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To be able to record, you must record-enable the tracks on which you want to record.
To record-enable, a track, activate Record Enable in the track list, in the Inspector,
or in the MixConsole.
You can record in a cycle, that is, you can record a selected section repeatedly.
A cycle is set up with the left and right locators.
First, click the Cycle on the Transport panel to activate cycle mode.
As soon as the project cursor reaches the right locator, it jumps back to the left locator
and continues recording a new lap.
The results of cycle recording depend on the selected record mode.
Make sure to set up your tempo and time signature settings before recording by going over the
transport bar and typing in the numbers.
Setting up the tempo of your song is essential to configure the metronome so you ge taccess
to the precount and recording click.
Pre count is a set of clicks that comes before the actual recording playback to ensure that
the musician will adjust to the tempo of the song allowing him to play in sync from the
first beat.
To configure the metronome and pre count clicks, left click on the metronome button while holding
the CTRL key on your keyboard.
This opens up the metronome setup dialog wich is divided into three sections.
You can configure the amount of bars the precount will count before starting recording on the
precount options.
You can also alter pitch and volume of each click of the metronome by going over to the
click outputs tab.
The Common Record Modes determine what happens if you click Record during an audio or MIDI
recording.
Punch In/Out: the recording is stopped.
Re-Record: the recording is reinitiated, the events are removed and recording is restarted
from the exact same position.
Start Recording at Cursor: recording starts from the cursor position.
Start Recording at Left Locator/Punch In Position: recording starts from the left locator.
By selecting an Audio Record Mode you decide what happens to your recording and to any
existing events on the track where you are recording.
This is necessary because you will not always record on an empty track.
There may be situations where you record over existing events, especially in cycle mode.
Keep History Existing: events or portions of events that are overlapped by a new recording
are kept.
Cycle History + Replace Existing: events or portions of events that are overlapped by
a new recording are replaced by the new recording.
However, if you record in cycle mode, all takes from the current cycle recording are
kept.
Replace Existing: events or portions of events that are overlapped by a new recording are
replaced by the last recorded take.
By selecting a MIDI Record Mode you decide what happens to any existing parts on the
track where you are recording.
MIDI tracks can play back all events in overlapping parts.
If you record several parts in the same locations or move parts so that they overlap, you will
hear the events in all parts.
Existing parts that are overlapped by a new recording are kept.
The new recording is saved as a new part.
Merge Existing events in parts that are overlapped by a new recording are kept.
The newly recorded events are added to the existing part.
Replace Existing events in parts that are overlapped by a new recording are replaced.
When you record MIDI in cycle mode, the result not only depends on the MIDI record mode but
also on the cycle record mode that is selected in the MIDI Cycle Record Mode section.
Mix: For each completed lap, everything you record is added to what was previously recorded.
This is useful for building up rhythm patterns.
Overwrite: As soon as you play a MIDI note or send any MIDI message, all MIDI that you
have recorded on previous laps is overwritten from that point.
Make sure that you stop playing before the next lap begins.
Otherwise, you will overwrite the entire take.
Keep Last: Each completed lap replaces the previously recorded lap.
If you deactivate recording or press Stop before the cursor reaches the right locator,
the previous take will be kept.
If you do not play or input any MIDI during a lap, nothing happens, and the previous take
will be kept.
Stacked: Each recorded cycle lap is turned into a separate MIDI part, and the track is
divided into lanes, one for each cycle lap.
The parts are stacked above each other, each on a different lane.
All takes but the last one is muted.
Mix Stacked: Same as Stacked, but parts are not muted.
Cubase can automatically quantize MIDI notes on recording.
The notes that you record are automatically quantized according to the quantize settings.
On the next video, you'll be learning all about the Pool inside Cubase.
See you there.
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