Waching daily Aug 5 2018

Trump Is Sick Of LeBron And Just Humiliated Him Overnight With Nasty Revenge – It's

On!

Racism strictly defined is prejudice, discrimination, or antagonism directed against someone of

a different race based on the belief that one's own race is superior.

Put another way it is the belief that all members of each race possess certain characteristics

or abilities specific to that race, as a means to distinguish it as inferior or superior

to another.

It is also a favorite insult or epithet to label someone with in an effort to shut them

up or diminish the veracity of what they are saying.

For those that ascribe to identity politics, there is no acceptable defense for the "crime"

of being born of European ancestry or "white."

Instead, that lack of melanin is used as a weapon to marginalize, to silence, to ouster

and attack.

People seem to forget that one cannot get to genocide without first visiting identity

politics.

Take the recent words of Julius Malema for instance.

Malema is a prominent politician in South Africa and a leader at the forefront of the

country's current movement to confiscate land from white property owners and then redistribute

it to the country's black population, told white people in his country that he is not

going wage genocide against them.

Yet.

In an interview with TRT World News published this week, Malema said, "We have not called

for the killingg of white people.

At least for now.

I can't guarantee the future."

Zimbabwe lives as a prime example of the economic consequences of identity politics, genocide,

and land expropriation, as it plunged the country in economic devastation spanning nearly

two decades.

Formerly considered the breadbasket of southern Africa, now more than a quarter of the population

is in danger of starving to dea*h.

So even by the most basic of measurements, Zimbabwe's policies have been a complete

and utter failure, copying them is tantamount to suicide.

Yet these all seem to be irrelevant details for those like Malema.

America seems no less eager to enter into the same racially tinged morass, yet people

seem to forget that one cannot get to genocide without first visiting identity politics.

Those that choose to cross some fictional boundary into the Twilight Zone of independent

thought and stand up to the "Victim Cartel" threaten the solidarity of the narrative that

America and perhaps even all of Western Civilization is comprised of identity victims and identity

oppressors, and must, therefore, be silenced by any means possible.

Those such as YouTube blogger Candace Owen, among others are ostracized and publically

shamed and ridiculed for daring to contradict the peddling of victimhood.

Owen consistently makes the point over and over again in her writing that all the "help"

and solicitude black Americans have gotten from their overseers on the Democratic Party

plantation have merely made life worse for the black community as a whole, especially

with regard to policies based on the idea that black people need lots of assistance

to overcome systemic structural racism and the legacies of slavery.

Any success enjoyed by a white person is dismissed as "white privilege" and any means to

defend oneself against such a dismissal is met with accusations of racism.

Attacks that are brutal and oppressive, bullying you into attempting to appease or not speaking

up at all for fear of losing your career, reputation, and respect.

It can scare many into silence and self-censorship when racism is found in even the most innocuous

of comments and can lead to devasting consequences.

Yet people forget their history.

In 1913, just a few years before the Russian Revolution, the Bolsheviks were a tiny group

of radicals.

Four years later they had taken over the entire country.

In 1928, the Nazi party was an obscure joke, winning a mere 2.6% of the votes in the national

election that year.

Not even five years later, Adolf Hitler was German chancellor and had been awarded supreme

power by the Enabling Act of 1933.

Again I will repeat one cannot get to genocide without first visiting identity politics.

President Donald Trump was in the public eye and the media for years prior to the 2016

presidential election.

Yet, he was never accused of racism until he announced his intentions to run for president

against Hillary Clinton.

Now it is a label that is oft repeated with little supporting evidence.

CNN's Don Lemon recently interviewed LeBron James, the former Cleveland Cavaliers star

who recently signed a massive contract with the Los Angeles Lakers.

Both men have publically show particular animus towards Trump with lengthy on-air diatribes,

and insulting tweets aimed directly at President Trump.

The interview was focused mostly on James' recent $8 million donation to build a new

public school called "I Promise."

The school is for at-risk third- and fourth-graders in James' hometown of Akron, Ohio.

Through the course of the interview topics naturally turned to Trump, a man both men

love to hate.

James complained in the interview that Trump has used athletics and athletes to divide

the country.

"I can't sit back and say nothing," James said.

Lemon also asked James what he would say to Trump if he was sitting across from him.

"I would never sit across from him," James said.

"No.

I would sit across from Barack though."

Because apparently an actual conversation to understand another point of view is no

longer done.

In his typical style, Trump struck back, tweeting – "Lebron James was just interviewed by

the dumbest man on television, Don Lemon.

He made Lebron look smart, which isn't easy to do…"

"This race thing is taking over," James said, claiming that "sports helped him to

understand white people and be around them."

James then brought up Charlottesville, claiming Trump's comments in the wake of the events

there emboldened racists to speak publicly.

"I think the president in charge now has given people … they don't care now, they

throw it in your face now," he said.

Lemon then asked James if he would consider a run for president in 2020 if there was no

one else nominated who could beat Donald Trump.

James replied – "Well, in that case, I may.

Let's see first."

James said that the death of Trayvon Martin hit a "switch" in his life where he committed

to using his voice for a political platform.

"No matter how successful you could become, no matter who you are, when you are an African-American

kid, you're always going to be going against obstacles," James said.

And there it is, peddling this ideology of perpetual victimhood – that no matter how

successful a black man or woman is, they will always struggle and face obstacles ostensibly

due to "racism" as a result of the color of their skin.

I will say for the third and final time – one cannot get to genocide without first visiting

identity politics.

For more infomation >> Trump Is Sick Of LeBron And Just Humiliated Him Overnight With Nasty Revenge – It's On! - Duration: 6:30.

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'Christopher Robin' End Credits: Is There a Post Credits Scene? | Heavy.com - Duration: 5:26.

'Christopher Robin' End Credits: Is There a Post Credits Scene? | Heavy.com

Does Christopher Robin have a post credits scene? After Marvel popularized the concept of a surprise scene after the credits, seemingly every major studio release has followed suit.

And while they're typically reserved for superhero movies and action blockbusters, you may be surprised to learn that the new live-action Winnie the Pooh film, Christopher Robin, also has one.

Warning: Some plot spoilers appear later in the post.

In the brief sequence that follows the end credits, Winnie the Pooh and his friends, including Tigger, Piglet, and Eeyore, dance together on a beach while an old man sits at a piano and plays a song called "Busy Doing Nothing.

" While the film doesn't outright state who the old man is, his identity is an easter egg all of its own.

This sequence ties into the film's central narrative, which involves an adult Christopher Robin (played by Ewan McGregor) struggling to raise a family and maintain his job as a low-level executive at a luggage company.

Winnie the Pooh and the rest of the gang re-enter Christopher's life, in an attempt to remind him of what's truly meaningful in his life.

The film ends with Christopher saving the company from going out of business by convincing his bosses that average working people should be given paid vacations, so that they will need to purchase luggage.

The post credits scene is meant as an affirmation of everything that Christopher learned from Winnie the Pooh throughout the film; namely, friends and family are what are most important.

As for the old man at the piano, he's none other than legendary Disney composer Richard M.

Sherman.

Richard, along with his brother Robert, wrote the music for some of the studio's most beloved hits.

Some of their most notable work includes The Jungle Book, The Aritstocats, and Sword In the Stone.

They're also responsible for the Enchanted Tiki Room music and the World of Color theme that plays at Disney's various theme parks.

They appeared as characters in the 2014 drama Saving Mr Banks, which is based on the making of Mary Poppins, and they were portrayed by B.J.

Novak and Jason Schwartzman.

Naturally, the Sherman brothers also wrote music for the original Winnie the Pooh cartoons, including the titular theme and "The Wonderful Thing About Tiggers.

" Robert was not able to appear in the post credits scene along his brother, as he passed away in 2012.

In a 1996 interview with Performing Songwriter, the Sherman brothers told how they created the proper music for animated characters.

"Many times, they do give you sketches," Richard said.

"We don't know what their voices are but we do know the physical precepts.

Like with Winnie the Pooh, we knew he was a little stuffed Teddy Bear and we knew that Tigger was a stuffed tiger that bounced around a lot.

So you could sort of feel them.".

"They have feelings," he continued.

"They have emotions, they have heart, they love, they're afraid.

They're just as real to us as if we were writing for a live actor." Robert elaborated, saying: "We don't think of them as little stuffed Teddy Bears, we think of them as personalities.

We write for them the same as we write for anybody.".