Chủ Nhật, 30 tháng 7, 2017

Waching daily Jul 30 2017

Man, I love everything JoJo. From the anime, to the video games and especially the manga

which I've totally read. But what's near and dear to me is the recent anime

adaptation of JoJo's Bizarre Adventure Part 4: Diamond is Unbreakable. Now, don't

get me wrong, I' m a huge fan of David Pro's work on JoJo's, but this

season; it has something special - everything from the huge artistic shift from Part 3 including

the addition of abstract colors in backgrounds, the more slim & trim character designs (ESPECIALLY

ESPECIALLY DEM POUTY LIPS! MMM CUTE BOYS! To the MASSIVE cast of offbeat yet relatable characters. This all comes together

to make an unforgettable season of JoJo. But y'know if I was to be perfectly honest,

what I appreciate above all else is.....JOSUKE PUNCHING A PLATE OF SPAGHETTI!

All goofs aside, lemme breakdown what

allows Part 4 to shine amongst the rest of the JoJo's Bizarre Adventure - the

slice of life approach.

So slice of life. It, uh, sounds pretty boring on paper; it' s a style of storytelling

where the audience gets to experience the day to day life of a character or a group

of characters without an overarching plot. Typically focusing on character interactions

& character growth rather than a centralized narrative. So technically it' s a show

about nothing. [seinfeld bass] For some reason one of my childhood favorites Boy Meets World,

always comes to mind as an excellent example of slice of life! It's a sitcom following

Cory Matthews & to a lesser extent his friends & family from his middle school days all the

way to college. We watch on as he grows up; all the while learning of his aspirations,

laugh at his older brother's goofs, & crack a smile as Cory tries to figure out

girls. I've grown to love this style of storytelling because you grow to relate

and also appreciate the main character's struggles & successes.

unique way - retaining the day to day structure; focusing on character growth & interaction

while also including an overarching plot throughout the season. There's a great deal of

character heavy stuff going on in the background as the central narrative moves onward. Yet

despite having a focused plot, Part 4 still makes room for smaller plot threads; involving

romance, family drama, cute ghost girls, and of course my favorite, fine Italian cuisine.

It takes what we' ve seen before, following a relatively small cast of highschool boys;

Josuke , Okuyasu , & Koichi

as they live in the small Japanese town Morioh. Their lives are fairly normal - going

boi) as they live in the small Japanese town Morioh. Their lives are fairly normal - going

tracking down serial killers & fighting evil stand users -

baddest boy around, Dio.it was him dio.

baddest boy around, Dio.it was him dio Is that a JoJo ref- Back in Part 3, Dio obtained

a stand possibly as a byproduct of being pierced by a magical bow & arrow owned by his faithful

stinky witch, Enyaba. I hate her! As fate would have it, somehow the mysterious bow

& arrow found its way to Morioh and so does this he no-nonsense buff boy from Part 3,

his teenage uncle Josuke,and Morioh locals to find & destroy this dangerous relic.

Real quick; YES IT'S WEIRD TO HAVE A TEENAGE UNCLE, BUT SO IS JOJO! I MEAN IT

HAS BIZARRE IN THE TITLE! ALSO CAN YOU BLAME JOSEPH JOESTAR FOR SEXING HER?

THAT'S A GOOD MILF.

MILF.) \par \par

\par \par

This serves as the main plot thread throughout most of Part 4; which sounds like it would

be at odds with the slice of life setup. Yet it manages to combine the best of both shonen

or dealing with the main antagonist of this arc, .

The non-plot-centric episodes play out like a good ole fashion coming of age slice of life anime with a dash of JoJo

absurdity. These are the episodes I keep coming back to; they're more light hearted,

we get great character development and they usually have, like, really bizarre crap in

them. For instance, there's this one arc where Josuke befriends a shape-shifting

we get great character development and they usually have,like, really bizarre crap in

ends with Rohan's house tragically on fire!

It's uh pretty bizarre to say the least!

ends with Rohan\rquote s house tragically on fire! It\rquote s uh pretty bizarre to

say the least! \par \par

character growth & interactions. Like in that alien arc I was talking about earlier,

it sounds like a bunch of unrelated crazy boosh with an alien and a house on fire,

but its purpose was to deepen the relationship between Josuke & Rohan.

Aka make Rohan hate Josuke more, but I digress...

their motivations, and their relationships more complex and compelling.

No such arc illustrates this better than what I lovingly refer to as the Ed, Edd, & Eddy arc.

this better than what I lovingly refer to as the Ed, Edd, & Eddy arc. \par

middle-schooler named Shigekiyo Yangu or... as his parents call him Shigechi.

Similar to an episode of Ed, Edd, & Eddy, this newly formed trio has a singular goal

middle-schooler named Shigekiyo Yangu or... as his parents call him Shigechi. Similar

to an episode of Ed, Edd, & Eddy, this newly formed trio has a singular goal - not jawbreakers,

but rather, cold hard cash. Josuke and Okuyasu recognize Shigechi\rquote s stand, Harvest,

is a cash cow - Harvest is composed of 500 small bumblebee looking\rquote gremlins that

can scout out an entire city and carryback whatever its user desires. We see this at

the beginning of the episode, Shigechi celebrates his heaping pile of one yen coins as the two

teenagers marvel at his money-making skills. This leads to a rather awkward encounter as

Shigechi is quickly brought to tears as he considers these two strangers as his FIRST

FRIENDS. What a sweet boy! Shigechi hastily offers his collected money to them as a token

of their newfound friendship, but that feels off to Josuke. You see despite being kind

of shitty person, Josuke has..some pride. Josuke admits to Oku that he wants the money,

but feels weird just taking it off the kid. Instead, he then offers an equal business

partnership. This is Ed, Edd, & Eddy. \par ENTER MONEY MAKING SCHEME #1. Josuke devises

a plan involving collecting lost & unwanted stamps, vouchers, lottery tickets & coupons.

First, Shigechi uses his stand to collect all previously mentioned items. After everything

is collected, Josuke uses his stand Crazy Diamond to repair everything to their original

form. AND THEN PROFIT!!!! They return all restored vouchers & coupons to the respective

stores for cash or trade them in for goods. In doing so, the boys manage to pull together

only receive 10k instead of their agreed half.

of A bucks today. Josuke & Oku exclaim they couldn't have done it without Shigechi.

The boy now has confidence. Which instantly screws over Josuke & Okuyasu, as now they

only receive 10k instead of their agreed half.

I love this scheme so much! Not only do we get to see Josuke in his prime - using his

wits to come up with a scheme that will net him a ton of cash, but we also get to see

Okuyasu act as his hype man throughout the entire time. Granted, Oku doesn\rquote t bring

a lot to the table here initially, but his sincere and excited reactions to everything

GIVES ME SO MUCH LIFE.

But above all else, you get to see a lot of growth from this new

character, Shigechi. At first he\rquote s this super awkward kid, just excited that

these older guys even want to talk to him, and then becomes more power hungry as he realizes

how useful his stand can be. Its interesting that Shigechi's greed awakens as soon

as he is told he is of worth. And then promptly betrays his agreement with his friends. Something

about that feels revolting yet genuine at the same time. Look I'm no Shigechi

apologist here, but the way Shigechi reveals his greedy nature as their plan goes successfully

feels believable especially considering what little we do know about him. A lonely, awkward

kid into collecting stuff. And this pairs beautifully with the heroic scumbags Josuke

& Okuyasu who're only using the kid to make a quick buck. To have their partnership

beverages, Oku decides to go through their collection of lottery tickets. And wouldn't

ya know it, Okuyasu finds a winning lottery ticket worth 5 MILLION YEN. NANI THE HECK

A-Anyways, you would think this would be the end of the Ed, Edd, & Eddy saga, but it only

leads to their second plan. While Shigechi and Josuke enjoy their celebratory ice cold

beverages, Oku decides to go through their collection of lottery tickets. And wouldn\rquote

t ya know it, Okuyasu finds a winning lottery ticket worth 5 MILLION YEN. NANI THE HECK

NANI THE FUCK?! ENTER MONEY MAKING SCHEME #2 The rest of this plan shifts gears into

stupidly tense confrontation as the trio tries to convince a skeptical bank manager that

the winning ticket is theirs and totally not something they found. With Josuke\rquote s

quick wits and stand trickery, they manage to convince the manager, and receive a promissory

note that they can cash in in three days. This leads to hands down one of the most gif-able

sequences of pure joy as Josuke & Okuyasu rejoice getting the 5 million yen. Unfortunately,

the celebration is cut short as Shigechi declares that he doesn\rquote t want to share the money.

This sets off the sensitive Okuyasu, and he SLUGS the baby boy. The rest of the episode

is a sequence that\rquote s more goofy than it\rquote s thrilling as the Josuke and Okuyasu

chase down and fight Shigechi. The result of which makes Shigechi realize what a greedy

boy he\rquote s been, and they decide to split the 5 mil three ways.\par

\par These character interactions work as a foundation

not only for this budding friendship but also a storyline for the main plot to build off

of. Another reason why I love this arc is that it shows how stand users can use their

abilities in clever, non-violent ways. Despite the absurdity of this arc, it\rquote s somewhat

relatable. We\rquote ve all had a friend that might\rquote ve been a bit to greedy or quick

to anger or heck, maybe convinced you to be a part of a \ldblquote great plan\rdblquote

; the adventures of stupid boys doing stupid things is something we\rquote ve experienced

or seen second hand. As pure and fun as this budding friendship is, it sets the stage for

something sinister.\par \par

A few episodes later, we have the sandwich arc, aka Yoshikage Kira wants to live quietly.

This is similar to the slice of life episodes, but it also deals with the main plot as it

follows Yoshikage Kira, the serial killer of Morioh. Kira\rquote s pretty unusual as

far as JoJo villains go; he doesn\rquote t want to rule the world or end the JoJo blood

line - he only wants to live a quiet life. And also murder young girls and fetishize

their hands. Uhhhhhhhhhhhhhh I guess he\rquote s a bit more complex than Dio. Anyways, we

find Kira sitting under a tree enjoying a picnic. Savoring his Sir Gentleman sandwich

with his current favorite rotting hand. As he finishes his sandwich he notices the hand\rquote

s gone bad & needs to discard it - placing it inside his sandwich bag. Cut to Josuke

and Okuyasu running into Shigechi in the very same park - who also has a Sir Gentleman sandwich

of his own. At this point in time, the boys don\rquote t know Kira is the killer yet;

they\rquote re only aware that there is a serial killer in Morioh. Josuke and Okuyasu

ask to borrow money from Shigechi so they can get a nice lunch too. While recording

the money loan, a stray doggo steals his sammy. Afterwards, Shigechi mistakes Kira\rquote

s Sir Gentleman sandwich bag as his own, and the rest of the episode plays out as Kira

stalks Shigechi around town trying to get his rotting hand back. \par

\par This leads to a scene where Shigechi, Josuke,

& Okuyasu are eating lunch in the middle school teacher\rquote s lounge while Kira is hiding

underneath gym equipment. This makes for an INCREDIBLY tense scene as you want Kira to

remain unnoticed as he retrieves his rotting hand without being confronted by these sweet

boys, and somehow... he does! Kira manages to swipe the sandwich bag discreetly. Unfortunately,

Shigechi takes notice. Shigechi immediately puts the blame on his friends because really,

who can resist a Sir Gentleman sandwich? But before Shigechi gets a chance to search the

room, a teacher discovers the boys in the lounge and kicks them out. Shortly afterwards,

Kira leaves the premises victorious..and we have a sigh of relief - for at the moment;

it seems like things just might work out. That is until a spiky haired chubster calls

Kira out. Shigechi leaves no sandwich behind. Shigechi gets his sandwich bag back with Harvest

and realizes this is a stinky human hand not his delicious sammy! Kira realizes there\rquote

s only one way out now - he\rquote s gotta kill the boy. Shigechi is instantly outmatched

and runs away; desperately searching for his friends. Kira uses his stand, Killer Queen,

to explode Shigechi to ashes before he reaches them. Before Shigechi completely fades away,

he somehow manages to grab a button off Kira\rquote s exceedingly fashionable jacket and deliver

it to Josuke. This whole event sets the rest of the cast in motion - we got to find Shigechi\rquote

s murderer.\par \par

The meticulous pacing and goofy adventures in the Ed, Edd, & Eddy arc that leads to the

sandwich stuff with Kira is my favorite sequence of events in Part 4. It does a great job of

setting up the murder mystery with a smoking gun, but we also have a ton of fun along the

way. Upon my first viewing, Shigechi\rquote s sudden death hit me hard, a lot harder than

most other deaths in the series. Upon many repeated viewings, I realized his death isn\rquote

t impactful due to the suddenness of it, but rather because we grew to care about this

spikey-haired chubby little boy. We saw Shigechi grow from a greedy, lonely child and saw him

mature from hanging out with Josuke and Okuyasu. It makes you wonder what kind of schemes they

would run or even what kind of person Shigechi would grow up to be. Araki\rquote s decision

to splice in these slower, methodical slice of life episodes to build up or lead into

the classic over the top JoJo ass plot easily makes it my favorite Part in the series. Getting

to know our main characters - and even secondary characters better with often humorous or in

exceedingly strange situations allows the audience to connect and want to care for these

characters. In earlier Parts of JoJo, there were a ton of cool characters thrown our way,

but at times it can be hard to remember or even care about them when the focus was primarily

on the main character. The change to allow for a bigger, varied cast and slower pacing

to tie in with more of a slow-burn plot gives the audience so much time to soak it all in.

But more importantly it allows for events to carry much more weight.\par

For Anime think K-ON!...

not anime uh King of the Hill?

For more infomation >> JoJo's Bizarre Adventure Part 4: Diamond is Unbreakable - Slice of Hype - Duration: 17:35.

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DOKLAM IS NOT ABOUT A ROAD - Duration: 7:49.

For more infomation >> DOKLAM IS NOT ABOUT A ROAD - Duration: 7:49.

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Is LGBT+ content appropriate for kids? with Lindsay from Queer Kid Stuff | Riley J. Dennis - Duration: 9:16.

- Hey everybody, today I'm here with:

- Lindsay.

- Yeah, she has a really great channel

called Queer Kid Stuff

and today I just kinda wanna talk about LGBT+ stuff

and talking about that stuff with kids

and is that an appropriate topic and all of that stuff.

Can you just tell me a little bit about your channel

and what you do?

- Yeah, okay.

I do LGBTQ+ education for kids

ages three and up, pretty much.

So it's like all-ages content.

And it's something I've been wanting to do for a while.

I used to do it in theater

and then I transitioned into digital platforms

with the work I was doing.

The biggest thing for me is about

media representation for children

about just general diversity and inclusion,

just showing the world as it is

with all the different colors and identities and humans

that live in it

and making sure that,

content right now is so focused on what's normalized

and that really feeds into children's content

in a very pervasive, overwhelming way,

and diversity is hard to come across in children's content.

- A little bit.

A little bit. - Yeah, just a little bit.

I mean, it's generally hard to come across in any content.

- Yeah, yeah.

But one of the things I've noticed in a lot of media

is even when it becomes okay for two men to kiss onscreen

or two women to kiss onscreen in an adult show

or in just a regular TV show or whatever,

it's still inappropriate for that to happen in a kids show.

It's like people are able to be like,

"Oh this is okay, just not for children."

It's like they've kind of accepted it but not really.

- I think it's very tied to this stigma around queerness

and the fact that

if you're talking about queerness with children

that you have to explain queer sex to children.

And that's just,

it's this huge misconception

that children equate sexuality with sex.

Because here's the thing: children don't know what sex is.

They're not coming at queerness from that context,

which is the context that adults are coming from,

and why a lot of queerness is taboo

is because your sex looks different for adults who are queer

versus adults who are straight.

- I think people sexualize queer people in general.

- Yeah, definitely. - It's like with children

to a three-year-old girl, you can be like,

"She's gonna have a strong boyfriend someday."

or "She's gonna be such a princess when she grows up,"

and that's really gendered stuff,

but it's also about their sexual orientation.

It's like saying the people they will date in the future

and that's okay,

but if it's the other way around,

then it's like you're sexualizing them somehow.

- Yeah, and what's important about it is that

kids understand the two things that are important

about sexuality and identity,

which are gender and love and romance

and connections with humans and empathy.

Kids understand those concepts,

and you can talk about queerness in terms of those ideas

and sex doesn't have to be a part of the conversation.

And that's kind of what I try and do on the channel

is bring these ideas that can be so complex

and heavy and confusing to adults

and show that they can be very simplified

and they can be understandable

from a three-year-old's perspective

and that it's not a hard thing to wrap your brain around.

- Yeah, I feel like one of the things

when we talk about sexuality

is people focus so much on sexual attraction

and not on romantic attraction,

and forget that oftentimes gay people or bisexual people

are also biromantic or homoromantic or whatever.

It is about love a lot of the time and not just sex.

- Yeah, I worked on a video on defining what asexual is,

and that was really interesting to talk about for children

because I did have to avoid sex,

'cause it's not appropriate.

Also, sex doesn't concern children.

It's not something they need to know about.

I mean, reproduction is important for children to understand

because babies are in three-year-olds' lives,

and that's something that can be conceptualized

on their level.

But you don't need to talk about sex with kids.

It's just not necessary.

There's sex-ed topics that should be talked about,

I did a consent episode I thought was important,

but yeah, in my asexual episode

I basically talked about asexuality as aromanticism,

and talking about different kinds of love,

so looking at platonic relationships,

and looking at romantic relationships,

and then kind of using a metaphor of like,

kissing for sex.

So it's definitely something you can touch upon.

- 'Cause it's simplifying things for children.

- Yeah, exactly. - Trying to bring it down

to that level so that they can understand.

They don't know attraction and all that,

they know liking people and not liking people or whatever.

- And there was a,

I came up in theater for young audiences,

and so I had this fantastic playwriting teacher,

this professor of mine in undergrad

who always told me to write children's content

from under the doorknob.

So looking at the world from a perspective of smallness.

'Cause children are just little people.

And people just forget

that children are also humans with brains

and capabilities and autonomy.

So it's about respecting a child's brain

as having the same capacity as an adult's

just without the experience.

- One of the things that I think is really important,

in addition to all the education stuff

is just normalizing it, just having that to exist

as a thing that they see.

Can you talk a little bit about that?

- Yeah, I mean it's also about making it fun, too.

That's why I have Teddy on,

that's my childhood toy.

That's from when I was a baby,

and having the songs and stuff,

and making it something that becomes,

something that's not scary to talk about.

A big part of the videos that I make

is about starting a conversation between grown-ups and kids,

and really making it something

that can be talked about regularly,

and if you have the vocabulary for it,

you can integrate it into your life more,

and point out like, if you are watching Beauty and the Beast

and that's a very invisible moment that happens,

and I doubt that kids are actually picking that up,

and so you can have an adult talk to the kid about,

"Did you see that moment?

Let's talk about what happened there."

- Or when a child has same-sex parents

and a lot of people are like,

"How do I explain that to my kid?"

But there are ways to do that,

there are easy ways to explain it.

- Yeah, and there's kind of two camps of it as well,

of making it visible and talking about it directly,

but then also just allowing it to exist in your space

and not even talking about it.

I think it's important for kids,

especially in the climate that we're in

I think it's important to talk about it,

but I wanna live in a world where nobody has to come out.

- Yeah, where it's just a thing, you're like,

"Oh, there are all of these people that are different

and that's cool."

- Exactly.

Apparently, I've heard that kids these days

are cluing in instead of coming out.

- What's cluing in?

- Cluing in is letting people in on the fact that you're gay

rather than it being like, "I'm gay!"

and a big coming-out-of-the-closet moment

because it's not as big of a deal anymore.

- I've seen people criticize it

and say that's not appropriate for that age range,

that you should be making content for an older age group,

and I'm wondering how you would respond to that.

- There's a lot of content

that actually targets those age ranges already,

and that's kind of where,

in most schools, it depends on where you are,

but most schools do start integrating sex ed

in middle school

and talking about these things in middle school

and then in high school, obviously.

But for this age range,

for elementary, preschool,

that's essentially where my content is targeting.

There really isn't any content at all for these age groups,

and I think it's super important to target them

because this is such a formative age

where you're really learning about

the totality of what the world is and who exists in it,

and what the different categories are,

and just building your whole structure

of how the world functions.

And if you're learning about that world

in a way that is normative and focused on the majority,

you're not getting a whole picture of the world,

and you're growing up

in this false sense of what the world is and is like

and who exists in it.

And that's where bigotry happens,

and that's how you internalize homophobia,

and that's how you get people

who don't understand other marginalized identities

because they don't understand that they exist

and they don't understand that oppression exists.

And especially if you're growing up in a conservative space

and you happen to be a queer person

and you find that out later,

that's something you have to unlearn

and work through a lot of internalized bigotry,

and I think if you are talking to kids at this age,

you avoid a lot of that

because you're teaching them correctly the first time.

- You're just teaching them this stuff is normal and okay,

or even that just it exists.

I don't think I knew growing up that trans people existed.

And so just knowing that that was a thing

would've made me feel so much better

when I started to question my own gender.

And I know a lot of other people feel that way,

especially, as you were saying,

if they grow up in conservative spaces.

But I didn't even grow up in that conservative of a space,

it was just like,

"Oh, we don't really talk about it

because it's not a thing that you deal with

unless it directly affects you."

So I dunno,

I'm really glad that you do this stuff that you do,

I think it's really important,

and yeah, thank you for being here.

- Yeah, totally.

- So go check out Lindsay's channel.

I will link it in the description,

it's called Queer Kid Stuff.

Thank you so much for watching, and I'll see you next time.

For more infomation >> Is LGBT+ content appropriate for kids? with Lindsay from Queer Kid Stuff | Riley J. Dennis - Duration: 9:16.

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Liverpool warned off signing Naby Keita: He is 100 per cent staying at RB Leipzig - Duration: 2:26.

Liverpool warned off signing Naby Keita: He is 100 per cent staying at RB Leipzig

Liverpool warned off signing Naby Keita: He is 100 per cent staying at RB Leipzig LIVERPOOL have been told to forget about signing Naby Keita this summer.

RB Leipzig manager Ralph Hasenhuttl insists the Reds have no chance of capturing the starlet. Jurgen Klopp has made the 22-year-old his top target but has so far failed to convince Leipzig into selling.

The Reds have seen two offers rejected, the last of which was worth a whopping £66m. "The chance (of Keita signing for Liverpool) is null," Hasenhuttl said.

"Its 100 per cent clear that Naby will play this year in Leipzig. For us, everyone can see how important Naby Keita is for our game.

"Its 100 per cent sure that he will be with RB Leipzig in the Champions League." Liverpool are desperate to add depth to their squad as they prepare for a return to the Champions League themselves.

So far Klopp has added Dominic Solanke, Mohamed Salah and Andy Robertson to his squad. Liverpool have been told they wont be signing Naby Keita this summer.

Keita and Southampton defender Virgil van Dijk are the two players linked strongly with a move to Anfield before the transfer window shuts.

The Guinean has a clause in his contract which would mean he would be available for £48m next summer. "They will not be the only one I think.

Until next summer we keep it (the door) closed and then we have a look," Hasenhuttl added.

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