.

if they have a court

matter, it

beetter prepares them

for court so that they

come to court feeling

more confident about how

they can

represent themselves.

2;17

VALDEZ SAYS JUST EARLIER

THIS MONTH-- THEY ALSO

ADDED THE

CAPABILITY FOR THOSE IN

NEIGHBORING RURAL

COUNTIES TO SKYPE

IN TO SPEAK WITH AN

ATTORNEY FACE TO FACE.

SO FAR THEY )VE HELPED

PEOPLE LIVING IN

CUBA--ALAMOGORDO

--LORDSBURG AND T OR C.

THROUGH THIS PROGRAM--

VALDEZ SAYS THEY )VE BEEN

ABLE TO HELP 25 FAMILIES

A MONTH.

CONSULTATIONS ARE FIRST

COME FIRST SERVE AND

LIMITED TO FIRST 25

ATTENDEES.

CRYSTAL?

THANKS SARA.

METRO COURT IS ABLE TO

PROVIDE THIS CLINIC FOR

FREE BECAUSE

MANY ATTORNEYS MUST

COMPLETE PRO-BONO WORK

THROUGH THE NEW

MEXICO STATE BAR

ASSOCIATION.

For more infomation >> Metro Court seeking more volunteers for new legal clinic program - Duration: 1:35.

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Baby Learn Colors with Soccer Balls for Children | Colors Balloons Balls for Kids - Duration: 1:32.

Baby Learn Colors with Soccer Balls for Children | Colors Balloons Balls for Kids

For more infomation >> Baby Learn Colors with Soccer Balls for Children | Colors Balloons Balls for Kids - Duration: 1:32.

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Insights for ArcGIS | Dica 2: Ganhe Passe Livre aos Dados - Duration: 0:27.

For more infomation >> Insights for ArcGIS | Dica 2: Ganhe Passe Livre aos Dados - Duration: 0:27.

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VXLAN for Linux Containers with VPP and Honeycomb - Duration: 4:54.

For more infomation >> VXLAN for Linux Containers with VPP and Honeycomb - Duration: 4:54.

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Insights for ArcGIS | Dica 5: Faça Seu Trabalho Dar um Show - Duration: 0:25.

For more infomation >> Insights for ArcGIS | Dica 5: Faça Seu Trabalho Dar um Show - Duration: 0:25.

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Learning Colors With Motu For Children | Learn Numbers Motu Patlu For Kids - Duration: 2:09.

Learning Colors With Motu For Children | Learn Numbers Motu Patlu For Kids

For more infomation >> Learning Colors With Motu For Children | Learn Numbers Motu Patlu For Kids - Duration: 2:09.

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Why I Focus on Language and Behavior Rather Than Social Skills for Young Children with Autism - Duration: 8:13.

Hi, I'm Dr. Mary Barbera, autism mom and

board certified behavior analyst. In

today's video blog, I'm going to discuss

why I focus so little on teaching social

skills to very young children with

moderate to severe autism. As some of you

know, the diagnosis of autism is given if

the child has two main issues. The first

is a deficit in social communication and

social interaction. Basically, these

deficits for a young child include:

failure to share, or show, or point to

things of interest. And for older

children, it involves failure to take

turns and understand the social context

of things. In addition to the social

communication deficits, the second

component of getting an autism diagnosis

is restrictive and repetitive patterns

of behavior, interests, or activities. Kids

with autism are usually rigid. They

sometimes like to line things up. Many

engage in self stim behaviors such as

rocking, or hand slapping, and many older

kids with autism have specific interests

that are odd or unusual. Since social

communication and social interaction is

thought to be the central deficit in

children with autism, many people wonder

why I focus so much on increasing

language and reducing problem behaviors

and focus so little on social skill

intervention in young children,

especially those with moderate to severe

autism and major language delays. I do

want to give a disclaimer here that the

spectrum of autism is very wide and my

books, my online consulting work, and my

online courses, mostly address the needs

of children, teens, and adults who are

significantly impaired. I also want to be

clear that each child needs a thorough

assessment of his skills and deficits

and an individualized plan of

care and these video blogs are meant to

give just general information and my

ideas for how to improve things in

general for children with autism. So with

that in mind, why I focus so little on

teaching social skills to young children

with moderate severe autism. Let me tell

you about one of my former clients, I'll

call him Joe. When I first started with

Joe, he was just turning 2 years of age

and just diagnosed with autism. He used

to carry around straws all the time, that

was his big thing. He would carry around

straws, wave them in front of his face,

and he also liked to put them into clear

bottles if he had bottles too. The first

time I came to Joe's house he came to

the door with the straw in his hand.

Some kids carry around a blanket in a

similar way. Some kids like other things,

but Joe loved straws. Parents and

professionals often recommend and/or

choose classroom placements and group

instruction even for little kids like

Joe because they believe that every

child needs socialization

and exposure to typically developing

peers but putting Joe, and young children

like Joe, with little to no language into

a classroom full of typically developing

peers, or even with preschoolers with

special education needs, without 20 to 25

hours a week of one-to-one ABA

instruction is probably not the best

idea. For example, if Joe's mom would have

chosen to put him, who he was two

years old at the time, with a new

diagnosis of autism, if she would have

chose to put him into a daycare or

preschool situation without any

therapist to shadow him for

socialization instead of opting in for a

20 hour week one-to-one intensive ABA

program what Joe would have probably

done is played with straws or played

repetitively with any toys that were

available and he would have played over

and over again with the same toys. He may

not have caused a fuss as long as no

one tried to intervene and take the

straws and toys or other items away. But

if they would have tried to have Joe

participate in circle, or craft time, or

tried to take away the straws, or other

items, this would have most likely caused

Joe to have significant tantrums. Another

thing I see with some kids who were placed

in a preschool situation before they

have the needed prerequisite skills in

language and social abilities, especially

if the child goes alone without a

well-trained ABA therapists to shadow

him, is that these kids usually sit away

from the other students and they do not

engage in any meaningful

play or social activities anyway. They

tend to pick up toys that they can play

repetitively with, and in essence, they

engage in self stim behaviors while they

sit to the side of the room. Without some

language and imitation skills, exposure

to other children is usually just that,

exposure, with little to no impact. Kids

who have little to no language who are

placed in group settings for large

amounts of time, especially those without

support professionals who understand the

principles of applied behavior analysis,

tend not to do well. Some children with

major language deficits who exhibit

problem behaviors even get thrown out of

preschool because they hit or fight

other kids. The preschool teacher, no

matter how well-qualified and

well-meaning, usually doesn't have the

ABA training and support of a behavior

analyst needed, to know how to intervene

to reduce problem behaviors in children

with autism and probably can't

effectively teach our children important

language and learning skills, especially

in classrooms with ten or more children.

I do believe that a

few hours per week included in a

preschool or daycare setting with an ABA

therapist to shadow the child may be an

appropriate part of a complete ABA

program, even for young, early learners

who may not have all the prerequisite

skills in place. But sending a child,

without necessary skills, without a

well-trained one-to-one, even for a few

hours per week may not be the best use

of the child's time. I was speaking at a

conference many years ago, and they were

selling t-shirts that they had

designed and on the front the t-shirt

said "I have autism" and on the back it

read "don't waste my time." That really

struck me back then, and it still stays

in my mind now, because I think a lot of

times people ask well aren't you pro

inclusion? Of course I'm pro inclusion.

But many young children with moderate to

severe autism need at least 20 hours per

week a one-to-one intensive ABA

programming so that they can fully

participate, and eventually participate

even within a classroom setting, with

large group instruction. Our children and

clients with autism don't have time to

waste,

just like the t-shirt said. For more

information about proven ABA strategies

to increase language while reducing

problem behaviors, download my free ebook

and watch my free four-part video

workshop by clicking the link right

below this video and I'll see you next

week.

For more infomation >> Why I Focus on Language and Behavior Rather Than Social Skills for Young Children with Autism - Duration: 8:13.

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[Eng Sub] Yan ZiDong (晏紫东) Voice Mail for YIFC [GuangZhou Airport] 晏紫东和YIFC国际站语音-广州送机 YIFC - Duration: 1:32.

(Say something to YIFC)

Hello everybody

This is Yan Zidong

(Fan introduce his foreigner fans)

There is jet lag between us and the foreign fans?

And

I wish all the fans abroad

rest well

and sleep on time

don't always stay up late

I will also avoid staying up late

(Fan: Can you also give voice mail to our fan group?)

Ay~because that group is a foreign fan group (YIFC)

So...It's the first time I know I have foreign fans, with many countries inside

That's why I left a voice mail, because I've already been to a lot of groups

It's unfair If i don't do the same to the foreign fans

For more infomation >> [Eng Sub] Yan ZiDong (晏紫东) Voice Mail for YIFC [GuangZhou Airport] 晏紫东和YIFC国际站语音-广州送机 YIFC - Duration: 1:32.

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Women Music Producers Fighting for Equality (HBO) - Duration: 5:13.

Last night, Beyonce once again dominated the BET Music Awards...

— Beyoncé!

winning Album of the Year and more awards than any male artist.

But apart from performers,

women don't get much recognition in the music industry—

because they're barely even represented.

In music production,

women make up less than 5 percent of producers and engineers,

meaning almost every song you hear is produced by men.

A group of four female producers sat down with Mary H.K. Choi to explain why.

— What are some of the politics inherent in getting a producer credit?

— What happens in today's forum is a lot of artists don't write a lot of their songs.

And the majority of them that are more like the Patti Smiths, Chrissie Hyndes,

they're at home, rocking out, and don't need anybody's approval.

And so, they don't come out.

But then the ones that do come out are the ones

that want credit for things that they haven't done.

— The few times that I've done sessions, like,

for other people you show up and,

I think, for example, at least me,

I think people more perceive me as an artist than a producer.

And people will actually not believe that I do it because of this.

— Why do you think it's important to just own everything that you make?

Because you very pointedly do.

— You know, there is that level of wanting to show that you know exactly what you're doing,

because you are female and you're going to be held at a higher standard.

So, when you go into those environments,

especially if it's out of your comfort zone, you want to have your shit together.

— Do you ever feel, like, an onus to be like,

"I have to level the playing field in this very specific way?"

— No. If I don't find them good musicians,

then I don't feel as though they deserve to get raised up more than someone else.

I view myself in the same way.

I'd rather be in someone's top 20 producers,

I'd rather be the 20th person than someone say, you're my favorite female producer.

— How many times has someone been like, "You're my favorite female producer"?

— All the time.

I feel as though I have to overcompensate,

so I'm very public about, like, this is music technology I'm into—

I've done tutorials, I let people see all my sessions.

And yet, to some degree, when I look at myself do that,

I'm like, I shouldn't have to.

I mean, sharing knowledge is fine…

— It's annoying because dudes won't share knowledge—

like, if I'm in a session with someone, I'm like, "Oh, what are you using?" or whatever,

and they're like—don't want you know.

— But, also, I think they have a community.

Like, when you see Rick Rubin in footage with, like, Jay-Z and Pharrell and those other producers,

my first thought is, well, how come females aren't doing that?

— I've actually been thinking there should be,

like, a music union or, like, a women musicians union

or something that—you know what I mean?

Something where it's, like, where we can recreate like what they have.

— How important are the Grammys to y'all?

— Accolades?

I love those.

Give me a trophy, I'll take it,

you know, because it gives me an opportunity

to get in front of a bunch of people and tell them how I really feel.

— Okay, so, because I tried to apply for Producer of the Year

for the Grammys this, or last year,

and they wouldn't let me, because I've never—

I hadn't worked on anyone else's album.

I would have had to have another artist hire me,

and I would have had to have, like,

produced a track on another successful record.

— I think it can be discouraging,

if a young girl has aspirations of wanting to go into production

and looks at the Grammys and goes,

"Well, there's no one that's female, and there's no one that looks like me."

"Why in the hell would I think I can be successful in that arena?"

— How high does your pain threshold have to be in order to do this?

— I think you have to have pretty thick skin,

generally, to be in the entertainment industry.

— Especially with the internet comments.

Oof. They're brutal.

— It's like, to even defend ourselves, we have to, like, get death threats

and all this shit and it's just like…

— How often do you get death threats?

— Well, I've disabled everything for, like, a year now so I don't know.

— So do you think that the press is largely complicit?

— The press is fucking so complicit.

Sorry, no offense.

— Say more things—no, none taken.

— I'll say this—if I said the things about male artists that they say about me,

I, like, wouldn't have a career.

— It's not just male journalists, though,

'cause I feel like patriarchy has no gender in that sense.

— Yeah, no, female journalists get mad, too.

— Jesus. This is all really bleak, you guys.

— It's really easy to feel undermined and…

maybe we have to pay a higher price than our male counterparts.

But we're we're doing that.

And then the next generation may not have to as much.

— We just need to focus on the positive.

Just figure out who we are as artists, and just figure out what your success is,

and just go for it.

That's it.

Don't be afraid, just go.

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