Thứ Tư, 4 tháng 1, 2017

Waching daily Jan 4 2017

*Whispers* "What is the role of the subconscious within the perception ?"

Boss : "Meeting is advanced to 9"

Can I talk to you ?

You really seem to be preoccupied. What's wrong ?

Well, I.. it would sound insane saying it out loud but...

You know, as long as I keep it in my mind, it doesn't really exist

No, really, what is it ?

Well... Did you... Did you ever have this feeling that, something, is sticking to you, wherever you go

and whatever you do, even if you can't see it ?

Oh, I see …

You know, there are things in this world that we can't see, but they exist and we do feel them.

See the wind ? We can't deny the fact that it exists, but we can never see it or touch it.

Maybe you're right.

Maybe, this feeling will go away by itself …

For more infomation >> Le Horla, Short Film for Edinburgh College of Art - Duration: 5:40.

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How to draw Eiffel Tower for kids - Duration: 6:58.

How to draw Eiffel Tower for kids

For more infomation >> How to draw Eiffel Tower for kids - Duration: 6:58.

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triangular owl crochet stitch - Duration: 18:08.

The final result

start with 5 chain sc

1 row - 3chain , 3dc ,3ch , 3dc.3ch.3dc shell

turn back and start the 2 row -

2 row - 3sc in the last *3dc*

3chain, 3-3-3 dc shell ( 3 double crochet,chain3 , 3 double crochet shell)

3 chain

3-3-3 dc shell ( 3 double crochet,chain3 , 3 double crochet shell)

3sc in the last *3dc*

4 row - 3chain, 3-3-3 dc shell ( 3 double crochet,chain3 , 3 double crochet shell)

3ch 1-1- 1 dc shell (double crochet,chain,double crochet shell)

2 chain

3-3-3 dc shell ( 3 double crochet,chain3 , 3 double crochet shell)

5 row - start with 3sx in the last *3dc*

3-3-3 dc shell ( 3 duble crochet,chain3 , 3 duble crochet shell)

2chain , 5 bullion stitch in the first dc shell

work 2 tog sc (5 times)

3 -1-3 dc shell

5 bullion stitch in the second dc shell

work 2 tog sc (5 times)

2 chain

3-3-3 dc shell ( 3 duble crochet,chain3 , 3 duble crochet shell)

6 row - start with 3 sc in the last* 3 dc*

3-3-3 dc shell ( 3 duble crochet,chain3 , 3 duble crochet shell)

2 chain dc- ch2- dc shell

2 chain sc

2 chain , dc- ch2- dc,2 ch

repeat the the following work

For more infomation >> triangular owl crochet stitch - Duration: 18:08.

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Hindi Dubbed Movie | Malayalam Movie Dubbed in Hindi 2016 - Plus Or Minus Movie Part 6 - Duration: 15:23.

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For more infomation >> Hindi Dubbed Movie | Malayalam Movie Dubbed in Hindi 2016 - Plus Or Minus Movie Part 6 - Duration: 15:23.

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「「44 PHRASAL VERBS for talking about MONEY in English YouTube 360p」的複本」的複本 - Duration: 3:29.

You notice i have a little box here it's

on the side when you put aside money you

have money here you're gonna take a

little piece of the money and you're

going to put it over here aside you go

why I thought saving up is what I do

putting money aside is a little

different when you put money aside

you're saving it for usually shorter

period of time for something very

specific when i'm saving up money for a

house

it takes a long time to save that money

up maybe years so I save up the money

until it grows one-dollar hundred ten

thousand two hundred thousand five

hundred thousand dollars i save it up

and keep going when I put money aside i

might have five dollars and I will take

one dollar and i will put it aside

over here later on i want

to buy a chocolate bar with this dollar

so i must take it from here and move it

over here and i will put it in my pocket

and then later on I can buy my chocolate

bar

I don't need to save for years and days

and months

I'm just saving it for a short period of

time for something very specific

so maybe you have a hundred dollars and

you and I are going out with mystery for

a drink and I go put aside twenty

bucks we're going to go for dinner after

which means spend eighty dollars no

problem but save that twenty dollars for

dinner afterwards

that's what we mean by putting money

aside save it for a short period of time

for something specific

while saving up money means to say for a

long period of time for something very

big

cool alright, so we've gone from just

having enough and we've saved up our

money

ok now what are we going to do?well

usually you save it you got to spend it

baby

alright, so we're going to spend some

money. Unfortunately for most people when

you don't have a lot of money. Spending

money is not a positive experience. In fact

that there aren't that many idioms were

saying i spent money and I'm happy yay

check it out people have a funny

relationship with money is usually

negative

if they have a lot of it they're

protecting it and if they don't have

enough they're just scraping by

alright i'm not so good. So let's look at

when we do spend money

how do people talk about it. Well...we

talked about spending money like this

fork you know you have a knife and fork

usually when you take your fork and

you're eating you took put the fork into

something and you put it in your mouth

and it's gone

the only way you see it again it was it

when it comes out again like poopoo

right? you get poo which is not good

so a lot of people see money but they

have to fork over money

ok. It's giving that money and

it's gone for good

even if they want to have the thing they

don't really want to spend the money

okay. Cough up when I say have to cough

up ten bucks. Think of a cat

they get hair balls

and they cough it up if you

ever look at the cat the cat doesn't

heehee issues that was disgusting.

For often people for us when we say

oh man do have to cough up another

twenty dollars it means pay and I don't

want to pay

I don't like the hair ball that's what

it's called like a cat umm i can't

spit it out its hairball

I don't want to cough up the money

For more infomation >> 「「44 PHRASAL VERBS for talking about MONEY in English YouTube 360p」的複本」的複本 - Duration: 3:29.

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Hindi Dubbed Movie | Malayalam Movie Dubbed in Hindi 2016 - Plus Or Minus Movie Part 5 - Duration: 15:23.

Subscribe our Channel for new Movies

For more infomation >> Hindi Dubbed Movie | Malayalam Movie Dubbed in Hindi 2016 - Plus Or Minus Movie Part 5 - Duration: 15:23.

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Essential Rewards for January are here! (US Only) - Duration: 4:12.

Greg Larsen: Happy New Year's everyone.

It was an amazing 2016 all because of you.

In fact, it was our best year yet.

Thank you to everyone who got involved

in The Spirit of Sharing promotion.

It was a great way to finish the year,

and to bring the Young Living message

to so many new members.

In fact, later this month, we'll be announcing

the two of you who have the opportunity

to travel with the D. Gary Young Young

Living Foundation to Ecuador to serve

the children of that school.

We cannot wait to send you there.

But that's not why I'm here.

I'm here to talk about 2017, and to start

your January off by announcing our PV promotions.

But first, let's talk about a couple of opportunities

that you have to take advantage of this month.

Just recently we announced the

2017 Slique in 60 Challenge.

I hope by now you've heard of it.

But in case you haven't, I've brought along

a colleague, Marco Colindres, Senior Manager

of Product Marketing is here to give us more details.

Marco?

Marco Colindres: By now you've probably

heard about the 2017 Slique in 60 Contest.

Registration started December 21st,

and it is already underway.

Have you registered? If not, now is the time.

The contest officially starts January 9th, 2017,

so make sure you register before it starts at

YoungLiving.com/slique.

Now, for optimal results, we included our

new Slique CitraSlim and our Slique shake to each

qualifying Slique collection.

And the contest means there's prizes.

So while you work to meet your wellness goals

with our Slique in 60 program, you'll be eligible

to win free product, Apple watches, cash prizes,

a Select 30, or a premier aroma collection.

Now to sum things up, make sure you go to

YoungLiving.com/slique to register, read the contest rules,

and to find out how you qualify for these prizes.

Greg Larsen: Thanks Marco.

Ya'll Slique in 60 is going to be a great way

to start your year and to help you achieve

your wellness goals.

Don't mess out on this challenge.

You know, another great way to kick off your year

is with a Live Your Passion Rally.

These are happening all over the United States

and Canada, and they're a great way to start

your year with other members and build up

energy for the new year.

I've brought along another colleague,

Nathan Schooley, to give you a few more details

about what's happening later this month.

Nate?

Nate Schooley: Hi, as Greg mentioned, I'm Nate Schooley,

Senior Manager of Global Business Innovation.

Our winter Live Your Passion Rally is scheduled for January 21st.

These rallies are hosted by members like you,

as a place to get together in groups of two to 2,000,

but really, there's no limit.

Events are a great time to mingle with like-minded friends,

strategize with your team, receive corporate

updates and invite potential members to

experience the Young Living family.

There's exclusive content available to those who

attend Live Your Passion rallies, and you don't want to miss it.

Find all the information you need on our website.

We'll see you at the rallies.

Greg Larsen: Thanks, Nate.

We can't wait to see some of you at these rallies.

Be sure to register for one near you.

Now I know you're ready for these PV promos,

so let's get started there.

In 2017 we're keeping the 100 ER bonus

and this month it's Citrus Fresh Vitality.

At 190 we're offering you 15 mil Eucalyptus Globulus,

and at the 190 Essential Rewards bonus, is Basal Vitality.

All of these are going to help you with your

workout routines and continuing to recover.

At 250 you'll get a bottle of 15 mil Joy.

But that's not all, the 300 level is super exciting for me,

and it's something you don't want to miss out.

At this level, our gift to you this month is Helichrysum.

With its woodsy grounding scent, Helichrysum

is your perfect companion for 2017's resolutions

by providing a stimulating aroma that

no home should be without.

And, Peace and Calming.

You had a chance to order it at the end of 2016,

but now it's also part of January's PV promo.

The entire PV promo is built to help you maximize

your efforts in getting your new year off to a great start.

We can't wait to see what you do with it.

Make January the month that sets the tone for

an amazing new year, and check out the link below.

Hey, ya'll, we love you, happy new year.

Let's make 2017 even better than 2016.

For more infomation >> Essential Rewards for January are here! (US Only) - Duration: 4:12.

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One Eyed Jacks 1961 HD COLOR - Marlon Brando, Karl Malden, Pina Pellicer Movie - Duration: 2:21:24.

Hurry up, Dad. We gotta get outta here 'fore somebody comes in.

I'm hurrying. Keep your voice down.

- Sure you got it all, Dad? - Yeah. You about done?

- Yeah. - There's another.

<i>- Buenos días, señor. - Buenos días, señor.</i>

Come on, kid. Come on, Doc.

Walk out. Walk out. Easy.

Come on, kid!

Wait a second, Dad.

Young lady's trying to cheat me here.

- Hmm? <i>- No me lastime.</i>

Whoa.

<i>¡Llamen al comandante! ¡Están robando el banco!</i>

<i>¡Mira! ¡Mira! ¡Ahí van!</i>

What's the matter? Ain't you coming in?

You can fight them fleas on your own. I'll see ya later.

Well, don't get drunk! You're getting too fat to run!

Let's go to glory, Dad!

Do you make your home in Mexico?

My home is...

oh, just any place I throw my saddle down, I guess.

Oh, then you do much traveling.

Yeah, I, uh — You might say that.

I drift into one town out of another and...

Well, I transport money for the banks once in a while.

You have a little something in your eye, señora.

Oh.

Is it out?

No, I — If you'll permit me, I think I can snag it out with this.

Just... close it.

I have made the mistake of thinking that you were a gentleman.

Now perhaps you'd better leave.

Please go.

All right.

I never did get much upbringing as a kid.

All the manners I learned was in a saloon.

I didn't have much chance to be around fine ladies like yourself.

I'm sorry, señora.

I just hope that...

you don't think too bad about me when I'm gone.

Perhaps you were a little impulsive.

You may call again if you wish.

Señora, you just don't know how nice that makes me feel.

<i>¡Alto!</i>

<i>Síganme.</i>

<i>- Allá.</i> - Mmm.

<i>- Que se desmonten y me sigan. - Sí, mi capitán.</i>

<i>Óiganme,</i> spotters.

<i>Los últimos cuatro se van para atrás.</i>

<i>Los demás síganme.</i>

<i>- Tú vete por el otro lado. - Bueno.</i>

<i>Sostenme el caballo.</i>

<i>No hagan ruido y cuidado con los sables.</i>

<i>¡Que nadie se mueva! ¡Silencio! ¡Alto o disparo!</i>

<i>Vete a la ventana.</i> Come out the window!

Shoes! Your shoes!

<i>Date prisa.</i>

<i>- ¡No! - ¡Suéltame!</i>

No!

<i>¡Suéltame!</i>

My mother give me this ring just before she died.

It'd mean a lot to me, señora, if you'd wear it for me.

I couldn't.

I — I couldn't take that.

Please.

It'd make me feel a whole lot better.

It's — It's very beautiful.

I shall be honored to wear it.

Oh, thank you.

Hey, kid! Kid! You in there, kid?

- Yeah! - Come on! Get on your horse! Rurales!

- Come on! Get on your horse! - Where's Doc?

- He's dead. - Be right with ya!

What is it?

Sorry, sweetheart. Maybe next time.

All right?

- Give me a pull on that. - Yeah.

Here.

Hey, Dad! Come on back here!

Come on. Take the gold! Get the gold!

Hurry up. Come on, come on.

<i>¡Deprisa!</i>

Where's your rifle?

I dropped it coming up.

<i>¡Ya no disparen, muchachos! ¡Ahora escóndanse!</i>

<i>¡Ándenle, vámonos! ¡Vámonos!</i>

No, hold it.

We ain't gonna do no good from here.

They'll be stomping all over us inside an hour.

We'd better think of something funny, and quick.

Well, we still got the horse.

Well, what good's that?

You remember a little stick place just outside of San Felipe?

With a corral?

No.

Yeah. Remember, that was when you was drunk and killed that lady's goat?

Remember?

- Yeah. - Well, listen.

If I ain't wrong, I think it's got to be four or five miles right down that canyon there.

Isn't it?

Well, that's no damn good.

If we rode that horse double up,

she'd cave in on us before we went half a mile.

Yeah, but one of us could stay and hold this rim and the other one go get us fresh mounts.

Ah, slim chance.

Well, it's better'n sitting here, waiting to get shot all to hell, front and back.

- Huh? - Yeah, it might work.

- We ain't got no choice. - Well, who rides and who stays?

Well...

let's shake up for it.

Bullet rides?

Bullet rides.

You ride.

I'd get the hell out of here.

I'll see you right quick.

- Kid. - Yeah?

- Yeah, I could use it. - Don't go away now.

- Huh? - Wasn't thinking of it.

Come on!

Come on!

<i>- Oye, chamaco. - ¿Qué quiere, jefe?</i>

<i>¿De quién son?</i>

<i>- De mi papá. - Llámale.</i>

<i>¡Papá!</i>

<i>- Buenos días, señor. - Buenos.</i>

Look...

<i>- ¿Cómo está usted? - Muy bien.</i>

How much... How much for those two horses?

<i>¿Qué le puedo servir?</i>

<i>Quiero dos caballos.</i>

<i>Pero, pues, esos caballos, no quisiera vendérselos porque</i>

<i>me costó mucho trabajo —</i>

<i>Córtale. ¿Cuánto?</i>

<i>- ¿Cuánto? - Doscientos pesos.</i>

<i>- Doscientos pesos. - Anda, Manuel.</i>

Come on!

<i>Dame esta cosa.</i>

<i>Gracias, viejo.</i>

<i>¡Jorge! ¡Carlos! ¡Ve y agárralo!</i>

<i>¡Alto!</i>

<i>¡Y no se me dispersen!</i>

<i>Oye, viejo. ¿No has visto a un gringo pasar por aquí mucho muy apurado?</i>

<i>Sí, capitán. Un hombre muy malo.</i>

<i>Y se fue por ahí. Y no traía zapatos.</i>

No shoes, huh?

<i>¿Es aquel su caballo?</i>

<i>Sí, señor. Y se llevó al mejor de los míos.</i>

<i>- Te pagó, ¿no? - Sí, mi jefe.</i>

<i>- A ver, ¿cuánto? - Muy poco.</i>

Say, I wonder what happened to your friend, huh?

Well, uh, maybe he goes back to find the shoes.

<i>¡Bueno, ya vámonos, muchachos! ¡Vámonos, muchachos!</i>

<i>Refrescante.</i>

We get to my woman's place, she'll get us horses and clothes.

- You all right? - I'm all right.

Well. <i>Vamos para allá.</i>

I've been thinking, amigo, about this Longworth.

Must be very hard to find him.

It's a very big country.

I know all his old stompin' grounds.

Sooner or later I'm gonna find him.

Five years we spent in that stinking hole.

'Bout time we live a little.

- What if he's dead? - Then I'll find him dead.

You could spend the rest of your life looking for this man.

Let's get going.

Cinch up.

<i>Buenas noches, señores. Pasen ustedes.</i>

<i>¿Conozco un hombre? Se llama Dad Longworth.</i>

<i>Yo no sé nada.</i>

<i>Gordito.</i>

<i>- A ver qué quiere el joven. - ¿Qué quiere, señor?</i>

<i>¿Conozco un hombre? Se llama Dad Longworth.</i>

<i>No lo conozco.</i>

He's an <i>americano.</i>

<i>- Ande, mamá. Estos viejos... - Déjalos que pasen.</i>

<i>...no quieren entrar.</i>

<i>No, no. ¿No quieren entrar ustedes? ¿Quieren entrar o no?</i>

<i>Dele. Quítate. No quieren entrar.</i>

Come on.

<i>¿Dónde estabas?</i>

<i>- Por ahí. - Paso.</i>

<i>Dime. ¿Tú ves a Dad Longworth?</i>

<i>¿Quién?</i>

<i>Dad Longworth es un americano con nariz muy gorda.</i>

<i>No.</i>

<i>- ¿Quiere un pedacito de limón? Aquí.</i> - Look at me again, will you, please?

Boy, you've got the reddest eyes.

- Always say I'm in love when my eyes turn red. - Easy with that knife.

You both friends, you're enemies.

You're both friends. You're both friends of mine.

- Please. <i>- Sí.</i>

Be good!

Better dig something you can eat, bub.

<i>Buenas noches.</i>

What do you mean by that?

Hey, you boys, you wait here, and I'll be back right away.

Aw. Where you goin', Red?

I'll be back.

I think she's tryin' to get us drunk so she can take advantage of me, Harv.

<i>Chico.</i>

<i>Chico,</i> you remember me?

Sure do. How you been, Red?

<i>Muy bien, muy bien.</i> How are you?

I'm all right.

What are you doing here?

Just killing time.

Oh.

It's five or six years since I see you.

Hey, I hear you got in some bad trouble.

Ah, a little bit.

Mmm, that's bad.

Hey, what happened to your friend?

Well, I don't know. I kinda lost track of him.

- When was the last time you seen him? - Not since he was here with you.

You remember. When the rurales came and killed that guy —

<i>¡Ay, Chihuahua!</i>

Maybe he run back over the border.

Yeah.

Hey, Red, what you doing over here? I'm over there.

Ah, just one moment, baby.

I'm coming right away. I'm here talking to an old friend.

- No, let's go. <i>- Momentito.</i>

She'll be right back.

I'm just asking her a few things.

Ask her questions on your own money, bub. Let's go.

<i>- Momentito. Momentito.</i> - Come on.

Don't be doin' her like that.

- What'd you just say? - I said, don't be doin' her like that.

You know, I've had just about enough out of you, jackass.

Well, Harvey Johnson's gonna be a famous name round these parts.

You're gonna get yourself killed by a fella called Rio.

That ain't him.

It ain't, huh?

I wouldn't want to lose me a handful of brains tryin' to find out.

Now, would you, Harv?

I don't care if it is him.

You don't, huh?

My name's Amory. I'd like to sit down with you and buy you a drink.

Got something I'd like to talk over.

<i>Te veo, guapo.</i>

Mind if I sit down?

Oh, don't pay no attention to him. He's just pumped up a little.

You must have heard of me. Bob Amory?

Nope.

Well, don't matter anyway.

You know what's a real piece of luck? My running into you like this.

Got a good idea I'd like to talk to you about.

How would you like to get rich once and for all?

You could stand a piece of change, couldn't you?

You got something to tell me?

Fourteen days' ride from here, there's a town.

And in that town there's the fattest bank you ever saw.

And it ain't nothin' but a cheese box.

What are you telling me all this for?

I'm gonna need some help to take that bank.

How come you don't do it on your own?

Two men ain't enough.

I never saw a bank two men couldn't take.

That's true.

But this is a little different deal.

Word's going around that you're looking hard for Dad Longworth,

that there's dirt between you.

Now, if that's true,

I can tell you where you can find him.

Want me to keep talkin'?

Mm-hmm.

Now, here's where the fun comes.

And it's gonna tickle you.

The sheriff in that town is Dad Longworth.

Now we gonna do some business?

Yeah.

Well, there she is.

Monterey, California.

I think of the money waiting in that bank, just makes me wanna cry.

Harv, you gonna have diamonds in your teeth.

And you ain't never gonna have to take that bath.

Come on. Let's get down there and pick them apples.

You go in there and get the rooms. I'll be back.

Looking for somebody?

Looking for Dad Longworth. Could you tell me where I could find him?

What do you want with him?

I wanna see him.

Who wants to see him?

I do.

What about? I'm the deputy.

I don't believe you could handle it.

I asked you polite.

Read that sign?

I got a lot of funny things to do today, but lippin' with you ain't one of 'em.

I'd say you was shy a few manners, mister.

You're looking to get your back busted, sonny.

And I'm the man that takes care of them kind of things around here.

Well...

could be you get your chance to try it.

Can you tell me where I can find Dad Longworth?

- Oh, Dad's over at home. - Where's that?

About two miles out of town. You take the south fork plumb to the beach.

Yeah?

His is the first house on the west side of the road.

Dad.

We have a visitor.

Somebody's coming.

Darling, give me my holster, please.

- What's the matter? - Never mind. Just give it to me.

- Who's he? - Close the window.

Stay inside.

Hello, Dad.

Hello, kid.

Well, how you been?

All right.

- How 'bout yourself? - Oh, I'm sneakin' by.

What's on your mind?

Nothin'. I was just driftin' through.

I thought I'd look in on you.

I knew you'd be coming sooner or later.

I'm glad you come,

'cause there's something I been wanting to tell you for a long, long time.

How 'bout a drink?

All right.

- Look good, Dad. - I feel good.

Sit yourself.

Well.

Remember the last time we had tequila together?

Sure do. That was up on the mountain when we was hung up there. Remember?

- About five years ago. - That's right.

No, just — Yeah, that's right. It was just under five years.

I, uh — I guess you wondered why I never showed with the horses.

Yeah, I thought about it.

Well, you know, knowin' how you was in them days,

I figured you for gettin' drunk and fallin' down onto some <i>chiquita</i>

and losing track of time.

No, I didn't forget, kid.

But there was nothing I could do.

When I got to that little <i>rancho,</i> there were no horses.

That old Mexican couldn't talk American,

and when I finally figured out his lingo

he was saying that he had sold the horses a couple of weeks before.

The old paint horse I was riding was pretty done in,

but I headed straight for you.

When I got to the canyon, I see rurales all over the place.

Well, I — I high-tailed it out of there

and got as far as La Quinta before the horse caved in.

I hid out in a cantina

and I gave the bartender some gold to keep his mouth shut.

Well, there wasn't too much of that, as I recollect it.

There was enough to get me over the border and all the way here.

Here to Monterey.

I figured I'd keep my nose clean until the —

till that, um, fracas down in Mexico was forgotten.

Well, I kept myself clean.

Clean enough to be elected sheriff.

Knowing me the way I used to be, I...

I couldn't blame you for not believing.

But if you're looking now to be satisfied for what I did,

I'd be sorry for it, kid.

But if that's what you want, just let me know how and where you want the play.

I'll stand up to you.

You're gettin' way ahead of yourself, Dad.

No need for all that, 'cause nothin' happened to me.

I just fooled around with them dogfaces till it got dark.

Then I went down and stole the captain's horse.

They wasn't about to find me neither.

Then after that it was just, you know,

rosemary and sweet whiskey and...

just whoopin' and yellin'.

You sure that's the straight of it, kid?

Well, you know me, Dad.

If I didn't feel right about it,

we'd have been out there

splatterin' each other all over that front yard.

I admit I was hot about it for a time, but that's five years ago.

A man can't stay angry for five years.

Can he?

You know what you're gonna do?

No.

You're gonna stay to supper.

Well, listen, Dad, I —

I tell ya, I was just pokin' through and thought I'd stop in and say hello.

- But it wouldn't look good, me hanging around. - You let me worry about that.

Well, now, you'd better think about it,

'cause... I'm still in business.

I want you to meet my family anyhow.

- All right. - Good.

Come on.

Maria!

Just a minute, kid.

Maria! I want you to meet an old friend of mine.

Maria?

Hello.

Hello.

Are you waiting for my father?

Yeah.

Would you like to sit down?

Yes, I — I would, thank you.

- Who is he? - I want you to meet him.

Ah. I'm glad you're here.

Rio, I want you to meet my entire family.

My wife Maria.

- How are you? - Ma'am, it's a pleasure.

- And have you met my stepdaughter? - Just that little.

- Well, this is Louisa, my stepdaughter. - How do you do?

I love her as though she were my own natural child.

Uh, Rio's staying to supper.

Wonderful. We're happy to have you.

- Well, I don't want you to do any fussin'. - Oh, no, there's nothing —

No, no, no, no fuss at all. You wanna wash up?

Yeah.

Take his hat.

Heavenly father,

in thy graciousness thou has seen fit to grace this table with thy divine bounty.

We offer up our humble thanks

and ask that you bless this food to our use

and us to thy service.

And make us ever mindful of the needs of others. In Jesus' name. Amen.

I never knew you to pray over the grub before, Dad. Yeah.

Have you known each other for a long time?

Oh, yeah. Dad and I go way back.

I wasn't anything more than a kid when Dad picked me up.

I have never heard him talking about you before.

Well, we was kinda hairy in them days.

When he was a bandit, no?

That's all right, kid. Everybody here knows I used to be on the other side of the law.

Yeah, we were a couple of cockleburs, huh? Had a lot of fun, didn't we?

Always full of laughs, Dad.

You know, it's a wonder we didn't get our fool heads shot off.

That or wind up in the pen or something.

Lucky.

- Just luck, huh? - Mm-hmm.

Of course, that was a... that was a long time ago.

You were a bank robber, Mr. Rio?

Yes, ma'am.

Me and your dad here.

But no more.

No more.

Will you be in Monterey long?

Well, long enough to get my horse shod and do a couple things.

And after that, where are you going?

I don't know, Mrs. Longworth. I thought I might go up to Oregon.

That's awful pretty country up there. Thought I'd go take a look.

Will you be here for our fiesta?

- When is that gonna be? - Well, tomorrow and tomorrow night.

But you will not be able to buy any shoe for your horse

because everything will be closed.

You mean, the barbershop and the blacksmith, bank and all?

Bank, everything'll be closed.

Yes, so why don't you stay here?

You heard <i>señor.</i> He's going to Oregon.

Well, you know, I just could lay over a day or two.

Don't expect too much, kid. It's just a street dance, that's all.

Well, must be enough there to give a man a laugh.

Then you will stay?

Well, from such a lovely young lady

I don't know as how I could rightly refuse an invitation.

Yeah, I'll stay.

Don't tell me they're for real.

Yeah.

Well, I don't know about you, kid,

but it's been a great day for me.

For five years it's been tearing at me, and I'm sure glad it's all under the bridge.

I'll bet.

Good party, Dad. You tell the missus thanks again for me.

Yes, I will.

Good night, Rio. Thanks for coming.

My pleasure, Dad.

Good night.

I say I got a right to know where you been.

Just so's there's no misunderstanding, Bob, as far as what I do goes...

you ain't got no rights at all.

Just so as you understand me...

I didn't ride 900 miles to come up empty.

Bank don't open till day after tomorrow.

What about Longworth?

Nothing about him.

When the bank opens, I'm gonna kill him.

Welcome to the party,

and we hope you enjoy yourselves.

Every year we have this fiesta

to remind one another that we're neighbors.

Friends.

Also, I'd like to take this opportunity to thank all of you

for electing me to another term as sheriff.

I want you to know that I appreciate it...

and that I will continue to do my best

to make this city and, well, to make this county

a place where we can be proud to raise our children.

When...

Oh, that's it. Let's have it! Come on!

Give me some flowers.

- What kind would you like? - Oh, it don't matter.

Violets are very nice.

Yeah, that'd be all right.

<i>Bueno, ¿qué tal?</i>

How much for that thing on your neck there?

This? I'm not selling that. But I'm glad you like it.

I like it $20 worth.

I couldn't sell it. My husband gave it to me.

I like it $30 worth then.

Well, all right.

<i>Muy bonito, pero...</i> $30?

Just a little birdseed.

- Hello, Marta. - Hello, Helen.

- Mrs. Longworth. - Hello.

- Louisa. - Hello.

I just wanted to tell you thank you for a very lovely evening you gave me last night

and say I appreciated it very much.

Well, I'm very happy that you like it. Thank you.

Thank you very much.

- Hey, Rio boy! - Well, there he is.

- Are you having a good time? - Well, I didn't get started yet, Dad.

Listen, I saw you makin' that speech out there and kickin' up there.

You must be a big man round these parts.

- Well, I try to fit in. Don't I, mother, huh? - Yes.

- You really having fun there. - Yes, I'm really having fun! Aren't you?

- What about that dance? - Never mind. What about <i>you</i> dancing, huh?

Doggone, that was all right, Dad!

- Howdy, Mrs. Longworth. - Hello.

Say, this is our dance, isn't it, Louisa?

I believe Miss Louisa has been spoken for. Haven't you, Miss Louisa?

Uh, pardon me. Excuse me.

Later on, Lon.

A day late and a dollar short, huh, Lon? Come on, let's get some of that beer.

Come on! Dance it up!

Hey, Louisa! Louisa, I think your mother could use some help.

- Excuse us. - I'll be back.

The barbecue stand.

- Well, Dad... - Well, I...

I don't believe I ever met your friends.

Name's Amory.

Amory. Bob Amory?

Yep, that's me.

Yeah, I seen your picture in the post office.

You must have heard of me, Sheriff. Johnson.

Harvey Johnson.

Well, gents, the laws loosen up a turn or two during fiesta time,

but tomorrow I'll be back running a pretty tight town.

So as long as you fellas'll be haulin' out in the morning, enjoy yourselves.

- You bet. - See you later, Sheriff.

- Let's go, Harv. - Yep.

Where did you pick up the crow bait?

Well, the pickings are slim these days, Dad.

We don't hardly run into studs like you no more.

Yeah, I guess it's about time to say good-bye.

Rio, I want to tell you something

before you go.

In all my life,

I've never met anyone like you.

I'm so sorry you're going

because I would like to know you better.

If you knew me better, you might wish I hadn't.

Oh, no, I'm sure not.

Good-bye, Miss Louisa.

I thank you for everything.

Rio.

- Howard — - I've been looking for you.

Listen.

You go on and have yourself a good time and I'll climb on your back.

- Well! - I want to talk to you.

- And I want to talk to you! - No, but this is serious.

Here I thought you ran away with a harness salesman or something.

What's serious? Let's go home, huh? Just for a little while. Let's go home.

Oh!

Please! Now, really.

- Here! What? What? What? Huh? - Wait a minute!

- It's about Louisa. - What about Louisa?

I haven't seen her for an hour.

And I don't see your friend either.

Well, that's not awful.

- Please. Please. - What?

Why don't you go and try to find them?

- Not now, not now. No. - Yes, now. I say now.

Please, Mr. Longworth. Now.

All right, Mrs. Longworth. I'll find her.

But I'll be back.

All right, you go now.

You're drunk! Huh?

- Chet! - Hi, Dad.

- Hello, Lizzie. - Hello.

- Have you seen my gal Louisa? - Let me fire you up.

No, no, we don't mix it, do we?

Yeah, she was dancing around with that fella over there a while ago.

- You look very handsome tonight, Sheriff. - Well, so do you. Enjoying yourselves?

There you are, my friend. What do you see?

An empty glass!

Ladies and gentlemen, I told you —

Let's go home. Let's go home.

Go home? I'm having myself a little fiesta! Huh?

Me! Dad Longworth!

Hey! Get up!

Come on! Get outta there! Get out!

- This is mine! - Get out.

This is my beer!

Attaboy!

- Where is Louisa? - We'll get Louisa.

- Let's go. Come on. - Where is Louisa?

She's around here somewhere. She's with that Rio fella.

- I have to go to find her. - Sit still, Mrs. Longworth.

- But we should bring her home! Please! - I'll take care of Louisa. I'll see she gets —

- Get his foot back in there. - You promise me that.

I'll take care of it. Tim, drive on now! Drive careful!

I'll see that she's all right.

I'll take care of Louisa, Mrs. Longworth! Don't worry about nothin'!

What's the matter?

I was just thinking that you're the most decent woman I've ever met.

I'm sure you have met many nice women in your life before.

Yeah, I met a few.

But not many like you.

Something I want to tell you, Miss Louisa.

I... lied to you about myself.

I told you I was just a drifter and that ain't true.

I work for the government.

Why did you lie about it?

Well, I had to.

I was sworn in under oath not to talk about my job.

Anyhow, I'm going to Oregon tomorrow, but not just to look around.

I'll be gone as long as four or five months.

You're to come back to Monterey... sometime?

Yeah, I'm hoping to.

Miss Louisa, I don't have much time to court you.

And I...

I ain't exactly what you'd call a high-bred gentleman.

But before I go I want you to know that I think you'd make a man a wonderful wife.

And I know I ain't got no right to say this, but...

I want you to wait for me.

I don't know what to say.

You don't have to say nothin' now.

I was just hoping you'd think about it.

Yes, I will wait for you.

You don't have no idea how good that makes me feel.

I don't have much of anything to give ya.

I don't have no ring or nothin'.

All I got is...

this necklace here.

My mother give this to me just before she died.

And it'd mean an awful lot to me if you'd wear it while I'm gone.

I will very proud to wear it.

I will miss you very much.

But I will write you every day.

Where can I write to you in Oregon?

I ain't going to Oregon.

But you must go.

I don't want to keep you from your work.

I don't have no work.

I make my living robbing banks.

What do you mean?

I mean that...

everything I told you about last night was lies.

You lie?

Yeah.

About everything?

Yeah, just about.

But your mother's necklace...

True?

I never knew nothin' about my mother.

I bought that thing off a girl for 25 bucks.

Well...

That's about it.

It ain't gonna help much to say it, but...

I shamed you.

I wish to God I hadn't.

You only shame yourself.

Scare ya?

Out kinda late, huh?

What are you doing here?

I reckon I know where you been.

I was just walking.

Let's take a little walk, you and me.

One more ain't gonna make no difference.

Get out of my way.

Dad.

Dad!

It's me, Lon.

Sure am sorry to get you up this early, Dad.

I hate to tell you this.

She's been out all night.

Who?

Louisa.

With that Rio fella.

How do you know, Lon?

I've been round here half the night, and she just this minute come home.

Looking kinda messy too.

Sure hate to be the one to... the one to tell you, Dad.

Lon tells me that, uh...

you were out with Rio all night.

Is that true?

No.

Then why are you still dressed? Why hasn't your bed been slept in?

Hmm?

Answer me!

Were you with him?

Yes, but... but...

But what? What? What?

- Nothing happened. - Don't you lie to me!

I'm not lying to you! We just walked on the beach!

- That's all? You just walked on the beach? - Yes!

- We just walked on the beach! I swear that! - What's the matter?

What's happened here? What is it?

Louisa, what happened?

Mother, I want to speak to you for a moment.

Louisa, what happened?

<i>¿Qué hiciste en toda la noche?</i>

<i>¿Te pasó algo?</i>

<i>¡Contesta!</i>

Mother, I'm waiting!

I think she's lying to me, and I want you to find out.

Louisa would never lie.

I hope you're right.

Louisa.

<i>¿Es verdad?</i>

<i>¿Te fuiste con él?</i>

<i>¿Por qué, Louisa?</i>

<i>¿Por qué lo hiciste?</i>

<i>Porque yo creí que él me quería.</i>

<i>Y era mentira.</i>

<i>Perdóname, mamá.</i>

<i>Perdóname.</i>

<i>Hija.</i>

Was she telling the truth?

Yes.

- Are you sure? - Yes.

But she was out with him all night.

She's all right.

You keep her in her room.

My little girl.

There you are, gents. Here's some hot coffee for you.

I guess you can use it after last night, huh?

Oh, what a night.

Hey, hombre.

This horse is still fighting for his life.

That's what you got a sharp knife for, friend.

Barney! It's a party.

I told you I'll be with you in a minute, Howard.

<i>Ay, me duele.</i>

Oh, what a night we had. What a night.

Now what do you want?

We're bone dry. So bone dry.

- Give us some more whiskey. - What do you want to eat?

- You got any chili? - I'm not hungry.

- Take a nice drink for yourself. - Use this one.

- Come on, drink up. - I don't want any. Please.

- Drink up. Be a nice girl. - The night's over with.

Grab the glass. That's it. Now, come on, drink.

- Let's see you drink. - No, I don't want any.

Why not? Drink, you cow. Come on, drink!

Drink it!

That's it. That's the way you gotta treat them, Barney.

- All right. - You pay them, they don't wanna eat.

- You owe me six bits. - Wait a minute, Barney.

She's gotta have something to eat. I don't want my little girl to starve.

- Please, I'm sick. - You gonna eat?

- Go on about your business. - Come on. Take it easy!

Get it out of here! This is a nice place. What do you think you're doing?

You're gonna give me a dollar so I can pay this man. He's mad at us.

Please, he's breaking my arm.

- You gonna be good now? - Will that be all?

- Yeah, just about. - Thank you very much.

- How are you, sonny boy? - Good morning.

You get up, you big tub of guts.

<i>- Con esto lo mato. - ¡Tú, ya!</i>

<i>- ¡Tú quítate de enfrente o te mato! - ¡Basta ya!</i>

<i>¡Suéltame!</i>

<i>¡Quítate tú o te mato a ti también!</i>

<i>¡Los mato! ¡Los mato esta vez! ¡Suelta!</i>

<i>¡Cuidado!</i>

If I told him once, I told him a thousand times something like this was gonna happen.

Well, it finally got him.

Mister, you really killed him.

I better take care of this.

<i>Bicho abusivo.</i>

<i>Te mataron por fin.</i>

<i>¡Suéltame tú también! ¡Suéltame, te digo!</i>

Now what do we do, amigo?

This don't change nothin'.

We just wait for them two

and get on with it.

Let's get us a drink.

- Hello, kid. - Good morning, Dad.

How'd it happen?

We took to scuffling,

and he come out from behind there with that scattergun.

- Sounds like him. - Yeah, he didn't give me no selection.

He was always askin' for it.

If it hadn't been you, it would have been somebody else, I guess.

Well, better get him out of here.

I'll bring the coroner over.

- You fellas give me a hand. - Yeah, you bet.

Let's put him in the rig.

Kid.

Think it'd be a good idea if you'd hand over your gun.

All right.

Ephraim.

Yeah.

Ace.

Tim.

Lon.

Left hand, kid.

Dump it.

Lon.

Come on.

I warned him not to cause any trouble around here.

But no, kid, you ignored my warning and went right ahead and killed a man.

Didn't you?

Well,

we don't want his kind around here.

I'm going to teach you a lesson you'll never forget.

Now, let's see the kind of stuff you're made of.

That's a pretty good start.

Look here what's happening to Romeo.

- Oughta get down there and do something. - Do something?

Not this horse.

Enough shotgun down there to start a war.

'Sides, it might help him to get rid of some of that snot nose.

What's this gonna do about the bank?

Well, we'll just have to kiss that good-bye for today anyway.

Now what do you say, kid?

You better kill me.

- Kill you? - Yeah.

Nah. No, there's no need for that.

Your gun days are over.

Untie him!

Ephraim! Bring the horses here.

Now, I'm letting you go.

But if you ever come back here again, I'll shoot you down like a dog in the street.

All right. That's all. It's all over now.

Go on. Back home!

Whew. Man.

Slashed you clear down to the rib bone.

Yeah, we're sure sorry about that, Rio.

We got in on the tail end of everything, and there wasn't nothin' we could do.

It's all right, Bob.

The place was crawling all over with deputies.

You know me, Rio.

If there was anything I could have done, I'd been in there like a streak.

- I said it's all right, Bob. - Well, what's it gonna be now?

There's a small fishing village up the coast a couple of miles.

It's called Punta del Diablo.

When we get there, what then?

We'll just wait.

Just wait.

Think you can make it that far, Rio?

Say, they really did mash that hand.

Whew.

Looks like it might be all broke up.

I guess you won't be doin' no business with that for quite a spell.

Well, there's no need for you to hang around, Bob.

It ain't that, Rio.

It's just that I'm thinking of you, that's all.

Come on. Let's go.

No!

- What? - We need some rooms.

My friend is sick.

We need a place to stay.

- How many rooms? - Four.

Phew. What is that? Fish?

Somethin' dead.

Hey, where can we get a drink around here?

There.

Howdy, Miss Louisa.

Wait a minute.

Boy, you're just as pretty as a bird on a limb this morning.

Say, I heard from a friend of yours.

That fella, what's his name? Uh, Rio.

Thought you'd be interested.

Really? What about him?

Nothin'. He's a-hangin' out down at the point,

lickin' his back.

How would you know?

Somebody smelled him, I guess.

Four weeks.

I think the hand is finished, <i>chico.</i>

It's not going to get any better.

Let it go.

Let's go back to Morelos and lay in the sun.

Forget this Longworth.

He's not worth it.

Huh? What do you say, amigo?

You must be crazy.

Hey.

Take them stinkin' fish out of here.

I'm through with the fish, Harv.

That, and them damn waves floppin' in all day long.

Six weeks in this puke hole, and listen to him.

That hand ain't gettin' no better.

How's the hand, Rio?

Oh, it's coming.

You know, Rio, I've been wondering if we oughta lay around here anymore.

Throw me the dipper, Bob.

I've been thinking a lot about all that kale waitin' in the bank.

How 'bout the dipper, Bob?

I'll tell you what we're gonna do.

We're all gonna lay for that sheriff outside his house some sunup.

Cut him down with scatterguns and then take that bank.

That's not my style, Bob.

It ain't, huh?

Well, maybe you better change it 'cause your style seems a touch slow to me.

I'm getting tired of listening to that bull.

We rode 900 miles because you were supposed to be the big man with an iron.

But the way things are going,

I think even I can outpull you now.

Probably could get six into me...

before I got that one into you.

Huh, Bob?

<i>¿Qué no piensas levantarte en toda la mañana, hija?</i>

<i>Son las 8:00 de la mañana. Ándale, levántate.</i>

<i>Hay muchas cosas que hacer. Mira, toda la casa está tirada y tú aquí.</i>

Louisa.

<i>Louisa, ¿por qué no me contestas?</i>

Louisa.

Louisa.

<i>Mamá.</i>

<i>Voy a tener un hijo.</i>

<i>Padre nuestro que estás en los cielos, santificado sea tu nombre.</i>

<i>Venga a nos tu reino.</i>

- Hello. - Hello.

How are you?

I'm fine.

Are you all right now?

Yeah, I'm all right.

Want to sit down?

How'd you find me here?

- Lon told me. - Lon?

I don't know how he knows.

Well...

Don't matter.

I'll be gettin' outta here pretty quick.

Where are you going?

I'll figure that out when I've finished up with Longworth.

Finish what?

I'm gonna kill him.

You're gonna kill him?

That's right.

But why? Just because he whipped you?

Yeah. That, and a couple of other things.

I know it was a terrible thing, what he did.

And I was ashamed for him.

But those are not reasons for to kill a man.

Reasons?

I got reasons.

I got 1,708 of 'em.

That's how many days I spent down in that lead mine

in the pen in Sonora.

That's how many nights I spent digging the maggots out of the sores in my ankles,

with the rats running all over me.

I laid awake for five years at night,

listening to men screaming and praying

while they was getting beat to death.

I don't understand.

You don't, huh?

Well, it ain't hard to understand.

Five years ago in Mexico, we was caught on the hill by rurales.

And he run off to get fresh mounts.

And he never come back.

He was the best friend I had, and he left me there for rot.

And you know what for?

Two sacks of gold.

Are you sure he did this?

Yeah.

Well, that's my sad tale.

And when it's over,

I was hopin' you'd come away with me.

After you murder him?

That ain't murder.

That's just standin' up, same as any man would do.

And you think to kill him will make you a man?

I don't know about that.

But I know that I thought about him every day for five years.

And that was the only thing that kept me going.

Rio.

There are not many chances in life to be happy.

And I think that we have a good one now.

Won't you try to forget this?

Forget it?

Not as long as I breathe.

Rio.

Rio.

Please.

Please try to forget this.

Please just take me with you.

We can be very happy. Can't you forget?

- Can you forget all — - I can't. I can't.

Don't you understand? I can't. I gotta die to forget that.

Then...

I'll be going away too,

because I don't want to be here when they bury you.

I love you.

I know that, my sweet man.

I love you.

Wait a minute.

You must've had some reason for comin' all the way down here.

Yes, I did.

But it doesn't matter now.

Mr. Modesto, I'm gonna raise you for a bit.

Boy, that's — that's too rich for my blood, Bob.

<i>Ni yo. ¿Qué? Qué suerte.</i>

Well, now, thanks for the donations, gents.

How 'bout some of your cash there, Romeo?

Man oughta dig up something for being around this manure pile.

Huh, Harv?

That's right, Bob.

Maybe the boy's all petered out from playing on the beach

with that little jumpin' bean.

That's right, Bob. He should have shared with us.

Get up, you scum-suckin' pig!

Get up!

I want you standin' when I open you up.

Now, get on up.

Go on.

You got right on the edge.

You mention her once more,

and I'm gonna tear your arms out.

Guess we forget about the bank tomorrow, huh?

Yeah.

What are you gonna do now?

I'll be going in after her in the morning.

What about Longworth?

I just pray to God I don't run into him.

You ridin' with us, Modesto?

I don't know. You going back to Mexico?

I just might.

What do you think about it, Harv?

Might as well.

Nothin' else to do.

How 'bout your friend? Is he still set on going in after that female?

Yeah, I guess so. I don't know.

- I'm gonna say good-bye. Then we go, huh? - All right.

<i>Chico.</i>

We'll be riding out now.

I just come to say <i>adios.</i>

We rode a long way together, buster.

That's right.

- You think of me once in a while, no? - You bet.

You bet. I'm gonna miss you, <i>frijol.</i>

Hey, listen, you get tired of around here, come to Morelos.

I got a little place down in Tepoztlán.

It's not much, <i>pero</i> you can live quiet there, huh?

I might do that, <i>chico.</i> I just might do that.

<i>Bueno. Adiós, amigo.</i>

<i>Adiós,</i> boy.

You take care now.

<i>¡Rio! ¡Adiós, amigo!</i>

<i>¡Que te vaya bien! ¡Cuídate!</i>

<i>- ¡Adiós! - ¡Adiós!</i>

Hey, where you going? That's the wrong way, no?

Uh-uh. This way.

- That's the way to Monterey. - That's right.

We're going to take the bank right now.

- I mean, just the two of you? - Kind of figured on maybe three.

You in, or you out?

Not me. That's no good.

We go in now, we make a lot of trouble for Rio, you know?

If we wait, maybe.

We're all through waiting for Rio.

No more waitin' and no more takin' that bull, 'cause he ain't the big man no more. I am.

Now, you comin' or not?

Not me. And neither are you.

You gonna try to stop me, <i>cholo?</i>

Yeah, I'm gonna stop you.

Well, now, Modesto, I'm — I'm real disappointed,

you pulled on an old sidekick like that.

You're gonna give Rio time.

I tell you something.

One more word out of you, and I cut you in half.

One more word, huh?

Let me see. Maybe I can think of one.

Yeah, I got one.

G-R-E-A-S-E-R. Greaser.

Try it again.

I'm real disappointed in greaseball. Ain't you, Harv?

Sure am.

Maybe this is what you're looking for.

Eat 'em, greaser.

<i>Malditos.</i>

You had a good life, <i>cholo.</i>

Let's go.

- Wait here. I'll be right back. - All right.

Hey, Longworth!

Longworth?

Mornin', Sheriff.

Rio said to tell you wait here.

- What for? - Said he was comin' in to kill you.

You tell him I'm waiting.

All right. I'll tell him.

- Good morning. - Good morning.

Hold on. I'll be right with you.

Deposit?

Not hardly.

Where's your hog leg?

I ain't got none.

You ain't got none?

You better dig one up.

Right there.

Pretty fancy.

Give me the paper. Forget the hard stuff.

Good morning, Mr. Carvey. Has my father been here yet?

He was here a little while ago.

Now, honey, you're gonna be a real good little girl, ain't you?

You're not gonna scream, and you're not gonna run out of here, are you?

No.

Then you get over there in the corner, and sit down, and you won't get hurt.

Now, you better get busy or I'll blow your liver out.

That's it.

I'll take that.

- What do you reckon that was, Lon? - It ain't the Fourth of July. Let's go.

Harv.

- Hey, Barney? - Yeah.

- Where's Longworth? - I don't know.

- What happened? - I been shot.

Whoa!

- Hi, Sheriff. - Hello, Dad.

Dad, all hell broke loose back in town.

They shot up everything.

I run one clean out of town. I done the best I could.

- Tell me what happened. - They held up the bank. That's what happened.

- Who did? - Rio's bunch.

The teller got Bob Amory, and the other one got away.

They killed the little Ames girl.

What about Rio?

Didn't see him.

Smart.

Thought maybe they got you. That's why I come out here.

They got me, all right. I'll be right back.

- Thank you. - Bye.

Hold it, Rio.

Get your hands up slow.

You're all right, Dad!

Dad, I didn't mean to take the law into my hands,

but I did what any person would do.

Take care of this one, Dad. I want to fix his wagon.

- Take the bucket away. - I don't need the bucket. You know that?

Who'd he ever stand up to later?

Get up there!

- Cut that out. - Shoot. I seen the big whupping you give him.

- Get him! - Stop!

- Get him. - I'll remember this.

You'll remember nothing. Now, get back!

You're gonna get yours.

Hear me?

You'll get him, Lon.

Oh, no. Come in. Hurry it up.

Hurry up. Come on. Outside.

That's all.

You too, Lon.

Well, that's it, kid.

I guess there's nothing more to say.

Dad.

Got a minute?

Sure, kid.

You know I didn't send Bob Amory in there to tell you to stay home.

Well, I could be wrong.

But then I'm not going to be judging you. Those folks out there will.

They'll be your jury.

You're dying to get me hung, ain't you?

No, kid.

You've been trying to get yourself hung for the past ten years,

and this time I think you're gonna make it.

You should have quit when you were ahead.

Like you, huh?

Mm-hmm. Like me.

You're a one-eyed jack around here, Dad.

I seen the other side of your face.

You know where I spent the last five years?

Rottin' my guts out down in that pen in Sonora.

Now, what you think of that?

I think you're lying.

Faster than a dog can trot.

I am gonna get a trial, ain't I, Dad?

Oh, sure, kid, sure. You'll get a fair trial.

And then I'm gonna hang you, personally.

Rio?

I had to come.

I'm glad you did.

I was kind of hoping you would.

You're lookin' fine. Just fine.

Maybe if we had seen each other again,

you would change your mind.

Louisa, I wasn't coming in after Dad.

And I don't know nothin' about that bank.

I was coming in to take you away with me.

I was gonna ask you to be my wife.

It is true?

I ain't got no time for lyin'.

Listen to me.

I want to tell you something.

I am going to have your baby.

Why didn't you tell me before?

Because I was afraid.

I thought that you don't want.

No.

He will be something wonderful...

because he is our love.

And you will be very proud of him.

I love you, Louisa.

I never did get a chance to say it.

I want you to know something, that...

I'll be thinking about you tomorrow.

Don't say that.

They will listen to you at the trial...

and they will know that you are innocent.

But you must believe that.

You bet.

All right. Let's go.

Come on.

Sorry to have to break up this little Valentine.

You heard me.

Step back.

Turn around.

Get ahold of them bars. Keep your feet back.

There ain't no call for that, Lon. What's the matter with you?

Nothin'. Just sorry the county's gonna take care of him.

I'd like to do it myself, with this,

with both barrels of double-aught shot about waist high.

Want to?

Let's see you pull it, Lon.

All right.

Go ahead.

Make a try for it.

There ain't no need for that, Lon.

All you got to do is just squeeze one off.

Go on. You're supposed to have so much guts.

Mm-mmm.

You're the one with the gut, Lon.

Second thought, maybe it'd be more fun to wait till tomorrow.

How's your face gonna look?

All turnin' black,

and your tongue is stickin' out.

Why don't you just shut your big mouth, Lon?

Why don't you tend to your own business?

You're forgettin' one thing, Lon.

Yeah? What's that?

Ain't hung yet.

Yeah, but you will be, brother.

You ain't gettin' no older than tomorrow.

Oh, say.

Let's don't forget about her.

I'll be taking care of that before they cut you down.

You gob of spit.

I sure am, ain't I?

You watch yourself.

What's the matter? Aren't you hungry?

What is going to happen to him?

What's going to happen to who?

Is he really going to be hanged?

Oh, of course he is.

Could it be that you have your own reasons for wanting him to die?

No. No reasons at all.

He just, uh, robbed the bank and killed a little girl, that's all.

Why do you ask?

I hear you might have personal reasons.

Personal reasons?

Like what?

Oh, the story about you run away from him in Mexico and leave him to die.

Did you?

Is this truth?

I've heard that story.

- Where did you hear it? - He told Louisa.

Smart pup.

It is the truth?

The truth? Why, he'd choke on the truth.

What the hell is the matter with you?

I will tell you.

Louisa's going to have his baby.

Yes.

Please listen to me.

You have been good to us, and I'm grateful.

But if I talk to you so, it's because I don't want my daughter to suffer as I did.

- Then you lied to me that morning. - Yes, I lied to you, but...

Shut up!

Is this the thanks I get for taking you out of the bean fields

and giving you respectability?

I gave you the clothes on your back.

And I gave you a roof over your head.

And what's more,

I gave your daughter my name.

Mine.

When she had none of her own.

Everything you say is truth.

But now she needs your help more than ever.

Help?

Yeah.

I'll help.

It's taken me five years to build this decent life.

- I'm not gonna let him ruin — - Killing him will not help!

- Let go my arms. - Please.

- Let go of my hand! - Please!

- He's guilty, and he's gonna pay. - Don't lie to me anymore.

I saw it on your face since the first day he came here.

Your hatred is more important to you than anything,

including our own lives.

And you will do anything to hide that memory of what you did to him,

even to kill.

I told you to shut up.

His execution will be a day earlier. That's all.

What do you think you're doing up here? Get on back down them stairs.

I brought him something to eat.

Tell you what.

Why don't you just trot on home, 'cause you ain't gonna give him nothin'.

My father told me to bring this, and you're supposed to give it to him.

He never said nothin' to me about it.

All right. I'll tell him that you refused.

Wait a minute.

Let me see it.

- What do you got in here anyhow? - That's just some stew.

Just take a little peek.

You're not supposed to touch that.

- I love you, Rio! - Come here, you little runt.

I love you! I love you!

Now get back!

Take your hands off her!

Get your damn hands off her!

<i>¡Suelta!</i>

<i>¡Suéltame, animal! ¡Suéltame!</i>

- I'll stick a fork in you! <i>- ¡Suelta!</i>

I'm taking you out of here and let Tim keep you till your daddy gets back.

That's right, Lon.

Now, up in here right quick.

I count eight, and I ain't got them keys,

I'm gonna take you off at the neck.

One.

You ain't about to take my neck off with that little old popper.

That's two.

You'll be lucky if you hit the wall.

Three.

I might get shot up a little bit diving down these stairs,

but you're gonna hang any way you put it.

Four.

- You're runnin' a bluff, and I'm gonna call you. - Five.

Go ahead. Try it, Lon.

Six.

All I gotta do is duck a little bit, and you're done.

Seven.

- That's eight. - I'm comin'.

Open that door.

Easy now.

Now turn around and come in here backwards.

Step in here. Left hand. Take that belt off.

Down on your knees.

Lookee here, Lon. Wasn't loaded.

Get back, you.

Get them keys out.

Take them chains off.

- Now — - Oh, please, God, don't kill me.

You remember, Lon? I told you I ain't hung yet.

- I don't want to die! - How you gonna look?

How you gonna look, Lon?

Kickin' and snappin', spittin' out your blood.

- Oh, please, don't kill me. Don't. - Huh?

Get on up here.

Get on up, Lon. Get up!

Now just turn around and get your turn.

Don't move.

Get up.

Get up.

You get in there and send me the best horse you've got, and quick.

I ain't got any. They're all gone.

You're gonna die if you're lyin'.

Get — Turn around, you. Put your hands down.

- McKittrick around? - No. He's over to the saloon.

Oh.

Help! Help, somebody!

Help! Tim!

Get off that horse.

Somebody help! Help! He's gettin' away!

Help!

Dad, it's me up here, Lon!

You killed Dad!

It's all over. Wasn't nothin' else to do.

- Come on. - No.

Come on. There's nothin' to do.

I gotta leave you here, Louisa.

Yes, you must go now, quickly.

I want you to tell your mother something.

I want you to tell her that I tried to run,

but he didn't give me no chance.

And tell her I'm —

Well, just tell her whatever you have to.

Will you be all right?

Where can you go now?

I don't know.

I'll have to figure that out later. Maybe Oregon.

I'll be ridin' for a while anyhow.

Why don't you go to Mexico? I could meet you in Sonora in April.

After my baby comes.

No, I —

No.

They're lookin' all over hell for me in Mexico.

That don't matter. Listen.

You be lookin' for me in the spring.

One of them dark nights, you're gonna see a jackass in the window,

and it's gonna be me.

Don't worry about it.

I'll find someplace.

I better start kickin' now.

Go. Please, go.

I love you, Rio.

Take care of yourself,

because I'm so afraid to losing you.

<i>Adiós, mi bien.</i>

For more infomation >> One Eyed Jacks 1961 HD COLOR - Marlon Brando, Karl Malden, Pina Pellicer Movie - Duration: 2:21:24.

-------------------------------------------

Ylvis- Intro video for NHO's annual conference [English subtitles] - Duration: 0:21.

Hi, my name is Vegard Ylvisåker and that is my brother Bård Ylvisåker

Tomorrow we will stand at this stage in Spektrum and lead the annual conference for NHO

In the internet you can, even if you are a 55 year old lady,

or a 37 year old sheik - Follow this conference on facebook or at nho.no

For more infomation >> Ylvis- Intro video for NHO's annual conference [English subtitles] - Duration: 0:21.

-------------------------------------------

Financial Tips for the New Year - Duration: 3:09.

ALONG WITH THAT YOGA PANTS

STORY WHICH WE MENTIONED IN

THIS MONTH'S ISSUE.

Brendan: THIS MORNING IN

YOUR MONEY, WE'RE GETINGS

FINANCIAL TIPS FOR THE NEW YEAR.

NOW THAT THE HOLIDAY SEASON IS

BEHIND US, IT'S TIME TO START

PLANNING FOR THE YEAR AHEAD.

HERE TO SHARE SOME SOUND ADVICE

IS KATHLEEN RYAN, SENIOR VICE

PRESIDENT FOR WASHINGTON TRUST

WEALTH MANAGEMENT.

GOOD MORNING, KATHLEEN.

GOOD MORNING, BRENDAN.

Brendan: AS I JUST ALLUDED

TO, THIS IS THE TIME OF YEAR

WHERE THE CALENDAR HAS TURNED

AND WE'RE THINKING ABOUT HOW

CAN WE SAVE, HOW CAN WE BUDGET?

WE HAVE TO PAY OFF THOSE BILLS.

IT SEEMS LIKE THEY'RE ENDLESS.

WE NEED TO GET STARTED, DON'T

WE?

WE DO.

A GREAT TIME TO START.

Brendan: AND STEP ONE IS

DEVELOPING A SOLID BUDGET,

RIGHT?

THAT'S RIGHT.

IT'S THE NEW YEARS SO WHILE

WE'RE WISHING EVERYONE A HAPPY

AND HEALTHY NEW YEAR, THERE ARE

TWO OTHER COMMON WISHES THAT WE

ALL HAVE FOR OURSELVES AS WELL

AS FOR OTHERS AND THAT IS PEACE

AND PROSPERITY.

RIGHT NOW WE CAN START WORKING

ON OUR FINANCIAL PEACE OF MIND

AND WORKING ON OUR OWN PERSONAL

PROSPERITY.

Brendan: WHEN WE MAKE A

COMMITMENT TO THE IDEALS THAT

YOU MENTIONED THERE, IT'S TOUGH

TO STICK WITH IT.

BUT WE REALLY NEED TO MAINTAIN

THAT FOCUS, DON'T WE?

BECAUSE IT IS OUR LIVELIHOOD,

REALLY.

IT'S SO IMPORTANT.

AND PUTTING TOGETHER A REGULAR

SCHEDULE OF LOOKING AT YOUR

INCOME AND EXPENSES, MAKING

SURE YOU'RE MONITORING YOUR

SPENDING, THAT IS ONE OF THE

MOST IMPORTANT TIPS REALLY IS TO

COMMIT TO PUTTING TOGETHER A

BUDGET AND STICKING WITH THE

BUDGET.

Brendan: ONE OF THE HARDEST

THINGS TO DO IS MANAGE THAT

DEBT.

SADLY FOR MANY OF US, IT'S

ALWAYS INCREASING AND GETTING

BIGGER.

WE DON'T WANT TO CONTINUE TO

SPEND.

ONCE WE DO MANAGE THAT BUDGET,

WE NEED TO MANAGE THE DEBT

WE'VE ALREADY INCURRED, DON'T

WE?

THAT'S RIGHT.

FIRST OFF, CREATING A BUDGET.

SECOND, CONTROL AND REDUCE DEBT.

THERE ARE A COUPLE OF DIFFERENT

THINGS YOU CAN DO TO DO THAT

WITH RESPECT TO LOOKING AT YOUR

CREDIT CARD DEBT.

MAKING SURE THAT YOU'RE PAYING

MORE THAN THE MINIMUM ON YOUR

CREDIT CARDS, KNOWING THE

INTEREST RATE ON YOUR CREDIT

CARDS AND MAKING SURE YOU'RE

PAYING THOSE CREDIT CARD DEBTS

WITH THE HIGHEST INTEREST RATES

ON THEM.

Brendan: COMPANIES LOVE THAT.

THEY'RE CLEANING UP ON THE

INTEREST CHARGE.

SO IT'S IN YOUR INTEREST TO PAY

MORE ON THE MINIMUM.

ONE OF THE BEST INVESTMENT

STRATEGIES TO MAKE SURE THAT

YOU'RE PAYING OFF YOUR CREDIT

CARD DEBT THAT HAS THE HIGHER

INTEREST RATES OR CONSOLIDATING

YOUR CREDIT CARD DEBT.

THAT WILL GO A LONG WAY.

Brendan: LET'S TALK ABOUT

MANAGING DEBT FOR THINGS LIKE

EMERGENCIES, COLLEGES, THINGS

LIKE THAT.

HOW DO WE PLAN AND SAVE FOR

SOMETHING LIKE THE?

OUR THIRD TIP IS MAKING SURE

YOU PLAN FOR THE UNEXPECTED.

ANTICIPATE UPCOMING EXPENSES

THAT YOU MAY HAVE.

BIRTH OF A CHILD, SAVINGS FOR

EDUCATION EXPENSES.

PLANNING FOR RETIREMENT.

MAKING SURE THAT YOU'RE

MAXIMIZING YOUR RETIRE.

CONTRIBUTIONS.

BUT ONE IMPORTANT TIP WOULD BE

PAY YOURSELF FIRST.

MAKE SURE YOU'RE HAVING

DEDUCTIONS FROM YOUR SAVINGS,

YOUR PAYROLL TO PUT INTO A

SAVINGS ACCOUNT.

Brendan: IT'S ALSO VALUABLE

AS WE PROCEED FORTH INTO 2017.

GREAT STUFF.

IF YOU MISSED ANY OF THESE

TERRIFIC TIPS THAT KATHLEEN

For more infomation >> Financial Tips for the New Year - Duration: 3:09.

-------------------------------------------

Astrology Outlook for 2017 A New Hope - Duration: 7:22.

Astrology Outlook for 2017 � A New Hope.

by Selacia.

Right now is a perfect time to set the energetic tone for how you want to begin 2017.

This is done with consciousness and intention, your purposefully deciding what kind of experience

you want to have.

Yes, there is a lot of very strange stuff happening out there in the world, but you

can consciously choose your responses.

One example is hope.

At the core of your being, you are hopeful and filled with light.

This part of you can move through any challenge and remain confident that everything will

be okay.

This response of hope has a palpable energy.

It lifts you up and gives you courage to prevail and persist.

It helps you to succeed, and to see success even in so-called failure.

When you connect with hope in a grounded spiritual way, it is like an elixir from the heavens.

In this article, I outline some ways to connect with your own reservoir of hope and become

more resourced for what�s next.

As you read, invite your inner wisdom to show you what is relevant for your life.

Ask for understanding and a knowing of divine timing in all things.

Background

Much of the outer world craziness and uncertainty of 2016 is continuing as we sit in the void

of not knowing the next chapter.

In fact, as you probably have noticed, that void has rather unusual energies now.

We really haven�t witnessed anything quite like it in our lifetimes.

We have had wild cards before, but the sheer number of them occurring simultaneously is

unprecedented.

January an Instrumental Month

Given that, the month of January will be instrumental in determining a number of new directions.

This is happening out there in our world but also within ourselves.

It�s vital that we be awake to the process and be in the driver�s seat of our own lives.

No matter how uncertain or gloomy things seem, we must remain hopeful and take steps to forge

new beginnings in our lives.

New beginnings will be unfolding around us in the external world.

There likely will be a heightened sense of anticipation, intensity, and concern within

society as people respond to events.

Many things occurring will be outside of our individual control.

What we do have control over, however, is our response.

No matter how strange things get, the key for us is to find our balance and take the

high road of spirit.

As we do that, we connect with the energy of hope at our core.

Shedding Many Skins

Most likely, you feel like you have shed many skins this year.

It has been a time of mega transformation, letting go, and experimenting with new approaches

for living your best life.

Some of your experiments may have had a lukewarm reception or outcome.

Others may still be percolating, not yet ripe.

Still others may be fully formed, but cannot yet be manifested because the timing isn�t

yet right.

What�s in Store for January

Here are a few highlights of what�s in store for January.

First, it�s the start of a new year with the energy of new beginnings in the air.

That likely will feel different this January because of the wild cards and tensions of

not knowing how things will play out.

Personal tips: pay attention to what�s happening but pay more attention to managing your own

energy and emotional responses.

You may need more sleep or more frequent refueling to stabilize when so much stress is in the

air.

Do your best to avoid taking things personally by being a neutral observer.

Come back to your center often to be reminded of what really matters to you, and to feel

the hopefulness at your core.

Second, we are still in Mercury Retrograde through the first week of January.

That means revisiting issues, review of plans, and sometimes re-dos when things didn�t

go right the first time.

It�s normal to want to be full speed ahead as the year starts, but with Mercury Retrograde,

it sometimes may feel more like traveling in first gear or neutral.

Mercury tips: pace yourself and breathe often.

Remember that you are a quantum being and that when you are operating in quantum, what

needs to happen can get done in a flash of time.

Don�t let apparent delays irritate you.

Trust in divine orchestration.

Third, note in your calendar the January 12 Full Moon.

This will be a powerful Cancer Full Moon, with the potential for challenging dynamics

and intense emotions.

Issues from behind the scenes could arise unexpectedly.

The best way to work with these energies is to stay grounded and in your heart.

Strive to be patient and allowing.

If something comes to a boiling point energetically, consider a time out so you don�t say or

do something you may later regret.

Other key energy dates: we have some tense planetary lineups and the Sun moving into

Aquarius January 19, the day before the US Presidential Inauguration on January 20.

The very next week, we have the January 27 Aquarius New Moon occurring the day before

the January 28 start of Chinese Rooster Year.

From an energy standpoint, it�s going to be a month of intensity, catalysts for change,

and challenges in relating to others.

Do your best to stay in your center and regroup your energy often.

Take time daily to listen to your inner guidance about actions and timing.

Going into this potentially groundbreaking year, remember the big picture of why you

are here.

Remember your role as a divine change-maker.

Remember that you are not an accidental tourist who just happens to be here as the world goes

through its messy remake.

On a soul level, you have a destiny here during these times.

The world needs your love, your consciousness, and your light.

You as a human being need to have the completions and self-realizations available because of

living now.

In no other lifetime to date could you do and complete what is possible now.

Treasure that for the opportunity it is.

On a daily basis, invite a tangible connection with the energy of hope that exists at your

core.

Ask to be guided to live your best life.

For more infomation >> Astrology Outlook for 2017 A New Hope - Duration: 7:22.

-------------------------------------------

Rain Man & Krysta Youngs - Habit (Akari Remix) - Duration: 4:08.

Ride from the fast lane High off the end chain You're my cocaine lover

Got guilt in your pocket Forget about it I just blew your cover

Blow, blow, blow, blow. I just blew your cover

I wanna be your habit cut me down like Xanax

Cause if you're nervous you shouldn't be I'll take away your panic

Just leave your heart wide open My love comes in doses

Cause if you're nervous you shouldn't be, I'll take away your panic

I wanna be your

cut me down like

I wanna be your

Some things always last vintage photograph You look like your father

Run into you crazy suffocating baby Just like your mother

Blow, blow, blow, blow. I just blew your cover

I wanna be your habit cut me down like Xanax

Cause if you're nervous you shouldn't be I'll take away your panic

Just leave your heart wide open My love comes in doses

Cause if you're nervous you shouldn't be, I'll take away your panic

Cut me down like

I wanna be your habit

I wanna be here, right next to you, Your prescription is overdue

I wanna be your

For more infomation >> Rain Man & Krysta Youngs - Habit (Akari Remix) - Duration: 4:08.

-------------------------------------------

Excavator videos and trucks for children | Video for kids. - Duration: 10:53.

Excavator videos and trucks for children | Video for kids.

For more infomation >> Excavator videos and trucks for children | Video for kids. - Duration: 10:53.

-------------------------------------------

how to recover deleted files from hard drive/how to recover deleted images from hard drive - Duration: 4:13.

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For more infomation >> how to recover deleted files from hard drive/how to recover deleted images from hard drive - Duration: 4:13.

-------------------------------------------

Hindi Dubbed Movie | Malayalam Movie Dubbed in Hindi 2016 - Plus Or Minus Movie Part 4 - Duration: 15:23.

Subscribe our Channel for new Movies

For more infomation >> Hindi Dubbed Movie | Malayalam Movie Dubbed in Hindi 2016 - Plus Or Minus Movie Part 4 - Duration: 15:23.

-------------------------------------------

#MyPlateMyWins for Beverages - Duration: 0:46.

Get healthier by sipping smarter!

Small changes to your beverages

can add up to big wins.

No need to give up…

your favorite mocha.

Switch to skim and ask for half the syrup.

Do this one time

and save 9 grams of saturated fat.

Do this three times a week for a year

and save over 1,400 grams.

If you're craving something fizzy…

do you normally go for this?

Make a switch that's free of added sugars.

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and save over 50 grams of added sugars.

Do this every day for a year

and save nearly 20,000 grams.

Small changes can really add up!

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For more infomation >> #MyPlateMyWins for Beverages - Duration: 0:46.

-------------------------------------------

A queer vision of love and marriage | Tiq Milan and Kim Katrin Milan - Duration: 17:08.

Tiq Milan: Our first conversation was on Facebook,

and it was three days long.

(Laughter)

We shared over 3,000 messages between us,

and it was during those 72 hours that I knew she was going to be my wife.

We didn't wait any prerequisite amount of time for our courtship;

we told each other the vulnerable truths up front:

I am a transgender man,

which means the F on my birth certificate should have stood for "False,"

instead of "Female."

(Laughter)

Walking around as a woman in the world

felt like walking with pebbles in my shoes.

It took the rhythm out of my swagger,

it threw me off balance,

it pained me with every step I took forward.

But today I'm a man of my own intention;

a man of my own design.

Kim Katrin Milan: I am a cisgender queer woman.

Cisgender means the gender I was assigned at birth

is still and has always been female.

This doesn't make me natural or normal,

this is just one way of describing the many different ways

that we exist in this world.

And queer is a cultural term,

but in this case,

it refers to the way that I'm not restricted by gender

when it comes to choosing partners.

I've identified in a few different ways --

as a bisexual, as a lesbian --

but for me,

queerness encompasses all of the layers of who I am and how I've loved.

I'm layers, and not fractions.

And for me,

the fact that he was queer

meant that I could trust his courtship from the very beginning.

As queer and trans people,

we're so often excluded from institutions and traditions.

We create spaces outside of convention,

including the conventions of time.

And in those 3,000 messages between us,

we collapsed time;

we queered it;

we laid it all on the table.

(Laughter)

With no pretense at all.

And this meant that we were able to commit to each other

in a profoundly different way.

So often what we're told is this idea of the "Golden Rule,"

that we should treat other people the way we want to be treated.

But the problem with that

is that it assumes that we are the standard for other people,

and we're not.

We need to treat other people the way they want to be treated,

which means we had to ask.

I couldn't assume that the kind of love that Tiq needed

was the same kind of love that I needed.

So I asked him everything -- about his fears, his insecurities --

and we started from there.

TM: I didn't know what kind of love I needed.

I had just come out of a year-long fog

of being rejected and utterly depleted.

I had someone look me in my eyes

and tell me that I was unworthy of their love because I was trans.

And there's a culture of lovelessness

that we've created around transgender people.

It's reasoned, justified and often signed into law.

And I was a heartbeat away from internalizing that message,

that I wasn't worthy.

But Kim said that I was her ideal --

the heartbroken mess that I was.

(Laughter)

KKM: He totally was my ideal.

(Laughter)

In more ways than one.

Both poets, writers, creatives

with a long history of community work behind us,

and big, huge dreams of a family in front of us,

we shared a lot of things in common,

but we were also incredibly different.

I've been a lifelong traveler and a bit of an orphan,

whereas he comes from a huge family,

and definitely stays grounded.

I often kind of sum up the differences in our strengths

by saying, "Keep me safe,

and I'll keep you wild."

(Laughter)

TM: We have marginalized identities but we don't live marginalized lives.

Being queer and trans is about creating new ways of existing.

It's about loving people as they are,

not as they're supposed to be.

Kim is unapologetically feminine

in a world that is often cruel and violent

to women who are too proud and too freeing.

And I didn't enter into this union

under the auspices that she was going to be my helper or my rib,

but a fully complex --

(Laughter)

KKM: Right? That's not right.

TM: But a fully complex human being

whose femininity wasn't for me to reign in, control or critique.

It's her brilliance,

the way she leads with compassion,

and how she never loses sight of her empathy.

She has been my hero since day one.

(Applause)

KKM: Our relationship has always been about setting each other free.

One of the first questions I asked him

was what dreams he had left to accomplish,

and how would I help him get there.

His dreams to live as a poet,

to adopt and raise a family together,

to live a life that he was proud of,

and one that would live up to his mother's incredible legacy.

And I really appreciated that we were able to start from that place,

and not from a place that was around figuring out

how to make each other work together.

And I think this really allowed us to grow into the people that we were

in a way that was incredibly different.

I love him whole;

pre-transition, now and in the future.

And it's this love that had us committed to each other

before we'd even seen each other's faces.

TM: My mother's biggest concern when I transitioned

was who was going to love me as I am.

Had being transgender somehow precluded me from love and monogamy

because I was supposedly born in the wrong body?

But it's this type of structuring that has to be reframed

in order to let love in.

My body never betrayed me,

and my body was never wrong.

It's this restrictive, binary thinking on gender

that said that I didn't exist.

But when we met,

she loved me for exactly how I showed up.

She would trace her fingers along the numb keloid scars

left by my top surgery.

Scars that run from the middle of my chest all the way out to my outer torso.

She said that these were reminders of my strength

and everything that I went through

and nothing for me to be ashamed of.

So sprinting towards her hand in marriage

was the queerest thing that I could do.

(Laughter)

It flew in the face of more conventional trajectories

of love and relationships,

because God was never supposed to bless a union for folks like us,

and the law was never supposed to recognize it.

KKM: So on May 5, 2014,

just about three months after meeting online,

we were married on the steps of City Hall in Manhattan,

and it was beautiful in every conceivable way.

It's safe to say that we reimagined some traditions,

but we also kept some old ones that we worked in,

and we created something that worked for us.

My bouquet and corsage was actually filled with wildflowers from Brooklyn --

also added in a little bit of lavender and sage to keep us grounded

because we were so nervous.

And it was put together by a sweet sister healer friend of ours.

I never wanted a diamond ring,

because conflict and convention are not my thing,

so my ring is the deepest purple,

like the color of my crown chakra,

and set in place with my birthstones.

The gift of queerness is options.

I never had to choose his last name,

it was never an exception,

but I did because I am my father's bastard child,

someone who has always been an apology, a secret, an imposition.

And it was incredibly freeing

to choose the name of a man who chose me first.

(Applause)

TM: So we told some family and some close friends,

many of whom were still in disbelief as we took our vows.

Fittingly, we posted all of our wedding photos on Facebook,

where we met --

and Instagram, of course.

And we quickly realized

that our coming together was more than just a union of two people,

but was a model of possibility for the millions of LGBTQ folks

who have been sold this lie

that family and matrimony is antithetical to who they are --

for those of us who rarely get to see ourselves

reflected in love and happiness.

KKM: And the thing is,

absolutely we are marginalized because of our identities,

but it also emboldens us to be the people that we are.

Queerness is our major key;

blackness is our magic.

It's because of these things

that we are able to be hopeful, open, receptive and shape-shifting.

These are the things that give us,

and are such an incredible source of, our strength.

Our queerness is a source of that strength.

I think of the words of Ottawa-based poet Brandon Wint:

"Not queer like gay; queer like escaping definition.

Queer like some sort of fluidity and limitlessness all at once.

Queer like a freedom too strange to be conquered.

Queer like the fearlessness to imagine what love can look like,

and to pursue it."

TM: We are part of a community of folks --

Yeah, that's good right?

(Laughter)

We are part of a community of folks who are living their authentic selves

all along the gender spectrum,

despite the ubiquitous threat of violence,

despite the undercurrent of anxiety that always is present

for people who live on their own terms.

Globally, a transgender person is murdered every 21 hours.

And the United States has had more trans murders on record this year

than any year to date.

However, our stories are much more than this rigid dichotomy

of strength and resilience.

We are expanding the human complexity on these margins,

and we are creating freedom on these margins.

KKM: And we don't have any blueprints.

We're creating a world that we have literally never seen before;

organizing families based on love and not by blood,

guiding by a compassion that so few of us have been shown ourselves.

So many of us have not received love from our families --

have been betrayed by the people that we trust most.

So what we do here is we create entirely new languages of love.

Ones that are about creating the space for us to be our authentic selves

and not imposing this standard

of what masculinity or femininity is supposed to be.

TM: We are interested in love and inclusion

as a tool of revolutionary change, right?

And the idea is simply,

if we drop all our preconceived notions

about how somebody is supposed to be --

in their body, in their gender, in their skin --

if we take the intentional steps to unlearn these deep-seated biases

and create space for people to be self-determined,

and embrace who they are,

then we will definitely create a better world than the one we were born into.

(Applause)

KKM: We want to mark this time in history

by leaving evidence of the fact that we were here.

We open up little windows into our relationship

for our community to bear witness,

and we do this because we want to make maps to the future

and not monuments to ourselves.

Our experience does not invalidate other peoples' experience,

but it should and necessarily does complicate this idea

of what love and marriage are supposed to be.

TM: OK, now for all the talking,

and inspiring,

and possibility-modeling we've done,

we've been nowhere near perfect.

And we've had to hold a mirror up to ourselves.

And I saw that I wasn't always the best listener,

and that my ego got in the way of our progress as a couple.

And I've had to really assess these deep-seated, sexist ideas

that I've had about the value of a woman's experience in the world.

I've had to reevaluate what it means to be in allyship with my wife.

KKM: And I had to remind myself of a lot of things, too.

What it means to be hard on the issues,

but soft on the person.

While we were writing this, we got into a massive fight.

(Laughter)

For so many different reasons,

but based on the content about our values and our lived experiences --

and we were really hurt, you know?

Because what we do and how we love puts ourselves entirely on the line.

But even though the fight lasted over the course of two days --

(Laughter)

We were able to come back together to each other,

and recommit to ourselves, to each other and to our marriage.

And that really yielded some of the most passionate parts

of what we share with you here today.

TM: I have had to interrogate masculinity,

which I think doesn't happen enough.

I've had to interrogate masculinity;

the toxic privileges that come with being a man don't define me,

but I have to be accountable for how it shows up in my life every day.

I have allowed my wife to do all of the emotional labor

of prying open the lines of communication when I'd rather clam up and run away.

(Laughter)

I've stripped away emotional support instead of facing my own vulnerabilities,

particularly around the heartbreaking miscarriage we suffered last year,

and I'm sorry for that.

Sometimes as men, we get to take the easy way out.

And so my journey as a trans person is about reimagining masculinity.

About creating a manhood that isn't measured

by the power it wields, by the entitlements afforded to it,

or any simulacrum of control that it can muster,

but works in tandem with femininity,

and is guided by my spirit.

KKM: Y'all ...

(Applause)

And this has created the space for my femininity to flourish

in a way I had never experienced before.

He never is threatened by my sexuality,

he never polices what I wear or how I act.

I cook but he does way more of the cleaning than I do.

And when we're rushing to get out of the house

and we have so much to handle,

he handles everything,

so I have time to do my hair and makeup.

(Laughter)

He understands that this is my armor,

and he never treats femininity as though it is frivolous or superficial,

and this, and him --

he grows my experience of gender every single day.

TM: I love to watch her get dressed in the morning.

Watching her in the closet,

looking for something comfortable and colorful, and tight,

and safe --

(Laughter)

But it's challenging to watch her negotiate her decisions

looking for something that's going to get the least amount of attention,

but at the same time be an expression of the vibrant and sexy woman she is.

And all I want to do is celebrate her for her beauty,

and the things that make her beautiful and special and free,

from her long acrylic nails,

to her uncompromising black feminism.

(Applause)

KKM: I love you. TM: I love you.

(Laughter)

KKM: There are so many queer and trans people

who have come before us,

whose stories we will never get to hear.

We constantly experience this retelling of history

where we are conspicuously left out.

And it's really hard to not see ourselves there.

And so living out loud for us is about that representation.

It's about having possibility models,

and having hope that love is part of our inheritance in this world, too.

TM: The possibility that we are practicing

is about reinventing time, love and institutions.

We are creating a future of multiplicity.

We are expanding the spectrum of gender and sexuality,

imagining ourselves into existence,

imagining a world where gender is self-determined and not imposed,

and where who we are is a kaleidoscope of possibility

without the narrow-minded limitations masquerading as science or justice.

(Applause)

KKM: And I can't lie:

it is really, really hard.

It is hard to stand in the face of bigotry

with an open heart and a smile on my face.

It is really hard to face the injustice that exists in the world,

while still believing in the ability of people to really change.

That takes an enormous amount of faith and dedication.

And beyond that,

marriage is hard work.

(Laughter)

Piles of dirty socks on the floor,

more boring sports shows than I ever thought possible --

(Laughter)

And fights that bring me to tears

when it feels like we're not speaking the same language.

But there is not a day that goes by

where I am not so grateful to be married to this man;

where I'm not so grateful for the possibility of changing minds,

and rewarding conversations,

and creating a world where love belongs to us all.

I think about our acronym:

LGBTQ2SIA.

A seemingly endless evolution of self and a community,

but also this really deep desire not to leave anyone behind.

We've learned how to love each other,

and we've committed to loving each other throughout changes to gender

and changes in spirit.

And we learned this love in our chat rooms,

in our clubs, in our bars and in our community centers.

We've learned how to love each other for the long haul.

TM & KKM: Thank you.

(Applause)

For more infomation >> A queer vision of love and marriage | Tiq Milan and Kim Katrin Milan - Duration: 17:08.

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There Are Oceans In Our Solar System That Could Contain Life - Duration: 3:40.

Water, water, everywhere, On all the moons a-freeze;

Water, water, everywhere, Please alien life say cheese.

Sup planetoids, thanks for watching DNews, y'all know me.

I'm Trace.

We often hear, "We know more about space than about the depths of our own oceans."

Whether that's true or not (and it's arguable) what about oceans on other planets?

What do we know about them?!

Firstly, Earth is the only planet anywhere in the universe that we know has stable, liquid

water on its surface.

There are other celestial bodies we suspect of having oceans though, like Europa and Ganymede,

moons of Jupiter, and Enceladus, a moon of Saturn.

It's just the oceans are trapped under sheets of ice.

In fact, a new study in Geophysical Research Letters from mid-2016 says tiny Enceladus

might have a rocky core, internal ocean, and ice shell!

Using data from the Cassini probe, and seven years of observations, scientists believe

under a (max) 22 kilometer-thick icy shell sits a salty water ocean!

(Another paper says max 70 kilometers!).

They discovered this by looking at the wobble of the moon as it orbits Saturn.

As the moon zoom the planet, the scientists realized the planet's wobble (called a libration)

appeared to move in such a way that could only be explained if the icy surface wasn't

connected to its core!

It's almost as if the moon is sloshing like a milk jug or bowl full of water!

That's so COOL.

Not so cool that the ocean inside is frozen through though, which is weird.

Out of the southern hemisphere of the moon, scientists spotted over 100 "warm" geysers,

so they flew Cassini through them to sample the mist -- it's super salty WATER!

Here on Earth (the only model we have to go by) life in the open ocean is rare -- so we

don't yet know if there's life under these icy sheets…

We'll have to design another probe to scoop up the geyser mists without smashing any possible

life that exists inside!

But even with Enceladus' ocean, Europa is far more intriguing.

Europa is slightly smaller than our moon, but larger than Pluto, and NASA believes Europa

has, like Earth, an iron core, a rocky mantle, and a rocky "surface"… and on top of

that rocky "surface"?

An ocean of salty water!

Unlike Earth, but like Enceladus, Europa also has a frozen icy crust and may have salty

water jets.

The reason Europa is more intriguing than Enceladus?

Life needs three things: energy, water, and heat.

In another study in Geophysical Research Letters, scientists from NASA's Jet Propulsion Laboratory

think judging by Europa's neighbor Io, volcanic activity may exist inside the icy crust of

the moon.

If so, it may mean both heat and nutrients exist where the rocky crust meets the water

and there might be what's called a redox reaction -- or reduction and oxidation; a

chemical process that is similar to what we have on Earth.

If this holds true, then the volcanic activity brings heat and minerals and, of course, there's

water…

SO.

LIFE, MOFO DO YOU SPEAK IT!

Europa, just might.

Look, it's actually easier to launch a probe to a moon in the outer solar system, or point

telescopes like the Hubble at a tiny moon than it is to brave the depths of our own

oceans.

It seems to me, the more we learn about these other moons (and exoplanets!) the more likely

we'll understand oceans in general, and hopefully we can infer more about our own

in the process.

What's the difference between a moon and a planet right?

Is there one?

Amy has the breakdown for you in this video here.

Would you visit a moon?

Which one?

Ours?

Europa?

Phobos?

What's your fav?

Let us know in the comments, please subscribe for more DNews and thanks for watching.

For more infomation >> There Are Oceans In Our Solar System That Could Contain Life - Duration: 3:40.

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Warrior by Danica Patrick Cropped Legging - Duration: 5:24.

For more infomation >> Warrior by Danica Patrick Cropped Legging - Duration: 5:24.

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Mission Blue Butterfly: An Endangered Species Fighting for Survival - Duration: 5:19.

This is the Natural Laboratory, a podcast exploring science for Bay Area

National Parks. I'm Daniel Strain.

I'm talking with Liam O'Brien in his San Francisco home. O'Brien is a Bay Area

renaissance man. He's a professional actor

and a butterfly researcher. He also paints.

This is a piece that's coming up in Bay Nature magazine

In his illustration, a bright blue butterfly flutters over a coastal

grassland dotted with wildflowers.

It's a mission blue butterfly

a favorite among bay area artists.

Despite its popularity this insect is rare.

Rapid bay area development in the twentieth century drove it close to

extinction.

In nineteen seventy-six it was one of the first insects to gain endangered

status under the federal Endangered Species Act.

When he's not painting O'Brien works to protect at-risk butterflies like these.

His first goal is communicating to would be naturalists that mission blues are

more than just a pretty face.

[Liam O'Brien] We all are attracted as humans to the pretty adult phase

but i'd try to pound home that the butterfly is present for the rest of the

year, it's just in three other phases.

[Daniel Strain] It's winter on the scraggly bluffs that make up the Marin Headlands in Golden Gate

National Recreation Area.

I can't see a single butterfly.

They're there O'Brien says, I just need to look under my feet.

For nine months out of the year these insects sleep in the dark under layers

of dried leaves.

They're waiting for three species of lupine, a silvery shrub, to start growing again.

[Liam O'Brien] And then when the rains the spring begin again, February, March, they literally wake up.

They crawl back up onto the new lupine.

[Daniel Strain] mission blue butterflies depend on lupine plants for everything from food to shelter.

It's this dependence that makes these insects so important says Christina Crooker.

She's a restoration manager with the Golden Gate National Parks Conservancy.

[Christina Crooker] Since the butterflies depend on the lupines which depend on the grasslands

they can serve as a sort of an indicator species for grassland health.

[Daniel Strain] In other words what hurts coastal grasslands also hurts mission blues and

vice versa.

Coastal prairies like this hillside in the Marin Headlands

once covered much of Marin County California and the San Francisco

peninsula to the south.

Today they occupy just a few small patches.

[Christina Crooker] And a lot of that is because

they occur in areas

that are just prime for development.

They like to live where we like to live.

[Daniel Strain] But in Golden Gate lands Crooker is one of many people working to revive these

unique habitats.

She protects the communities already flourishing here

and sews more native coastal shrubs and grasses.

New and healthier habitats bring more butterflies she says,

and in the mid nineties they were doing just that.

Mission blue numbers seemed to be on the rise.

[Christina Crooker] And then in nineteen ninety-eight

something happened that really negatively affected the butterfly populations.

What happened was a fungal pathogen swept through the lupine host plants.

[Daniel Strain] The lupine blight scattered the butterflies to small isolated islands of grassland.

But, Crooker says,

their numbers seem to be growing again.

[Christina Crooker] So it's a very positive and a very hopeful trend.

[Daniel Strain] Still, the mission blue success is tenuous

in two thousand and ten, the lupine pathogen re-emerged in the Golden Gate

and butterfly numbers again dropped.

Invasive species are a big threat too.

Exotic weeds like french broom and pampas grass push aside the native

plants that butterflies depend on. To stop the spread of these unwanted guests

Crooker encourages Bay Area gardeners to grow only non invasive plants.

Community members can help in other ways too, she says.

[Christina Crooker] Another thing that people can do, and

this is a really positive experience all around, is to come out and help volunteer.

[Daniel Strain] Volunteers can help pull weeds or even get their hands dirty in the Park Service's

Native Plant Nurseries.

These programs don't just help butterflies

but a wide community of animals from garter snakes

to bumblebees.

According to Liam O'Brien,

the best way to appreciate this community

is to get out and see it first hand.

[Liam O'Brien] For people to take their kids and to walk

or to sit and paint and draw a butterfly or something like that

Who's to say who the next great conservationist is going to be.

[Daniel Strain] But if butterflies are your thing, you might want to wait until spring.

For more information on yow you can protect the mission blue butterfly

Check out the Bay Area parks resource page

at sfnps.org/mission_blues.

For the Pacific Coast Science and Learning Center, I'm Daniel Strain.

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