Waching daily Jun 17 2018

(OH NO)

CJ: S3UCLB IS DAT A WEED??????

s3ulB: no this is a crayon

CJ : IM CALLING AT POLICE!

(thingy)

(Illuminati music plays) 911 what's your emergency?

For more infomation >> S3ulB! IS that A WEED? - Duration: 0:08.

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Muslim Sheikhs '' The World Cup is forbidden in Islam '' - English subtitles - Duration: 1:06.

the general rule ( in Islam ) is that the hearts of the believers ( Muslims ) should not love the infidels ( Non-Muslims ) '' Quran 60:4 '' and that their hearts should not hate the believers

so , there is neither an absolute hate nor an absolute love , and the most tenacious and reliable handholds of faith ( in Islam ) is '' : Love and Hate for the Sake of Allah ''

and today , our children's passion and love for non-Muslim soccer players athletes ( maybe : Jews , Christians , Buddhists , atheists

and maybe those who curse God day and night , has become beyond belief !

and we can see their pictures on our children's notebooks , on their t-shirts and on the walls of their rooms

if the sports ( e.g. soccer ) are associated with other evil to the point that the Muslim spectators of certain sports ( e.g. soccer ) would for example praise the infidel players

so , that will be inevitably forbidden because we should not never praise the infidels ! and no matter how much progression they have made , we should not praise them

For more infomation >> Muslim Sheikhs '' The World Cup is forbidden in Islam '' - English subtitles - Duration: 1:06.

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World Cup: Australia proved against France progression is possible, but not without changes - Duration: 7:06.

World Cup: Australia proved against France progression is possible, but not without changes

Perhaps, in retrospect, the defining image of Australias 2-1 opening World Cup loss to France wont be the VAR replays of Josh Risdons tackle on Antoine Griezmann or Paul Pogbas deflected flick over a despairing Mat Ryan.

With a bit of luck, it will be the shot of the entire Australian squad in a huddle after the final whistle, with Mile Jedinak delivering a stirring rallying cry to his defeated team-mates.

In that moment, the Socceroos didnt look a team pleased to have merely stretched some of the worlds best, but a side now convinced its grander ambitions are realistic.

And make no mistake, they are completely realistic.

Progression from this group, despite what the doubters and those who place too much stock in FIFA rankings would have you believe, has always been attainable for Australia if it could swiftly organise itself under Bert van Marwijk.

From the evidence presented against France, organisation is not Australias problem.

The Socceroos were disciplined and intelligent in defending a mobile and rapid French attack, keeping them to only half chances and denying the likes of Griezmann the spaces they like to work in.

The difficulty now, should Australia want to build from this respectable base, is to adapt its game for the very different challenges both Denmark and Peru will pose, and to find a way to be more penetrative and threatening on the ball.

If any element of the France game would have disappointed van Marwijk — result aside, of course — it would have been the Socceroos lack of any real attacking threat, either on the counter-attack or when they enjoyed sustained possession.

Against Denmark and Peru — two teams that both prefer to concede possession and do their work on the break — Australia may need to focus more on the latter.

When the French dropped back and allowed the deeper midfielders Aaron Mooy and Mile Jedinak time on the ball, the Socceroos looked fairly harmless.

And, most criminally, Tom Rogic was near enough to unsighted.

The instinctive reaction is to blame Rogic himself, and suggest he needs to be doing more to receive the ball, but opponents know his worth and when the build-up play is sluggish, its all too easy to for defenders to keep him out of a game.

In truth, the only time Rogic was able to receive the ball was when the excellent Trent Sainsbury took it upon himself to bypass the midfield and play the Celtic man in from the back.

This has to change in the next two games, or the Socceroos will be up against it.

To make this happen, a personnel change or two will probably be required.

Massimo Luongo, who has the ability to play both as an attacking midfielder and as a tireless mover in defence, seems tailor-made for the coming fixtures — probably at the expense of captain Jedinak.

Luongos movement and ability to take the ball on in more advanced positions than Mooy and Jedinak — who both prefer to take up fairly deep positions to receive the ball — can draw defenders away from Rogic, and create the space he needs to work his unique magic.

Another option is Jackson Irvine, who is more offensively inclined even than Luongo, but has the energy to play a similar role.

It seems highly unlikely van Marwijk would leave Mooy out, nor should he after an excellent all-round game against France, so its likely to be a one-or-the-other situation and Luongo would probably win out.

The other problem that Australia will face, especially if they do find themselves with more possession in the next two games, is defending the transition.

The manager wants full-backs Risdon and Aziz Behich to get forward whenever possible, but that leaves spaces to exploit, and at times France came dangerously close to doing just that.

Out-of-position full-backs are fodder for Christian Eriksen, Pione Sisto, Christian Cueva and Jefferson Farfan.

Australia will need to ensure it finds the balance of committing numbers to the attack without being quite so open the other way and playing into its opponents hands.

The mobility of Luongo or Irvine would help in this element too, or Australia can just hope Sainsbury and Mark Milligan play as well as they did against France for the rest of the tournament.

But these are pretty manageable tweaks to make to a team that quite clearly has the organisational and mental attributes required to clinch the second spot in Group C.

The Socceroos mentality has to now shift for the next two games — no longer is Australia an unknown quantity, and no longer is its opposition to be feared.

Its time to be bold, to take the game to Denmark and Peru and believe this team has the tools to make a mark at the World Cup.

For more infomation >> World Cup: Australia proved against France progression is possible, but not without changes - Duration: 7:06.

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'A Place For Us' Is A Skillfully-Drawn Family Saga - Duration: 7:42.

'A Place For Us' Is A Skillfully-Drawn Family Saga

A Place for Us by Fatima Farheen Mirza Hardcover, 400 pages | purchase close overlay Buy Featured Book Title A Place for Us Author Fatima Farheen Mirza Your purchase helps support NPR programming.

How? Amazon Independent Booksellers.

A Place for Us, the debut novel by author Fatima Farheen Mirza, opens with a kind of homecoming.

Amar, the youngest child of an Indian American Muslim family, has returned after a three-year absence to attend his oldest sister Hadias wedding.

Layla, the young mans mother, has been looking forward to finally seeing her son, but is worried about how Amars father, Rafiq, will react: The only men she had left in this world to love and neither of them knew how to be with one another..

Mirzas book gets to a universal truth: To be part of a family is to learn how to be more than one person, how to remain an individual while fulfilling the duties we have to those who love us, who made us.

It is almost never easy; it is sometimes, in fact, impossible.

A Place for Us is a stunning novel about love, compassion, cruelty and forgiveness — the very things that make families what they are.

A Place for Us follows Amar and his sisters, Hadia and Huda, as they grow up in northern California.

Their family is, at its best, a happy one, although Rafiq is a strict father who sometimes lets his temper get the best of him.

The siblings have a tight bond, keeping secrets from their parents for one another, watching each others backs, performing small acts of kindness when they can.

The family is a middle-class one, comfortable but not ostentatious, in contrast to the wealthy, well-known Ali family, with whom theyre friendly.

Hadia nurses a crush on Abbas Ali, the handsome and popular eldest son of the family.

Amar, meanwhile, is fully in love with Abbas sister, Amira: Amira because of how she thought.

Amira because no room was lit until she entered it.

Amira because if it would not be Amira, it would be no one..

Amar and Amira embark on a secret romance; both know that her family wouldnt approve of her dating Amar, a poor student with little hope for a future as a successful professional.

Their relationship is eventually found out and quashed, and a depressed Amar reacts by hanging out with a troubled crowd, eventually picking up some habits that threaten to derail his life.

Its no surprise that Mirzas novel contains a Romeo and Juliet-type storyline; the books title, after all, seems to be a reference to the song Somewhere from West Side Story.

Its risky for a writer to tackle young, doomed love — the topic lends itself easily to cliché.

But Mirza does a brilliant job avoiding that; the story is deeply felt but never mawkish or sentimental.

Mirzas characters are beautifully drawn, and she has an extraordinary understanding of how people interact with another in both their best and worst moments.

The relationship between Rafiq and Amar, in particular, feels very true to life; the father and son have opportunities to connect that almost always seem to end in near misses.

In the books heartbreaking final section, told in the second person from Rafiq to his son, he reflects, You were stubborn in your sadness.

You would enter it and not leave.

And instead of softening, I hardened in my approach..

Mirzas characters are beautifully drawn, and she has an extraordinary understanding of how people interact with another in both their best and worst moments.

The structure of A Place for Us is unconventional; the novel goes back and forth in time, switching points of view.

This isnt the easiest thing to pull off, but Mirza executes it perfectly, creating a constant tension in the narrative that keeps readers turning the pages, but is never cheap or exploitative.

And her writing is gorgeous, unadorned but beautiful, and thankfully devoid of the self-conscious too-clever tricks that sometimes plague young authors.

The dialogue in the novel is impressively naturalistic; she knows how people actually speak to one another, and realizes that sometimes what isnt said is just as important as what is.

It can be difficult to write about families; its a well-worn topic in fiction, and after readers have waded through dozens of books that are essentially catalogs of grudges and resentments, they can be forgiven for being wary of another novel that focuses on domestic life.

But it would be a shame for anyone to miss this miracle of a book.

A Place for Us is a major accomplishment, a work of real beauty and fierce originality.

Mirza, 27, writes with more grace and self-confidence than many authors who have been publishing before she was born, and its going to be fascinating to see what she does next.