Thứ Sáu, 1 tháng 12, 2017

Waching daily Dec 1 2017

This is not funny anymore

We are extremely unlucky about the chests when Krazi is here

Can I slide here?

Where?

- Here - Yeah

Follow me, I'll show you how to slide

What?

Follow me, I'll show you

No, I'll show you how to slide

I know how to slide

Turn around to face the wall

Yeah, don't worry

This wall on this tower

Don't kill me!

Don't kill him

Rafinery

Do we need it?

F*ck

You're a jerk, dude :D

F*ck

No way

F*ck, can someone help me?

I have to slide it down

It's okay, I can do it

Is this the right direction?

Idk

They're here!

They built a wall, one has 3 hits

I got 2 headshots

I'm dead

Double headshot, one is dead, one left

I'm completely dead

This will make me go crazy

Quiet, quiet

I'm trying

He's still there, I could flank him

Are you coming back?

Yeah, naked

I'm here

Hey

Sh*t, I just got a lag

I'm so unlucky

Are you dead?

No, no, no

But he should be dead

He has 20 HPs or something

I need you to take your stuff

Already done

Nice

Come on

He's dead, even though I f*cked up a bit

He's dead, that's the important thing

I can see him

How did I miss him? Wtf?

He's hit, headshot

Weren't there two of them

Idk

There are two

He's hit

Another hit

Double headshot, he's dead

Nice

...and you have to turn it off...

...as admin...

I have no ammo

install it... restart it... it should work

Go away, I'll kill them

Yes!

I'm deep, I have everything!

Cupboard

All the sleeping bags

There is a chest full of stone

2000 sulphur.. 1000 .. I mean 'a lot'

I'll destroy the bags

Behind the furnace

All dead

Nice

One C4, we gonna need one C4

No, we can dig, Black is there

I'm looting this guy

I'm there

There is so much..

Here's a thing

They have cupboard..

There's so much

This base is active

That's why we need to be fast

Come on

I'll boost you

Ok, cool

Oh, okay. Can you destroy this one?

With a bow

- Which one? In the middle? - No, this one

Clever

(greeting fans on stream)

Sh*t, look

Let's go down

Okay

We can bring ladders

Do they have loot?

Three big chests

Are they full?

Yeah, satchel charges, 500 iron

Really good, 400 cloths

Good that Bioxik found it

Bioxik saved the day

We're lucky to have him. Now we have to take all of it

I didn't expect this. Should I craft a ladder?

Yeah, certainly

Guys, if we stay silent, he will open it for us

Okay

He's running inside

Get here with the shotgun

He's hit once

He has less HPs

Don't shoot again

Okay

You shold be above me with that pistol

He's dead

Loot him, quickly

Someone's coming inside

He's dead. Can you help me here?

Yeah

Good job.. we need to destroy the..

Can you help me destroy the chest?

That's quite a good gear

Boost me up

Out of my way, shoo

Okay, nice, cool

When did he open this?

They have cupboard here

lol

Loot the chests quickly

DO you have a hammer?

Yeah, I do

I'm crafting code lock

Put it in this chest over here

Headshot, but I don't know if he's dead

Thanks for the torch

He's dead

Hey, who's going..?

I'm wearing yellow

Jump check!

Another one

Please

It froze.. no, wait

F*ck

Don't fight

We'll kill them

He's pushing

Dead

Nice

Let's loot them, do you have the guns?

We have to go

Here are some syringes

I have tons of those

Naked guy on the right

Take some syringes

I'm full

Guys, we have to go now

I'll check the bodies for the last time

Another guy here

Go for it

Are you coming here?

15 seconds

Another one dead

There's too much

Another one dead

We need to take the guns. Another guy here

No

Another guy here

Come up here

He's under you, right here

Yeah, we're f*cked

There're too many

Pull back

I have terrible lags

I'm coming there

I'll flank from the right

Cover his body, don't let them loot it

Both dead

For more infomation >> ALL THEIR LOOT FOR NO EXPLOSIVES | Random clips | English subtitles | CZ - Duration: 10:10.

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BEST EXERCISE for KIDS Winter Core-Strength Exercises Toddler Workout Kids Workout Video 4K GoPro5 - Duration: 2:55.

hi friends it's me Tiffany Taylor sorry if I sound a little bit funny I have

a stuffy nose so today's video is a winter exercise video for kids

to add to my Tiffany Taylor Kids Exercise Program and it's perfect for my winter

series #HOLIDAYSWITHTIFFANY but first before we get started if you're new to

my channel I highly recommend you subscribe because I'll be making more exercise videos

and you don't want to miss them and click the little bell so you know

when I have a new video now let's get started

first let's start with a warm up, some simple stretches

so this is what we need to do and repeat three times and let's do this

plank pose and pretend you are a sleigh and give a stuffed animal a ride on your back

come on Olaf oh no no no

tuck into a ball and roll like a snowball

place feet on two small towels and slide feet back and forth and pretend you're skiing

be very careful friends

let's do the wheelbarrow

walk on your hands

pretend you're a snowplow

again

one more time

last one

walk on hands and feet like a polar bear

come on

Yes!

time for the cool down

repeat three times for a full workout

if you enjoyed this video

give it a thumbs up

and click right here on my face

see you on my next video! Bye friends!

For more infomation >> BEST EXERCISE for KIDS Winter Core-Strength Exercises Toddler Workout Kids Workout Video 4K GoPro5 - Duration: 2:55.

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MSF PULSE: Eradicating HIV once and for all. - Duration: 1:31.

By the mid-2000s, HIV was an international crisis of staggering proportions.

Since then a lot of progress has been made in the fight against HIV/AIDS.

Activists campaigned tirelessly to bring down the cost of antiretroviral

drugs allowing us to scale up access to life-saving treatments.

We now provide ARV treatments to nearly a quarter of a million people in 18 countries but

unfortunately HIV is still a killer disease for some of the world's most

vulnerable people. For example in war zones Doctors Without Borders has to

rethink how we deliver HIV treatment to a fleeing population.

The runaway pack was a solution that we came up with it provides patients with enough ARVs for

up to six months allowing HIV patients to maintain a

consistent treatment during a conflict.

But how do you eradicate this disease once and for all

We're advocating for better access to testing so that more

people can know their status. We need to put more people on treatment earlier

with better drugs. We've come so far in the fight against HIV/ AIDS but we can't

lose focus if you want to eradicate this disease once and for all.

Thank you so much for watching MSF's pulse this is our bi-weekly news show where we

unpackage the humanitarian world to learn how you can help us fight against

hiv/aids follow the link in the video description.

For more infomation >> MSF PULSE: Eradicating HIV once and for all. - Duration: 1:31.

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Garth Kemp Kicks Off CHiPs For Kids Toy Drive At The Citadel - Duration: 2:02.

For more infomation >> Garth Kemp Kicks Off CHiPs For Kids Toy Drive At The Citadel - Duration: 2:02.

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Sign up for the 2018 Great Aloha Run - Duration: 3:09.

For more infomation >> Sign up for the 2018 Great Aloha Run - Duration: 3:09.

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Some Books for Writers & Worldbuilders - Duration: 15:59.

Hello everyone and welcome back to my channel! I'm Lily and today we're in a

not really a new corner of my room -- the big tall bookcase I've had in some

videos is right there. This one is a new bookcase, it's the

same as this one so I quite like symmetry yay. And I

rearranged all my books the other day to try and accommodate because the

normal bookshelf that I film under with the fairy lights -- the colored ones -- you

never actually saw the top of that bookcase which finishes maybe halfway

up the wall? And on top of that bookcase I have stacks of books that went up the rest of

the wall so uh it was a bit nerve-wracking to sit underneath it

because I was always quite worried that those books might fall off and I would

get a little bit squashed, so it's nice to have been able to move some of those

books onto an actual shelf. But today I wanted to bring you a bit of a different

video because I've been making mostly just wrap ups and TBR and book hauls for

quite a while now because I simply just haven't had the time to really do

anything else I've been a bit out of ideas and it's dark I get home I'm a

weekends have been a bit busy, so I've just been a bit ahh.

So I though hmm, it's Non-fiction November and so I

thought because I've been writing so much recently as well and that's been

really nice to get back into, and because it's November I know a lot of people are

doing NaNoWriiMo/NaNoWriMo -- however you say it --

I thought, maybe I'll make a video about books that are good

for writers. The first book that I want to show you is probably the most helpful

book I think I've ever found on writing. It's like my Bible of writing this and

that is the 'Wonderbook: the illustrated guide to creating imaginative fiction' by

Jeff Vandermeer. And this it-- this is fantastic. It's generally aimed at

speculative fiction writers but I think it can be applied practically any kind

of writing. There's loads of essays in here by various

writers from all over speculative fiction spectrum, it's beautifully

illustrated, there's loads of visual stuff, lots of like diagrams and things that

really helped me. It covers all kinds of things from characterisation, character

building, worldbuilding, plot arcs, also of editing like it's got some examples like

this one here of how an author has um edited their work. Style, tone . . .

Oh -- like this is quite a cool one: doors to narrative here's a

good picture of a fish that's your novel -- beginning, body and end, complications

prologue, first scene, point of view, subplot -- it's fantastic, there is just so much in here,

it's completely and utterly packed. There's a bit about dialogue here, I just adore it.

The back is also full of loads of little diagrams about all sorts of various different

things but it's so very visual and because I'm such a visual learner I find

it really difficult that a lot of the writing kind of how-to guides and

it's all written which is really weird maybe for a writer to struggle with

reading, especially as I'm on booktube as well, but it's almost like that

concept some of these concepts they need to be visualized for me. I have to create

big maps and I have to create diagrams of my plot arcs and how things interconnect

and I find this book so incredibly helpful

for like everything. I think anytime I hit any kind of issue in my writing

I open this book and somewhere in here is the answer or something that encourages me

or excites me and I just cannot, I just cannot recommend it enough so if

you're a writer -- especially a writer of speculative

fiction but it also buys any other kind of writing -- if you are a children's

writer, you write YA, literary fiction -- I'm sure this would help you as well. The next

book is one that's more on literary criticism, It's one I read at uni but I didn't read all

of it because it's a massive book and it's called 'The Seven Basic Plots: why we

tell stories' by Christopher Booker. It's basically about the idea that there are

only seven basic plots and that all stories are formed of elements of these

plots and it's very clever and very interesting. I'm not sure I agree with

all of it -- I think that storytelling these days has gone so many different

ways and while you can maybe attribute some of these things to most books I

think there are some outliers. So hmm yeah, it's an interesting one I'd love to

debate with somebody one day. This book is great because it gives a lot of

examples of well-known boos and some not unwell-known-- not-- unwell-known books?

Some /not/ well-known books, and it does a lot of

character analysises . . . analysiis? Um, it analyses a lot of characters.

so I really enjoyed it and I thought was

a really fascinating book. I think it kind of opened my eyes to some of the tropes

that I was using as well. You can kind of high-- highlight things in your stories

that maybe you could do better or you could subvert in some way so I found it

really useful! The next one is for poets and this is 'Writing Poetry: Creative and

Critical Approaches' by Chad Davidson and Gregory Fraser and this is by far the

best book about writing poetry that I have ever read. It's fantastic. It's a

combination of critical analysis and practical approaches to writing poetry

so not just your kind of here's how to do assonance and meter ans this

kind of stuff, but it goes into why we use those things and

how they can be subverted, what they signify, and poets have used them well

and badly. It does a lot of critiquing of actual poems so there's loads in here

you can really get a grasp of what they actually mean when they talk about

something so that's a problem I found with a lot of books about poetry is they

give all these great tips but they don't really show how that how that actually

works within a poem, they don't give examples of what it looks like and

because I'm visual -- because I'm a visual learner, I found it really helpful to

actually see actually yeah that does work and where I disagreed with them as

well. I just found it really really helpful. It does has a lot of exercises

as well about nuancing and fleshing out poems, how to edit-- I always find editing

is one of the hardest parts of writing poetry because I never know

the edits they make actually make it better or not. I'm always worried that

actually taking something out, I'm ruining it, or what I'm changing doesn't

make any difference at all and it's yeah -- so this I found really helpful so if you

need a bit of help in poetry or want something a bit more practical, then this is a great book.

The next book I wanted to talk about is Diana Wynne Jones's 'Reflections: On the Magic of Writing'

And Diana Wynne Jones is one of my favorite old-school children's fantasy writers. She's utterly

brilliant. This is a collection of her essays, lectures and reviews, and she

talks about all kinds of things and she's really accessible, she's not like

convoluted and complicated, she's accessible to anybody who wants to read

her, she's very clear. She writes about lots of different things and uh . . . I'll read you the thing

The shape of narrative in the world of the Lord of the Rings, reading CS Lewis's Narnia,

creating the experience, fantasy books for children, the value of learning Anglo-Saxon

Hallowe'en worms, a day visiting schools, writing for children: a matter of

responsibility, inventing the Middle Ages, some truths about writing, and just loads

and loads of things. I just loved her book, she uses are examples from her own writing

and from some of her favorite books and influences and she's just a wonderful

wonderful person to read and I really recommend all of her children's books as

well, especially the Crestomancy series, which is my favorite. She was also a big

influence of Neil Gaiman and her eulogy I think is in here as well, he wrote for her

or her funeral and it's just it's heartbreaking and I

I love Diana Wynne Jones and I think every writer can really learn something from

what she has to say about writing and especially writing for children and the fantasy genre.

The next two are also probably more for fantasy/speculative writing

speculative fiction writers and I'm going to talk about them together

because they're by the same person and that is 'The Language Construction Kit' by Mark

Rosenfelder and 'The Planet Construction Kit' by Mark Rosenfelder.

Both of these books are-- quite heavy

they are self-published because they're quite niche, and they are fantastic books

Both are also-- or this one is definitely available free online--

zompist.org (*com) -- I'll put the link down below,

you can view the whole thing for free and it's brilliant so if you

are a fantasy writer or if you want to create a language for your story this is

definitely the book to go to. In my second year of uni when I decided I wanted to

create a language for my novel and I was . . .

It was a bit of a crazy thing to do really, because I really really sucked at

languages, I had no linguistics background at all, and I just had no idea

where to begin, and so I emailed around my university lecturers being like:

"Do any of you have any linguistics experience you could share with me

because I want to create a language?" I had one guy message me back

and he was the head of my university's creative writing course so it was a bit

daunting. Um, I went to had a meeting with him, all he did was tell

me that I couldn't be J. R. R. Tolkien and would my glossary be in the back

of my book or the front of my book? So it was very very unhelpful. So I bought

this book and I ploughed through it on my own.

And this book is brilliant, it is a little bit daunting I think if you've

never had any linguistics experience at all, but it's quite accessibleand I found

that I was learning a lot as I went through this, so I was almost teaching myself linguistics while going

through this, and it was really great because it does kind of a see it does

assume you're a beginner, and these things are new to you, so it explains it

in a way that's really accessible and easy to understand. But it goes through

all the basics and it's brilliant. The guy's got a fantasic website with even more

resources on it, so I really really recommend him. He's also written 'The Planet

Construction Kit' which this is a guide to worldbuilding, and this is a

phenomenal book for something quite small.

It goes into, let me just flip through -- storytelling, astronomy and geology--

so how to create your own star systems and the physics that go

with it, it's insane. Biology on your planet like

colony organization, hive minds, peasants and nomads, people, food

sources, map time, histories-- it tells you how to creates a historical atlas for

your world! Culture-- oh so much in culture, it's huge.

The economy, societal systems, so things like sex and sexism and historical roles

matriarchy, and different systems of governments like that, family roles

religion, festivals, war, technology . . .

Basically this book is phenomenal. This is especially good for fantasy world

builders, anybody creating their own world because it just goes into so much

detail and I think you just maybe never even thought of before and it's really

great for creating really in-depth and well-structured worlds, and the other

thing about Mark Rosenfelder, in both these books, is he gives a lot of his own

examples of his own world building and his own languages so you can really

see how he applies it himself and how he's developed them and shown changes through

time, because that's a thing-- you can create one thing but that one thing very

rarely stays how it is, they change and are influenced by time and different

practices and invading people and just things going out of fashion or into

fashion or being misconstrued, and he shows that really really well, like how

you can develop those kind of things into your own world and your own writing, so very good tool!

The next one is probably the only book that I like have ever found helpful for like writing prompts?

And that's 'The Pocket Muse' by Monica Wood, and this is just full of like pictures and anecdotes,

suggestions, it's got quotes and really interesting things. Um so this one says:

Write about an appliance, a weapon, or vehicle being put to a use for which it was not designed.

And, what I love about these kind of prompts is they're not just-- they're not so specific that you

have to write about a thing completely separate to what you're already writing

about. I could write about something like that within the context of my own novel

and create a scene out of it. Because one of the things I really don't like about

Books like it's like . . . '1,001 Things to Write About' is that

it's all just is setting stuff up for you but you can't use it within the

context of your own work or what you're already writing. Whereas this book is not

like that, it's simple enough to get your mind thinking but it's not complex enough that you have to

create an entire separate thing to write about just as an excuse to write.

An the last one it's really about writing, it's actually about map-making, but it kind of links in because I think

all good writers need a good map whether your story is set in the real world or

not. Because maps are brilliant and all books should have a map. And this book basically seems you have

no like creative ability whatsoever to create maps on your own. So it's idea is that you can

create maps from practically anything and the messier,the better, because mess

creates like . . . wonderful art, really. I just like that it's not showing you a

brilliant range of amazingly artistic maps it's showing you just how you your

map could be brilliant no matter what, and they don't have to be accurate, they could be

artistic, they could be completely, um, not. Out of scale but still really interesting.

And I really love to see maps in books so I think if you're a writer, then a map is something you

need to be thinking about, okay? Because maps are wonderful, I love maps-- have

I said that too many times? I have, haven't I? Um, anyway, so those were my

recommended books for writers and worldbuilders, and I hope you find

that interesting. Um, like I said, I really really recommend the Wonderbook to absolutely

everybody. It is so jam-packed with information, it's the best £15 I've ever spent.

If you've been doing NaNoWriiMo/ NaNoWrimo this year, then let me

know how you've done and how you feel about it-- are you happy with what you've done?

What are your plans for December, and your writing in December? Are you going to

be carrying on are you're going to be going back and editing? What are you

going to do? Have you finished your novel? My writing is going pretty well, I'm

definitely not going to finish my book this year. I think I'm on the fifth or sixth year of

writing this thing. I'm really looking forward to the progress that I'm making

and getting excited about writing so I hope these books excite somebody else

and get you more into writing. That's all for me today, I hope you having a

fantastic week and thank you for watching, goodbye!

Next one is-- [crash] oop--

Oh! New mug, I love this mug, not only is it left-handed but it pokes me in the eyes.

This is my housemate Lizzie. she's really cool

Yay! I'm glad you think I'm cool.

And . . . I'm rambling.

For more infomation >> Some Books for Writers & Worldbuilders - Duration: 15:59.

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ABC Gurus Part 2 - Fun Learning for Kids - Duration: 11:50.

Welcome!

For more infomation >> ABC Gurus Part 2 - Fun Learning for Kids - Duration: 11:50.

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2017 Virtual Genealogy Fair: A is for Archives, B is for Burn File - Duration: 33:40.

>> Thank you. Welcome back. This is session number 4 of the 2017 Virtual Genealogy Fair.

It is entitled, A is for Archives, B is for Burn File: Accessing Burned Records at the

National Archives at St. Louis. Our speaker is Ashley Cox, within the presentation Ashley

will talk about the 1973 fire at the National Personnel Records Center at St. Louis and

discuss which file were burned and how their designation changed from non-archival to archival

making all burn files available for research relatively soon. This talk has exciting information

for both beginners and experienced researchers she is a preservation specialist who works

for the National Archives in St. Louis, Missouri. I turn the broadcast over to Ashley Cox.

>> I joined the preservation unit in December of 2016. I was previously the conservation

librarian at the University of Pittsburgh for a grant project stabilizing large coal field

mine maps. I moved from one unique set of documents to another. I knew my experience

with the dirty and fragile ‑‑ fragile maps would translate well to our work here but I was not prepared for the sheer amount

of requests that our technicians deal with an a daily basis, next slide. Next slide.

There we go. The following presentation is broken into three parts talking about the

1973 fire and aftermath. Requests and the archival research room and finally the preservation

treatment process including our innovative process content recovery scanning leaving

time for questions at the end. Next slide. In the early hours of July 12, 1973 a fire

erupted at the national personnel center in Overland Missouri in St. Louis county, just outside

the city of St. Louis the fire raged four days, and a total of 42 fire districts participated

in the quelling of the fire. The fight was complicated by overwhelming flames driving

the men from entering the building and continuing water pressure problems. Over the coming weeks

and months the record center and other government agencies would work together to salvage records

and identify any information they could to supplement the lost records, next slide. You

can see the heat of the fire by the warped steel shelving here surviving records were

frequently protected by the build of up standing water as well as ash from the outer records. Next slide.

The amount of water used to fight the blaze combined with the hot and humid St. Louis

summer created a perfect environment for mold growth. (inaudible) was used to mitigate the

situation somewhat. Records were collected, sorted as best as possible and stored in egg

crates almost 30,000 of them. Records were vacuum dried in a chamber at the McDonnell

Douglas Aircraft Corporation that had originally been constructed to simulate space conditions. After the test runs additional chambers were used at two different

facilities. The technique was successful but because of experimental nature during the

first run the documents were slightly over dried and increasing the brittleness of the

paper. Next slide. So, what is a B file, similar to Sesame Street,

the government loves talking about letters, B is for burn file. Our computer inventory

system or registry assigns file numbers with a letter prefix these prefix letters are an

easy way to reference an entire record group. A new registry was created to organize the damaged files

and thus the B files were born. You can see the branches most affected as well as personnel

and periods affected in the chart on the slide. And estimated losses. Approximately 6.5

million survived and while that may seem like a lot of records when compared to the percentages

of records lost it's clear how much of your history was damaged that day. Click please.

Within these it can be hit or miss what survived personal example my great grandfather's record

no longer exists while my grandfather's does that's with the same last name. Next slide.

So, here is your typical B file, burned, brittle and distorted with broken fragments a record

in this condition is very difficult to use for research and can be damaged with repeated

handling if not stabilized. What if your record was completely destroyed? Next file. That

brings us to the other registry created from the fire. NARA worked within its on holdings and in cooperation with other

agencies in some cases through donations from citizens to help create the R files or reconstructed

files. R files are typically thin with copies of older documents or contain modern correspondence

about the Veterans. Next slide, please. Now that we have covered the background information

let's talk about using these records for research. This is a typical journey of a record destined

to go to our onsite archival research room. Request, search, record review, archival determination,

treatment, the archivist and finally you. Don't worry about understanding the somewhat

confusing terms I will cover each step. Next slide.

So, how to request. Is the government loves using letters and acronyms there is one thing

it loves even more click please. Forms! Next slide.

You can request by mail or online using SF180 or online via eVet recs, this creates customized

order form which ‑‑ you may use this system if you are the military Veteran or

the next of kin of a deceased or former member of the military. And you can have a definition

of that online on our website. For archival OMPFs, you can write you can visit us in person.

With the fire damaged fixed or removed the (inaudible) was used the federal center located

in Spanish Lake was dedicated in 2011 is delightfully fire free. Next page, please. But there is

still forms. When E‑mailing make sure to give as much information as possible especially

with common names so for my great grandfather and grandfather there is not a whole lot of

them in the building if I look for my father's record there are literally thousands of Cox's.

When you arrive you have a short orientation process that explains the in's and out's and

you get a super cool research identification card. Next slide planning ahead. Why are appointments

so important? Well, if you are a walk in with no previous appointment they try to get the

records to you within two hours but there is a limitation on the amount of records that

you can request. Additionally, if your research falls in the fire affected records we need

to find out if it still exists if it's archival if it's not you have to be the Veteran or

the next of kin. And what treatment will need from your department. Next slide. Once the

records you need are identified, it is time to get them from storage. We have a total

of 15 bays each three stories tall the first floor is double it's essentially four stories

worth of records. The B files are isolated into two bays with designated entrance and

exit to minimize any contamination of the facility below temperature 50 degrees as well

as relative hue mid tee keep mold dormant. The files are pulled and delivered to our

lab located at the entrance to the base. Next slide, please. Next comes record review as

we refer to it as mold I.D. record review is the process of us identifying the type

of requests and whether the amount of mold debris or any damage requires us to treat

the record. Some records can be handled by specially trained staff outside of our department.

All research room requests are treated by the preservation staff. From October 2016

to April 2017. 29,028 records daily, average of 207 went through record review 1,234 of

those had to be treated by a preservation tech next for access issues. Once we determine

what level of treatment the record needs to receive ‑‑ next slide, please. We send

it to our research room colleagues for archival determination. In 1999 then archivist of the

United States John Carlin announced that the Veteran records would become permanent

in his speech on October 20th to the House of Representatives, subcommittee on government

management, information and technology on the committee of government reform, he said:

Because of the great value of these records, to our history as well as to individual Veterans

they will be accessioned permanently into NARA's holdings because of the huge volume

they require a new security. The poor condition of many of these records requires how we institute

immediate comprehensive programmer to the preservation. Records become archival 62 years

after separation from the military. This can be tricky in some cases because many service

members join ‑‑ reserve units setting back archival dates. My grandfather I mentioned

earlier was discharged in September of 1957. He has previously used our eVet rec system

to request the 214 in 2019 myself or any of my cousins could request to see his record

for our own genealogy research. Archival records are then returned to the lab for treatment.

Researchers are alerted if their requested records are not yet archival. Next slide,

please.  So, let's take a brief moment to discuss how

we track records through this process. AIC the American Institute for Conservation of

Historic and Artistic Works is the national membership organization for conservation professionals

in the United States. It has more than 3500 conservators, cultural heritages and institutions

dedicated to strengthen our ability to care for the heritage. The AIC Code of Ethics outlines

responsibilities and rules that professionals should follow. Items I and VII deal with the

principal of documentation. With billions of records located at the NPRC and 44,547

records reviewed and 1,468 inputted through preservation, in fiscal year 16, documentation

is important not only for knowing where the record is at in lab but the treatments performed.

Next slide, please. CMRS or case management reporting system is used center‑wide it

tracks request dates if the record has been searched and pulled where it is in the building

is located. Some requester info like the type of request and what staff person is in charge

of the record. It also helps create the search sheets with the record location in the building

with several football fields worth of storage that's pretty important. Next slide, please.

The treatment tracking database is our department's internal tracking system. We can track the

main info of the record as well as location in our lab. Eventually we hope to have this

integrated into CMRS to increase transparency to others in the building. Next slide, please.

Next is our treatment tracking log. Which helped generated by our database. The tracking

log is a standardized way to cap you are too the treatment info across the hundreds of

records we treat a month and the multiple staff members that can work on the same record.

Next slide, please.  Once checked into preservation and paired

with the treatment log the record goes into our first treatment queue. Surface cleaning.

Next slide, please. While the solution was used to reduce mold

growth many records still became moldy. When you think of mold you might think of the fluffy

green stuff on Tupperware sitting in the room or dreaded black mold. It comes in a variety

of textures and a variety of colors too including green white black even purple and bright pink

surface cleaning as ‑‑ attempts to remediate the growth. It's impossible to remove or kill

mold spores but remediation tries to reduce active mold build up as much as possible. Additionally during

surface cleaning we remove staples debris excess ash and any rusted fasteners. We get quite a pile of staples and paper clips by the end of the day.

Preservation and conservation uses a wide range of tools many adapted from their original use. The Schuco‑Vac, designed for the medical field

it was originally an aspiration and suction device it allows removal of mold residue from the paper.

We have a variety of attachments the most heavily used is the brush it lifts the mold

sucked into the filtration system, the canister is filled with a water and envirocide mix mix that's a medical grade disinfectant that

kills a lot of stuff. Frequently used tools include the use sponges called dry cleaning sponges or

chemical sponges a vulcanized rubber that leaves no cleaners or residues. They can be cut down to size

and the debris is trapped on the outer layer of the sponge they can be trimmed or used

until they essentially disappear. We have a variety of brushes in different sizes and

bristle stiffness which help loosen and brush away mold and debris. Bone folders which are made of animal bone or horn or we

also have nonstick Teflon versions that smooth out creases and folds. The Holbein offset spatula separates

and lifts pages, the lifter also made of nonstick Teflon, is a favorite tool, as its smooth beveled surface can glide between

more delicate and stuck pages than the Holbein can. Only one size pictured here, we have

many micro spatulas. These workhorses can help separate pages, support pages as they are turned over. They can remove vast

variety of fasteners that we encounter. Next slide. B file, triage room and decontamination lab

decon has the most activity with records before and during remediation. Average mold levels are similar

to those of outdoors but the types are different aspergilus accounts for most of the mold

activity. We know this because we conduct air quality tests. Our most recent test was

March of this year. You never become immune to mold your sensitivity only increases over time

because we are handling the records while surface cleaning can increase mold spores

in a small area we wear PPE, personal protective equipment. Staff throughout the building are

given access to PPE including gloves, smocks, aprons, sleeve covers hairnets, shoe covers and masks, we

offer preservation staff fit testing for half mask respirators. and have a variety of disposable respirators. Air scrubbers and purifiers clean the air in

areas of high B files use. We have fume hoods in our decontamination room and wet lab. Many records dried into a distorted twisted mess post fire.

During the surface cleaning stage technicians use a variety of micro spatulas and lifters

to separate as many pages as possible once clean they are put into the humidification

cue. While taking patience and skill records must be cleaned before undergoing the humidification process

though only in the dome a short while we don't want to risk mold reactivating we want to

reduce the amount of spores as possible. While currently 80% of the work flow focuses on the treatment

requested B files we inspect and repair records that have not been affected by mold. Whether

they have been requested from other record groups or for large scale processes like we

are currently humidifying a large one of JAG records or during processing and re‑housing

the mold is enacted the spore count greatly decreased we want to. We want to minimize the interaction of B files with these other records.

We are constantly looking for learning new methods to increase our speed and efficiency without sacrficing proper handling

of the records. We increased the treatment through the use of two humidity domes shown

on this slide and previous slide. We used to use a process called tray humidification the domes must be closely monitored,

but humidification takes only 25 minutes, depending on the atmosphere in lab and quality

of the paper. Next slide. This is the same record before and after humidification dubbed

the football, it was the subject of one of our most shared Facebook post. We encounter records

with this level of distortion, humidification helps make

the information accessible and decreasing the physical size

of the record as we know space is at a continuous premium, it's no different here. This record

pages mended and sleeved in support of polyester will fit into permanent storage with no damage

to itself or other surrounding records. Next slide. Along with heavy distortion we frequently

encounter torn, fragmented records this photo comes from a training session earlier

this year where the conservators from the DC area lab came to train us on new mending

methods and also paste creation. Next slide. Another instance of time efficiency, we only

mend records where the pieces are completely detached or where the tear impedes the ability

to read. Shorter tears are put in polyester sleeves. It creates a static charge, which

helps keep them in place. Pieces are attached and reattached using conservation grade adhesive and Japanese

tissue. The conservation field uses this long fiber paper made about the Cozo plant, because it is thin and strong

with no lignan, which is a component found in wood pup based paper it turns acidic and brittle. While the tissue is constant the form adhesion

changes the preservation lab we do three main type of mending the most used is tissue with wheat starch paste, the paste

is made each work it becomes a translucent tacky paste. The photo shows the paste being strained

through a horse hair strainer. This helps remove lumps and create consistently textured

paste. We use remoisten-able and heat set tissue, they have adhesive pre-applied, re‑moistened tissue also uses wheat starch paste but it is first diluted

with another compound. The mixture is applied and allowed to dry it can be re‑moistened

with water at the time of use. Heat set tissue has acrylic that activates. These tissues

can be bought or made in‑house. The moistened mend strips are ideally applied to the back of the document, if there is information on both sides we choose the side where

we choose the side where the information is least affected. The page may be sleeved and polyester depending on

the fragility of the paper. It shows where the entire right corner is attached using

Japanese tissue and wheat starched paste. Starting in October 2015, the lab began a

process to digitize badly burned records that previously would have been considered completely

inaccessible. Utilizing infrared photography, which has been around on film since the 30's

and 50's, this is done digitally. Due to volume and deadlines we needed a reliable and repeatable method.

Each page would have had to have been painstakingly manipulated. The now system allows pages to

be scanned, edited less than one minute per page. Next slide, please. How does it work?

There are different spectral properties between paper and the various inks the absorption and reflection of these light waves

creates contrast between the information and the page that we cannot see with our own eyes.

Next slide, please.  What is a good candidate for content recovery

scanning? This photo is perfect candidate for it. The information cannot be revealed

using a normal copier. They are printed or type inks in it which helps the way the light

bounces off of the two. There needs to be a high amount of dark brown to black charring

into areas information so we can't actually see any information there with our own eyes. And one

of the most important things is that it's brittle and the fragmented charring would

be damaged if we even sleeved if we repeatedly handled that record. Next slide, please. Here

is our set up using our infrared camera, snapshot of our capture 1 software and strobe light.

The placement of the strobe lights is important many of these pages have to be supported in

Mylar sleeves poor placement or timing of the strobe would create glare. The initial image of the infrared lens is bright

magenta that's how not how deliver it to you. Here are the results. You can see the dramatic

difference in the amount of accessible information. And we have applied additional digital filter

to create easy on the eyes grayscale versus bright pink as of this month we used content

recovery scanning on 300 records that would have been inaccessible and unusable. Due to

the records poor condition they are not physically accessible for researchers. If requested, the digital copy is delivered helping to keep these fragile

record from being repeatedly handled and damaged. Next slide. Finally, each record has a final

inspection by a preservation specialist before it is picked up by our archivist. Next slide.

After being utilized in the research room, it comes back to us in B files we reconsolidate

the Veterans records sometimes they may have multiple B or R files they are treated all

at the same time so they can be bind into one S file or safeguarded file. This creates

a more efficient search for any future request. Next slide. If you want to learn more about

conservation, whether here at NARA, please visit our web page. We have a Facebook and

Instagram that one of our technicians is on the committee for. So she does a really great

job. There was also the very first presentation by Katie, one of our conservators, there is

also a link to AIC's main website. There is a handout for this presentation with these

links as well as links to the forms that I referenced. Next slide? And so now we are

ready for questions. >> Wonderful. Thank you so much. People are

just overwhelmed with the work the National Archives has been doing. So, as we prepare

for the questions, just some of the comments I am looking at, they are saying, this is

just amazing. Wow. Incredible. So, very, very appreciative of the work that you have done.

>> We have labs here and then we also have two in DC. So, the DC area it's not just here

we do a lot of great work for all of NARA's collections.

>> Wonderful to know that too. So, let's dive into these questions. Let's see here. Someone

actually says she handled separations during The Vietnam War was required to send a copy

of the DD214 to home of record county. So shouldn't they have been recorded in county

records? >> So, in theory, they should be. Unfortunately,

not every Veteran listened to those instructions. So, or there could have also have been fire

and floods for a lot of county courthouses the records are located in the basement, which

is a main area for flooding. So, it's possible that those are also lost there. But that is

an excellent place to go check if your record has been affected by the fire.

>> Yes. Several people have asked, you know, would you suggest sending in another request

for records due to the new technology if the request was a long time ago?

>> I suggest, yes. Especially because ‑‑ because of the salvaging process, we find

what are called "inner files" or partials within records. So, if you had a similar name

or if the records are really piled up they would be scooped up and put in a folder and

dried as we treat those or do other reference cases on them throughout the building those

are pulled out and we actually have a process where we research those to see if they have

a file here if they don't we create a file. Sometimes they might be rather small but there

is more information. But that does take a lot of research work. So, we have a lot of

partials that were continuously identifying and creating files for.

>> Okay. So a follow‑up question someone says that they sent in a request just this

summer, and got back minimal information. So does that mean nothing else was recoverable

or more might be forthcoming? Should we just actually wait for a few months or a year before

asking for information? >> That is difficult ‑‑ that is a difficult

question to answer. >> Yeah.

>> Depending on if it was in the fire related cases. A lot of times you know, we give you

everything that we can really find. At least ‑‑ we repair what we can give to you. There are

instances where stuff is badly fused together we can't get those pages separated. Unfortunately,

sometimes it's just a minimal amount of information. >> Okay. Thank you. I have a question here

from Naval reservist would a DD214 be issued for a Navy reservist going back to our previous

discussions? >> That would be a question for one of our

archivists. Would it? Would one? >> Yes DD214s weren't standard until the 1950s

so beforehand it would have been the separation document issued by the Navy.

>> DD214s weren't done until the 1950's before that would have been a separation document

issued by the Navy, thank you to our archivists sitting in the room to answer that question

for me. >> All right. We have a lot of information.

Next question someone asked about unit history, excuse me, and they weren't sure which building

in the National Archives system had unit histories. Might go back to one of the archivists in

the room someone proposed it was in one of the Washington, DC buildings for the unit

histories. >> Yes, that's possible. There are also some

here, the preservation department doesn't see those very frequently.

>> One of the records for the ‑‑ >> We do have morning reports and preservation

has helped with the microfilming of those. >> (inaudible)

>> It's largely going to be A1 and A2, which is our DC area.

>> Thank you, that is helpful. Someone had mentioned, I thought we should address about

what to do a FOIA, if someone had written as a helpful comment for those of you looking

for records which may have been burned I have success finding a lot of records accepting

a FOIA to the regional Veterans Administration office. I know ‑‑ I thought ‑‑ it

might be a better way than to put in a FOIA for the burned records there might be an easier

way to access those records rather than going all the way through the FOIA process.

>> Yeah. If it's archival, then you can ‑‑ you don't need a FOIA for it. You just request

it through the reference department. >> Thank you so much. Going back through some

of the questions we have got are about basic how the federal government operates and how

we are budgeted I suggest that we go to our website archives.gov for those types of questions.

Thank you for those. It's always fascinating. I am not seeing any more questions that pertain

to your particular topic. Except I just want to say, again, how incredibly grateful people

are for your work. And all of the preservationists who are bringing these records back into a

condition that we can actually read, thank you for your talk, thank you for your work.

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